Posts Tagged ‘client’

BY MARK R. EISCHEID

The site manager Ben Wever talks about maintenance at Dan Kiley’s Miller Garden.

FROM THE JULY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Considered a modernist masterpiece, Dan Kiley’s Miller Garden in Columbus, Indiana, is now more than 60 years old. Previously the private residence of the J. Irwin and Xenia S. Miller family (1957–2008), the property has been owned and managed by Newfields (formerly the Indianapolis Museum of Art) since 2009. Ben Wever, the site manager of the Miller House and Garden, was born and raised in Columbus and has a decades-long history with the site. His grandmother, Barbara Voelz, worked for the Miller family, and he would occasionally visit the property as a child. He later became a part-time gardener for the Millers while in high school, and eventually a seasonal and then a full-time groundskeeper and a personal assistant to J. Irwin Miller. Wever—an Indiana-accredited horticulturist, member of Landmark Columbus’s Advocacy and Education Committee, and a midcentury furniture collector—also has experience maintaining other Kiley designs throughout Columbus. In his current role, Wever oversees the care, curation, and maintenance of both the Miller House and Garden. The following are excerpts from a conversation regarding the practices and challenges of maintaining the Miller Garden. (more…)

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BY ZACH MORTICE

Michael Geffel’s Field Mechanics installation. The site is a former pasture, Christmas tree farm, and nursery. Photo by Michael Geffel, ASLA.

For a few years after his undergraduate studies in geography, Michael Geffel, ASLA, worked as a gardener, performing the most literally and conceptually reductive type of landscape maintenance—weeding.

But after a while, Geffel, now a visiting professor of landscape architecture at the University of Oregon, found his compositional hand here, even if it was glued to a Weedwacker. “Because we’re removing things that are aggregating, we feel we’re not changing anything,” he says. “We’re removing what’s accumulated and we’re trying to keep what’s there. But in the removal, and how we remove these things, there’s all the different outcomes in the landscape.”

It’s an idea he carried with him while in graduate school at the University of Virginia’s landscape architecture program, where Julian Raxworthy, another gardener turned landscape architect with transformative ideas about landscape maintenance, was then a visiting professor. Geffel pitched a thesis on “the generative capacity of maintenance and how it might be a design instrument,” he says, and was on his way. (more…)

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BY ZACH MORTICE

The lago at Roberto Burle Marx’s Sítio, which he composed by eye from truckloads of species collected during his botanical expeditions. Image courtesy Julian Raxworthy.

It’s time for landscape architects to re-embrace what makes them fundamentally different.

 

Since its inception, it’s been hard to find much agreement in landscape architecture over the profession’s purpose and how it should work. For some contemporary designers, landscape architecture, in theory if a bit less in practice, is most visible when ecological systems are designed and deployed to remediate the earth, water, air, and biomes, often at an infrastructural scale. And yet, a profession wholly obsessed with infrastructure would seem to miss the trees for the forest.

The Australian landscape architect Julian Raxworthy posits a way forward in his new book, Overgrown: Practices Between Landscape Architecture and Gardening, published by The MIT Press. Landscape architects, he notes, have retreated from the defining element of their corner of the spatial world: the development and management of planting design. Plants, he argues, are defined by their growth over time and the maintenance used to train them. Gardeners (whose ranks Raxworthy once populated) haven’t lost track of this fact. Growth is landscape architecture’s fundamental currency. From there, he launches into a populist call to tear down the blue collar/white collar divide between gardeners and landscape architects. Raxworthy (who is headed to Dubai, United Arab Emirates, after living in Cape Town, South Africa, for five years, teaching at the University of Cape Town) seems to admire messiness and rebellion against the bespoke and delicate. That preference is not surprising if you chat him up about his days as a music writer in the 1980s in Sydney, attending shows by Public Enemy and Dead Kennedys. Of one of his case study projects (created by a designer who never studied landscape architecture), he writes: “As a gardener rather than a landscape architect, the only plans Korte produced for the project were to satisfy the authorities. All other decisions arose organically through spending four years on site with a gang of four young German laborers who had returned from Brazil and smoked marijuana constantly. He looked back on this way of working with some nostalgia, saying that this time on site was the height of his career.” (more…)

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