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SA-Comm-1300-652 To YOU -- An Approach for a Collective Voice-07_RESIZE

STUDENT COMMUNICATIONS: 652 to You: An Approach for a Collective Voice

 

In the September issue of LAM, the 2020 Awards lineup unfurls.

At the end of March, just a few weeks into the nationwide shutdown orders, both the coronavirus and the now-ubiquitous Zoom meeting were novel. But the jury for the 2020 ASLA Professional Awards, made up of landscape architects across various levels of practice, accepted, if not embraced, a new means for judging these 38 winning projects. Under these conditions, the jury assessed the merits of shared space from a fresh perspective. Projects that facilitated equal access to the outdoors, enhanced how people naturally behave in those spaces, and established meaningful connections with one another—and with the land—assumed a different weight in these times.

The ASLA Student Awards jury met this year under a different moon, several months later. The pandemic had blown up the spring semester, fracturing student focus and cutting short many research projects. Yet despite these disruptions, the jury found its center quickly. Clarity and community were the twin threads that entwined the comments over several days. As one juror remarked, “We should be leaning in” on anything that engages community. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

FROM THE AUGUST 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Black people and Black communities bear the outsized impacts of public violence and, now, the deadly coronavirus. Six Black landscape architects and an architect parse the spatial factors that underlie each crisis—often both crises—and the kinds of actions and reforms they hope to see.

With Diane Jones Allen, FASLA; M. Austin Allen III, ASLA; Charles Cross; June Grant; Elizabeth Kennedy, ASLA; Jescelle R. Major, ASLA; and Douglas A. Williams, ASLA.

The idea for the following discussion, which took place the afternoon of June 22, 2020, via videoconference, first arose in late April as it became clear that the pandemic brought on by the novel coronavirus COVID-19 was doing disproportionate damage in Black communities in the United States: three times the number of infections as white people, and nearly twice the likelihood of death. The health crisis and an economic shutdown were quick to layer onto the existing vulnerabilities of Black people in the realms of health care, employment, wealth creation, community investment, mobility, and access to the virus’s nemeses—fresh air, open space, and daylight. Diane Jones Allen, FASLA, and M. Austin Allen III, ASLA, based in New Orleans and Arlington, Texas, invited four other landscape architecture practitioners and one architect to a call to talk about the spatial inequities to which the spread of the virus is plausibly attributable.

As the virus spread in May, there came national and international attention, two months delayed, to the killings of Ahmaud Arbery, 25, by racist vigilantes as he was out for a run in daylight on February 23 just outside Brunswick, Georgia, and the killing of Breonna Taylor, who was 26, in her home early the morning of March 13 by Louisville Metro Police, who were executing a no-knock warrant. Then on May 25, Memorial Day, George Floyd, 46, was murdered in public view by a Minneapolis police officer who knelt on his neck for eight minutes and 46 seconds in the course of answering a call for an alleged nonviolent offense at a convenience store. As anger gathered and then exploded in street uprisings across the country, the group of designers on these pages had an expanded scope to cover—two plagues, not one, to dissect for causes and complications that bear directly on the callings of landscape architecture, its ideals, and its ill preparedness for such a moment. One plague is novel, and the other is now four centuries with us. (more…)

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BY ZACH MORTICE

A viewshed diagram of a private residence site prepared by Surroundings Studio Intern Lily Dendy, Student ASLA, and Project Manager Abby Feldman, ASLA. Image courtesy Surroundings Studio.

LANDSCAPE ARCHITECTURE INTERNS ARE LEARNING THE ROPES OF THE PROFESSION THROUGH THE CABLES AND WIRES OF REMOTE WORK.

 

Last fall, Lily Dendy, Student ASLA, an MLA student at Auburn University, was looking for internships in New Mexico. She was searching for firms that had used indigenous design strategies (such as acequia water catchment systems) on their projects, and she had also visited Santa Fe during a road trip from Alabama to New Mexico the previous year and was transfixed by the region’s natural beauty. She was amazed by the Earth’s ability to create life in the arid expanses, and by the sunsets: the most beautiful she’d ever seen. So Surroundings Studio, a small firm in Santa Fe, founded by partners Kenneth Francis, ASLA, and Sandra Donner, Affiliate ASLA, seemed like a perfect fit. She applied in January, and the partners liked her portfolio and began discussions to bring her aboard for the summer. But then the COVID-19 pandemic halted everything. She would not be going to New Mexico, the “Land of Enchantment,” Dendy says. “I was a little bummed.”

