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BY BRADFORD MCKEE

FROM THE SEPTEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

A recent history of Secretary of the Interior Ryan Zinke is as follows:

In April, the Interior Department’s Office of Inspector General issued a report on its investigation into the reassignment under Zinke of 27 career members of the department’s Senior Executive Service, high-level staff whose jobs are to “provide institutional stability and continuity” across administrations. More than 40 percent of the executives reassigned, CNN reported, were nonwhite. Ten of those employees told the inspector general’s office they believe their reassignments were for “political or punitive reasons,” including past work on climate change, energy policy, or conservation. The inspector general was unable to figure out whether the department followed legal requirements and guidelines for internal reassignments because “DOI did not document its plans or reasons” for the reassignments. Several department employees told CNN they had heard Zinke say that diversity was not “important” at the agency, which employs nearly 70,000 people, more than 70 percent of whom are white. Zinke’s office denied his ever having made such comments.

The U.S. Office of Special Counsel confirmed also in April that it is looking into whether Zinke violated the Hatch Act, which forbids certain kinds of political activity by most employees of the executive branch, by announcing an exemption for Florida from a sweeping plan to begin opening nearly all of the United States’s outer continental shelf to oil and gas exploration. The exemption, the only one given to a whole state, was staged as a victory for Governor Rick Scott, a Republican who is running for one of Florida’s Senate seats. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY JONATHAN LERNER

FROM THE AUGUST 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

From Amtrak’s Pacific Surfliner or Coast Starlight trains, unless you’re staring out to sea, you’d catch a view of the property; the tracks run right along its oceanfront bluff. Or you could walk onto the place, at water’s edge from the public beach next door, though you’d have to scramble up the cliff to escape an inrushing tide. In theory, you might work there as a ranch hand—it remains a cattle operation—or on the nature preserve staff. But you can number those opportunities on your fingers and toes. Eventually there will be access for researchers and educational programs. Still, hardly anyone will ever visit this magnificent 24,000-acre spread at Point Conception, some 50 miles west–northwest of Santa Barbara. And that’s a good thing.

“In Southern California, there’s a storied legacy of establishing coastal parks and access points. Typically, your first question would be, ‘How close can we get the parking lots to the beach? How easy can we make it for people to get there?’ The paradigm here is the opposite,” (more…)

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It’s the first of August, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Lots of Opportunity (Water)
PUSH Blue helps Great Lakes communities manage their stormwater with rain gardens,
playgrounds, and greenhouses created on vacant parcels.

The Finer Fabric (Preservation)
A historic Tucson neighborhood is making an inventory of the street details,
big and small, that make it singular.

Tooling Up (Tech)
Digital work flows for CNC fabrication are coming out of the studio and into practice.

FEATURES

Democratic Void
Zurich’s vast public square, Sechseläutenplatz, opened in 2014. Now the city’s residents must decide how (and how often) they want to use it.

Almost Wilderness, Maybe Forever
The 24,000-acre Jack and Laura Dangermond Preserve on the California coast was bought—and protected—with the largest donation ever made to the Nature Conservancy.

Made to Disappear
Berger Partnership’s landscape for the Washington Fruit & Produce Company headquarters takes inspiration from Yakima Valley’s agricultural heritage.

All this plus the regular Now and Goods columns. The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting August articles as the month rolls out.

Credits: “Tooling Up,” Marion Brenner, Affiliate ASLA; “Lots of Opportunity,” Sandra Albro, Holden Forests & Gardens; “The Finer Fabric,” Steve Grede; “Made to Disappear,” Kevin Scott; “Almost Wilderness, Maybe Forever,” The Nature Conservancy/Peter Montgomery; “Democratic Void,” © Manuel Bauer Agentur Focus.

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BY CAROL E. BECKER

An Australian town decides what to do with a spent quarry.

FROM THE JULY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Hornsby Quarry is like many quarries that roared with life in the 19th and 20th centuries and then suddenly fell silent because their resources were tapped out or became too expensive to extract. It is deserted today. The quarry, in Hornsby, New South Wales, Australia, has for a generation remained “the big hole in the ground”—300 meters roughly square, 100 meters to the bottom—and a major safety hazard that Hornsby Shire was forced to buy at the market rate of AU$25 million (about $16 million U.S.) after CSR Limited, a private company, ceased extracting hard rock basalt for road base material and gravel in 2001.

