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Posts Tagged ‘Detroit’

BY ZACH MORTICE

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The abandoned Michigan Central Station in Detroit. Image courtesy of Zach Mortice.

In a city beset by a nearly incomparable foreclosure crisis and 20 square miles of vacant land, there’s been a growing understanding that landscape architecture and Detroit are perfect for each other. But in 2017, the city will unveil a handful of new proposals on how the discipline can grow back healthy urbanism in the Motor City.

Detroit announced early this month that, after an RFP process, it is awarding a total of $1.6 million across four project teams to plan landscape and streetscape improvements including green stormwater management and infrastructure upgrades. Each team will focus on a group of neighborhoods, (more…)

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BY ZACH MORTICE

An abandoned island is the Venice Lagoon. Local Code by Nicholas de Monchaux, published by Princeton Architectural Press 2016.

An abandoned island in the Venice lagoon. Local Code by Nicholas de Monchaux, published by Princeton Architectural Press, 2016.

In his new book, Local Code: 3,659 Proposals About Data, Design, and the Nature of Cities, the University of California, Berkeley architecture and urban design professor Nicholas de Monchaux develops new tools for the mass customization of underused and vacant urban lots, highlighting the limits of inflexible systems thinking. His book charts a way forward with an eye on past failures, and new possibilities founded in corrective measures that have proved to work.

American cities’ first encounters with data, he writes, happened after World War II. That’s when protocomputing power, developed by the military and Cold War consultancies such as the RAND Corporation, merged with tabula rasa modernist urban planning. These binary solutions to complex built environments (remembered most vividly as Robert Moses-style urban renewal that tore down anything old and dirty) became what de Monchaux calls (more…)

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BY JULIAN RAXWORTHY

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From the July 2016 issue of Landscape Architecture Magazine.

In my seminar on contemporary theories of landscape architecture at the University of Cape Town, I recently asked students, during the week allocated to discussing landscape urbanism, to choose a project from Africa that could be called “landscape urbanist.” One student chose the renovation of the Luanda waterfront in Angola. This project is an upgrade that could just as easily be described as conventional landscape architecture or urban design practice. That landscape urbanism seemed to just be landscape architecture to my students suggests how generic the term has become when considered in relation to implementation: It could be just about anything. Landscape urbanism is a vibe.

Landscape urbanism is an evocative term that has exercised great influence over academic design discourse in landscape architecture but has remained ambiguous in practical terms. One of its key propagandists, Charles Waldheim, Honorary ASLA, a professor at the Graduate School of Design at Harvard University, has attempted to provide a “general theory” for it in his new book Landscape as Urbanism, which, while engagingly going some of the way toward doing so, leaves the persistent question of “OK, but so what?” remaining.

Talking about landscape urbanism is more like (more…)

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Don't think of the city as postapocalyptic. Think of it as pre-urban.  Credit: Detroit Future City

Don’t think of the city as post-apocalyptic. Think of it as pre-urban. Credit: Detroit Future City

From the November 2014 issue of Landscape Architecture Magazine.

Erin Kelly, Associate ASLA, was giving me the side eye. We were sitting in a Salvadorean restaurant on Livernois, wolfing down hot food after a bleak circular tour of blighted neighborhoods that ring Detroit’s revitalizing downtown core. I had been talking about DesignInquiry, the group of designers I’d come to town with to check out the city and try to understand what design’s role might be here. Kelly thinks she’s seen quite enough of our type in the short time she’s been working in Detroit: parachuting in from thriving cities, Instagramming ruin-porn pictures shot from the safety of rental cars, and hopping back on the plane after a few days.

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The 272-page November issue of Landscape Architecture Magazine is the biggest of the year, if not the past five. Why the extra muscle? Perhaps abundance is in the air: This year’s ASLA Annual Meeting and EXPO in Denver is looking to be one of our biggest ever.

