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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY TIMOTHY A. SCHULER

FROM THE JULY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

On a chilly Sunday afternoon in the spring of 2016, a group of designers and preservation professionals wandered through one of Newport, Rhode Island’s oldest neighborhoods, visualizing what it would look like underwater. It wasn’t hard to imagine water flowing down the narrow streets and into the basements of the quaint, colonial-era homes located just blocks from Newport Harbor and a mere four feet above sea level. Some had already seen it.

In 2012, Hurricane Sandy sent floodwaters into many of the Point neighborhood’s historic homes, including 74 Bridge Street, a red-painted, two-story house originally built in the late 1720s. The basement flooded up to the first-floor framing and the kitchen took on at least seven inches of water.

Two years later, the Newport Restoration Foundation (NRF), a nonprofit preservation group founded by Doris Duke in the 1960s, purchased the house at 74 Bridge Street. As the house of one of Newport’s most notable cabinetmakers, a Quaker named Christopher Townsend, it had sat for years at the top of the NRF’s list of most desirable historic Newport properties. It was an important acquisition for the NRF, which currently owns 78 properties throughout the city and helps fund their upkeep. But the organization also knew that 74 Bridge Street would flood again.

“It’s in the lowest point in the Point neighborhood—literally, the lowest topographical point,” says Shantia Anderheggen, NRF’s former director of preservation. With sea levels on the rise—and in Newport they already had risen 11 inches over the past century—it was a statistical certainty that what happened in 2012 would happen again. And it wasn’t just the Townsend residence. The entire Point neighborhood, which has one of the highest concentrations of colonial-era structures on the continent, was under siege from the sea. (more…)

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BY ZACH MORTICE

AECOM’s plan turns the riverbed into an outdoor activities park. Image courtesy of the City of Los Angeles Bureau of Engineering and AECOM.

The big conundrum of the Los Angeles River—that it is so imposing yet so divorced from the city—shows in the visions for its future proposed in early June by seven architecture, engineering, and landscape architecture firms. The occasion was the Los Angeles River Downtown Design Dialogue, a pro bono charrette that took place on the 10th anniversary of the city’s original master plan for the river. The design firms showed ways that visitors could step down to its shallow waters, although the concrete-lined waterway runs so low at times it can seem more like a quasi-natural splash pad. But the most fascinating plans marginalized the typically modest amounts of water in the river almost entirely.

There are no immediate plans to execute any of the projects. Rather, Gary Lee Moore, the city engineer of Los Angeles, described the charrette as an opportunity to (more…)

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