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Posts Tagged ‘Diller Scofidio + Renfro’

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Iwan Baan, courtesy Diller Scofidio + Renfro.

From “Soft Power in Moscow” by Stephen Zacks in the April 2018 issue, about how an ambitious riverfront park has radically revised Russian notions of the public sphere.

“Russian rave.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

 

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BY STEPHEN ZACKS

An expansive park at the foot of the Kremlin helped drive a series of revolutionary improvements to the Russian capital.

FROM THE APRIL 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE. 

At Zaryadye Park in central Moscow, a procession of Eurasian birch trees, grasses, and shrubs winds downhill from a glass-encrusted outdoor amphitheater that tops the new Philharmonic Hall, framing photogenic views of the candy-colored cupolas of Saint Basil’s Cathedral. The park’s verdant terrain folds onto the rooftops of five scalloped pavilions that shelter a botanical display, an educational center, a food court, and a screening room that plays an immersive 3-D film on Russian history. The park, which covers 32 acres, stretches to the edge of Red Square, and even adds 11 square feet to the square that was uncovered during excavation. The pavilions, with their vegetated roofs, and most of the park’s terrain sit atop a 430-car underground parking garage. To keep the whole landscape in place, a geocell soil-stabilization system rests on top, anchoring granite pavers on pedestrian pathways that stretch onto an arching, boomerang-shaped overlook that cantilevers and hovers over the Moskva River. Here visitors of all ages and groups compulsively photograph themselves against the backdrop of the Kremlin and the Kotelnicheskaya Embankment Building, one of the Stalinist high-rises that define Moscow’s skyline.

Zaryadye Park is an entertaining landscape intended as a spectacular place, a special attraction, and a free public space—a term that Russian architects agree had almost no precedent in the language before a series of convergences brought the park into being. (more…)

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BY ALEX ULAM

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Nelson Byrd Woltz gets super technical at Hudson Yards.

FROM THE FEBRUARY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Until recently, you wouldn’t have wanted to go strolling at any time of the day near Hudson Yards, the two gigantic superblocks located on the far West Side of Midtown Manhattan. There was little street life there and almost no nature. Barbed-wire fences and concrete walls lined the streets and concealed the large, sooty pits packed with commuter and Amtrak trains. Indeed, everything about the place was man-made, even the hilly landscape surrounding the train yards below. Walking around was disorienting because the walls cut off view corridors and limited access to Midtown Manhattan and the adjacent Hudson River Park.

Now this formerly desolate expanse is being transformed by a $25 billion private real estate development, which the Related Companies, the project’s developer, is touting as the largest private build-out in the United States and the biggest in New York City since Rockefeller Center. In place of two gaping holes in the city’s fabric, there will be a 28-acre neighborhood with offices, apartments, and more than 100 stores and restaurants. In a sense, this development, where a projected 125,000 people will live and work, (more…)

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