This year, the ASLA Award of Excellence in General Design went to Gustafson Guthrie Nichol for the Bill and Melinda Gates Foundation headquarters in Seattle. Despite the difficulties the central Seattle site provides, the site’s landscape design echoes its past as a bog, and its present as a centrifuge of global and local ethics. In “Fire, Rain, Beetles, and Us,” Carol Becker looks at the interconnected catastrophes recently visited on the Front Range of the Rocky Mountains. “Fluid Boundaries” finds the Colorado River reflow (“A Spring Flush on the Colorado,” April 24, 2014) is just one of several transnational projects to kick-start the riparian wetland along the Colorado River. Jayson DeGeeter, ASLA, talks to Guy Sternberg, the oak guru, about the species and his calling at Starhill Forest Arboreteum. “Detroit from the Ground Up” finds that landscape architecture is playing a major role in Detroit’s revitalization. And the photographer Alex MacLean and the journalist Daniel Grossman investigate the beginning and the end of the transborder tar sands oil trade.

Departments deliver this month as well: NOW has Editor Brad McKee’s perspective on the Rosa Barba Prize, updates on Changing Course, and elementary ag in NYC; Interview talks to Reid Fellenbaum, winner of the ASLA 2014 Student Award of Excellence in Analysis and Planning about his spooky-brilliant project, “Meridian of Fertility”; House Call features residential design in Arcadia National Park by Matthew Cunningham Landscape Architecture; and the Back has a portfolio of The Cultural Landscape Foundation‘s annual Landslide campaign, this year directed at saving site-specific artworks. All this and the usual rich offerings in Species, Goods, and Books. The full table of contents for November can be read here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating November articles as the month rolls out.

Credits: Gates Foundation, Tim Hursley; Pine Beetle, Paul Milner; Hunters Hole, Fred Phillips, ASLA; Guy Sternberg, Noppadol Paothong; Detroit, Detroit Future City; Alberta Refinery, Alex MacLean; Arturo Toscanini School, WORKac; Microtopographic Section Model, Reid Fellenbaum, Student Affiliate ASLA; Opus 40, © Thomas Hahn, 2014, Courtesy The Cultural Landscape Foundation.

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Frontier Town: A Tent Camp for Children in the Urban Wild D MET Design (Elizabeth Skrisson and Joel Schmidt) in collaboration with Sarah Lapinski. Photo Credit:  David Lewinski

Frontier Town: A Tent Camp for Children in the Urban Wild. D MET Design (Elizabeth Skrisson and Joel Schmidt) in collaboration with Sarah Lapinski. Photo Credit: David Lewinski

There’s a lot going on in Detroit, despite what you might read in the papers, including quite a bit at the intersection of landscape architecture, urban art, and public space. The open call for the 2014 DLECTICITY competition caught our eye for its intriguing approach to activating Detroit’s sometimes beleaguered city streets.  This is the second year for the competition and we hear that multi-disciplinary teams of all kinds are forming now. Accepted projects are funded up to $2,500 and there are honorariums as well. The description from the website is below, and the deadline is March 31. For more info, see the DLECTRICITY competition’s website. 

DLECTRICITY is back and ready to see more of your work! For two electrifying nights in 2012, DLECTRICITY brought thousands of people into Midtown Detroit to experience 35 projects by local, national and international artists. 25 of those projects were selected from an open call. This fall, DLECTRICITY will again transform Midtown with site-specific installations of light, video, performance, interactive engineering and nonconformist architecture. From lasers to dance, robots to 3D mapping, we want to see what you create. We challenge you to animate historic buildings, turn streets into oceans – the city landscape is your canvas. Now is the chance to show Detroit, and the world, what you can do!

DLECTRICITY is looking for projects that will activate the outdoor, nighttime landscape of Midtown Detroit’s Woodward Corridor including:

+ Light art
+ Video art
+ 3D video mapping projects
+ Multimedia installations
+ Projects that use technology for interactivity and community engagement
+ Works that utilize mobile platforms (smartphones, tablets)
+ Performance (art, dance, theater, music)
+ Talks and workshops
+ Kid-friendly and/or educational
+ The unexpected

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