The Hornsby Shire Council acquired the quarry in 2002. Because it was built before reclamation laws and it was zoned as Local Public Recreation Land (technically called Open Space A) by the New South Wales Environmental Planning Act in 1994, CSR had no obligation to mitigate the site before ceasing operations, and the Shire was required by state legislation to buy it back. The huge cost of the land, set by the solicitor general, was ultimately reduced in court by AU$9 million, but the final price still cost each rate-holder (taxpayer) approximately $50 per year, for a total of 10 years, says Kurt Henkel, a landscape coordinator at Hornsby Shire.

The quarry will not remain dormant, however. Its stories—physical, historical, geographical—parallel the long development of Australia and are about to get a bold retelling. The vision for Hornsby Quarry (more…)

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BY BRADFORD McKEE

Credit: Richard Crossley [CC BY-SA 3.0], via Wikimedia Commons, left; Gage Skidmore [CC BY-SA 3.0], via Wikimedia Commons, right.

FROM THE SEPTEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Susan Combs will be back for the golden-cheeked warbler. Combs is a former Texas state comptroller, agriculture commissioner, and state representative who has been nominated by President Trump to run the policy and budget section of the U.S. Department of Interior. The job will put her in charge of all things related to the Endangered Species Act, under which the golden-cheeked warbler (Setophaga chrysoparia) is listed as being at risk of extinction. She “has an aesthetic interest in the golden-cheeked warbler and seeks to conserve the warbler and its habitat within Texas,” according to a petition she signed in June 2015 to have the bird taken off the federal Endangered Species list. But “Combs believes that local and state conservation efforts would be of greater benefit to the warbler and that continued unwarranted regulation under the Endangered Species Act can impede voluntary and local conservation efforts.”

Combs seems fond of these voluntary and local conservation efforts, as opposed to statutory mandates, to protect species, perhaps because they have little if any force. In 2011, she masterminded an effort called the Texas Conservation Plan for the Dunes Sagebrush Lizard (Sceloporus arenicolus). The plan was less about conserving the lizard than keeping it off the Endangered Species list and out of the way of the Texas Oil & Gas Association and the Texas Farm Bureau, among other cosigners of the plan, with “a locally controlled and innovative approach.” Another cosigner was the U.S. Fish and Wildlife Service’s Southwest Region office. The problem, according to Gary G. Mowad, a former enforcement official and Texas administrator for the U.S. Fish and Wildlife Service, was that (more…)

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BY ZACH MORTICE

The world’s protected areas. Currently around 15 percent of the earth’s terrestrial surface is protected. The United Nations target is to reach 17 percent by 2020. © 2017 Richard J. Weller, Claire Hoch, and Chieh Huang, Atlas for the End of the World.

Within the hundreds of maps Richard Weller, ASLA, assembled for his Atlas for the End of the World, there’s an implicit argument for something like a new mandate for landscape architecture: Instead of mostly planning the development of public outdoor spaces in developed and affluent cities, it’s time for landscape designers to mediate the battles between rapidly expanding developing-world cities and the irreplaceable biodiversity they’re consuming. It’s a task that increases landscape architects’ zones of influence from the scale of city blocks to hundreds of square miles.

 The online atlas, which launched on Earth Day 2017 and just passed its 50,000th click, has a bracingly apocalyptic name. But within the discipline of landscape architecture, it points to a new beginning.

“There’s a whole question for us about how we approach urban design and planning so that cities (more…)

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BY MEG CALKINS, FASLA

Promising new alternatives to tropical hardwoods come with caveats.

FROM THE APRIL 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE

The past decade has brought an explosion in the use of tropical hardwood decking and furnishings in public, institutional, and commercial landscapes. Whereas wood decking was once largely the purview of residential landscapes, now it can be found in urban settings from the High Line to West 8’s sculptural Wavedecks. Tropical hardwoods are so durable, hard, and decay-resistant that they appear to be the ideal material, yet the impacts of using even hardwoods certified by the Forest Stewardship Council can be substantial and threaten the most critical ecosystems of our planet.

Wood is a renewable construction material if you compare the amount of time a wood member is in use to the amount of time it takes to grow a tree to yield a comparable piece. But that is not always the case. For example, it takes 90 years to grow a Handroanthus heptaphyllus tree to yield ipe lumber for deck boards, but the deck boards will likely not be in use for 90 years even if they are reclaimed, refinished, and reused.

As concern for the health of tropical forests is increasingly recognized in sustainable design thinking, alternatives to tropical hardwoods (more…)

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