But Surroundings decided to move forward with the internship anyway. Dendy is one of many landscape architecture students getting some of their first experiences of professional practice via Zoom calls and VPNs. For firms that have been able to offer internships despite economic hardship, part of the challenge has been acclimating new designers to the studio environment through a laptop. (more…)

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BY KIM O’CONNELL

With playgrounds off limits, Philadelphia’s Studio Ludo gets creative for low-income families.

FROM THE AUGUST 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In downtown Philadelphia, a colorful city development project is under way. The buildings are bright blue and orange, the gabled roofs patterned with triangles and chevrons. The front doors are sunflower yellow, and residents seem happy and content—at least as content as little plastic dinosaurs can be.

The project is Tube Town, a “city” made of toilet paper tubes, construction paper, markers, and glue. Tube Town is one of Studio Ludo’s new Play Packs, a resource created for families during the COVID-19 crisis, and the brainchild of the firm’s executive director, Meghan Talarowski, ASLA. In addition to providing 30 downloadable play and craft projects online—all imaginatively staged and photographed, as with the addition of the little dinos—the firm has worked with local community organizations to distribute play materials to families in need. “We thought, since we’re not doing outside projects right now, how do we bring play to families?” Talarowski says. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Lewis/Nordenson/Tsurumaki/Lewis.

From “Designs for Apartness” in the August 2020 issue by Haniya Rae, about Paul Lewis and Guy Nordenson’s manual for reorganizing spatial patterns and relationships per the omnipresent dictates of social distancing and COVID-19.

“Elbow room needed.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY HANIYA RAE

A new guide interprets the spatial implications of virology studies.

FROM THE AUGUST 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

At the outset of the pandemic, it didn’t take long for anyone to realize that it would have a major impact on cities. Given the breadth of scientific studies published since March, Paul Lewis, a principal of LTL Architects, and Guy Nordenson, a structural engineer and partner at Guy Nordenson and Associates, both in Manhattan, sought to translate the peculiarities of COVID-19 contagion into visual concepts. “We were getting a lot of different news articles and we wanted more clarity,” Lewis says. “Cities can’t have collective gathering. What does that mean? We wanted to envision immediate responses that could also lead to longer-term benefits for the city.” (more…)

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BY LISA OWENS VIANI

Congress puts permanent cash behind the Land and Water Conservation Fund and improvements to national parks. C-SPAN screen capture by LAM.

FROM THE UPCOMING SEPTEMBER 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On July 22, the U.S. House of Representatives passed the Great American Outdoors Act, a milestone law to lock in permanent federal funding for public lands and parks. President Trump signed the measure August 4, having been persuaded several months ago to support it by Republican Senator Cory Gardner of Colorado, who is up for re-election this year. On the day the House passed the Senate’s version of the bill, approved in June, by a vote of 310 to 107, the president said on Twitter: “We must protect our National Parks for our children and grandchildren. I am calling on the House to pass the GREAT AMERICAN OUTDOORS ACT today. Thanks @SenCoryGardner and @SteveDaines for all your work on this HISTORIC BILL!”

In 1964, back in the days of broader bipartisanship than it currently manages, Congress passed the Land and Water Conservation Fund (LWCF), with the goal of safeguarding the country’s natural resources by using revenues from offshore oil and gas exploration and extraction activities. Every year, $900 million was supposed to pour into the fund to protect national parks and forests, waterways, and wildlife refuges, and to provide matching grants for state and local parks and recreation projects. But since its inception, the fund has expired twice and has had to be reauthorized repeatedly. It has never been fully funded, with the exception of two years during the Clinton administration. “It was considered a win to get even half of it,” says Daniel Hart, ASLA’s federal government affairs manager.

In 2019, the LWCF finally received permanent reauthorization, giving resource managers and community planners cause for celebration. But the reauthorization did not include a permanent cash flow, meaning that funding would continue to be a challenge as it would depend on repeating rounds of appropriations, which were not always assured. Now the Great American Outdoors Act has remedied the problem by permanently funding the LWCF. (more…)

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