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Posts Tagged ‘equity’

BY ZACH MORTICE

Mulan Primary School in Huaiji County, Guangdong, China, by Rural Urban Framework and the Power of Love. Photo Courtesy of Rural Urban Framework.

John Cary’s book Design for Good (Island Press, 2017) details a now familiar formulation for do-good design in the developing world: a western architect working closely with local partners, using local materials assembled to respect vernacular traditions and modern aesthetics, employing local labor trained as an act of grassroots economic development.

From the remotest outposts of developing-world privation to the forgotten places much closer to home that exist in the shadow of great wealth, Cary (the former executive director of Public Architecture, the public-impact design nonprofit) advocates on behalf of design for dignity. “Dignity,” he writes, “is about knowing your intrinsic worth and seeing that worth reflected in the places you inhabit.” It’s not an aesthetic goal, or a measure of the designer’s saintly ambitions. It’s a quality of the users’ experience.

The building types he examines are familiar (Rural Urban Framework’s Mulan Primary School, supportive housing by Michael Maltzan for the recently homeless in Los Angeles’s Skid Row) and totally singular to their contexts. There’s MASS Design Group’s cholera treatment center in Haiti made necessary by the region’s devastation from a 2010 earthquake that piled onto what was already the Western Hemisphere’s poorest nation. Also by MASS (Cary’s prototypical standard-bearer for his generation’s inequity-attuned designers) are “maternal waiting homes” in Malawi. These combat sky-high maternal mortality rates by creating lodging near health clinics for women in the last weeks of pregnancy, assuring quality medical attention when they give birth. Atlanta’s BeltLine, the most landscape-oriented project profiled, forges a new landscape type out of a disused rail corridor: a network of greenway trails that loop an entire city.

Quoting the social activist Dorothy Day, Cary calls for places like these that create a (more…)

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Los Angeles is an intriguing place for 2017’s ASLA Annual Meeting and EXPO. It’s a car-centric metropolis in the throes of a rebirth in public transportation, a drought-parched region with a remarkably complex water infrastructure, and an image-conscious city with a deceptively robust urban foundation. The October issue celebrates the ASLA Annual Meeting with a look at Los Angeles’s, and California’s, big designs on the future.

Christopher Hawthorne’s Third L.A. Project brings to the forefront issues, including density and equity, that Los Angeles—and Angelenos—face with the reinvention of the sprawling, single-family-home-dominated city. Waving away the clouds of optimism around marijuana legalization and production, Mimi Zeiger investigates the costs and benefits to the landscape. And in a city where entertainment is king, Studio-MLA goes big with three sports stadium projects in the Los Angeles area.

Up the coast, a public housing project on San Francisco’s Potrero Hill gets connected to the city by GLS Landscape | Architecture, while trying to stave off gentrification that could follow. And AECOM’s work on the South San Francisco Bay restores ecosystems once battered by the salt industry back to their natural habitat.

Glen Dake, ASLA, talks about his firm’s commitment to resiliency and “meeting people in their language,” in Interview. Two gardens at the storied Garden Museum in London get a redesign by Dan Pearson and Christopher Bradley-Hole in Plants. A remediation plan by Fred Phillips for an Indonesian tin mining site includes providing an alternative livelihood for artisanal miners, in Planning. And in Palette, subtle layers compose the designed landscapes of Pamela Burton & Company Landscape Architecture. All this plus our regular Books, Now, and Goods columns. The full table of contents for October can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting October articles as the month rolls out.

Credits: “Salt Ponds to Pickleweed,” © AECOM/David Lloyd; “Third Way L.A.,” Marc Campos/Occidental College; “The Final Hill,” Kyle Jeffers; “Altered State,” © 2017 Grace & Co., Inc.; “Fan Favorite,” Tom Lamb; “Growing Obsession,” Garden Museum; “All Landscape Is Local,” Stephanie Garcia/Brian Kuhlmann Pictures; “Play It as It Layers,” Marion Brenner, Affiliate ASLA; “Smartphone Landscape,” Telapak.

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BY ALEX ULAM

India Basin Shoreline Park. Image courtesy of GGN.

Early this month, the nonprofit Trust for Public Land and officials from the city of San Francisco announced that San Francisco is the first city in the country to have a park within a 10-minute walk, or a half mile, of every resident.

“Most city residents won’t walk more than 10 minutes to get to shopping, transit, or parks, so close-to-home access to parks is vital for public health, clean environments, and thriving, equitable communities,” said Adrian Benepe, Honorary ASLA, the Trust for Public Land’s urban parks director, in a news release. “This is an enormous achievement, based on years of dedicated and thoughtful work and planning.”

To build a more equitable park system, San Francisco’s Recreation and Parks Department formed partnerships with nonprofits such as the Trust for Public Land   (more…)

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Sasaki Principal Gina Ford’s prescriptions for landscape architecture’s future are a succinct set of progressive values: diversity, equity, and collaboration. At her Landscape Architecture Foundation presentation titled “Into an Era of Landscape Humanism,” the designer of the Chicago Riverwalk outlines how landscape architects have to reflect the diversity of the growing populations they serve in order to meet clients’ needs, design in ways that address historic gaps in access to restorative landscapes, and collaborate across professional boundaries to knit together holistic and healthy environments. It’s a definition of landscape design that begins with human needs and social realities, and lets landscape architects’ unique and critical talents flow into the world from there.

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BY NATE BERG

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The carving up of cities by expressways is still a civil rights problem, but it’s being solved as an economic one.

FROM THE FEBRUARY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Since freeways began slicing through cities in the United States more than 75 years ago, they have carved deep and lasting lines of separation through countless communities. Many of these communities—located in so-called blighted areas—were made up of people of color who were simply pushed aside by the transportation officials building out the nation’s vast network of interstates and urban freeways. In a somewhat surprising speech in March 2016, U.S. Secretary of Transportation Anthony Foxx, the nation’s top transportation official, acknowledged this dark history and the mistakes of his predecessors.

“We now know—overwhelmingly—that our urban freeways were routed through low-income neighborhoods. Instead of connecting us to each other, highway decision makers separated us,” Foxx said. Reflecting on his hometown of Charlotte, North Carolina, he noted how the “connective tissue” of the African American neighborhood where he lived rrns destroyed by two highways—infrastructure that was planned and built before federal civil rights legislation could intervene. “Neighbors were separated from neighbors. The corner store was gone because the corner was gone,” he said. “A new more convenient, high-speed thoroughfare had been created. But the way of life of another community had been destroyed.”

The huge gashes that freeways cut through cities will live on for the foreseeable future, as will their divisive legacy. But Foxx has vowed to try to undo some of that long-lasting damage. Though they may seem intractable, these divisions (more…)

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BY ADAM REGN ARVIDSON, FASLA

Diane Jones Allen works to put public spaces and neighborhoods back together in post-Katrina New Orleans.

Diane Jones Allen works to put public spaces and neighborhoods back together in post-Katrina New Orleans.

From the November 2015 issue of Landscape Architecture Magazine.

In the Lower Ninth Ward of New Orleans, at a community garden baking in the March sun, some herbs struggle up out of cinder block planters, and irrigation lines snake through the beds, which are awaiting springtime seeds. On the side of a toolshed is a big chalkboard announcing an evening movie screening and other community events. In the shade of a wooden arbor, Diane Jones Allen, ASLA, is meeting with Jenga Mwendo, the director of the Backyard Gardeners Network, which runs the garden. They are discussing not this place, the Guerrilla Garden, but the vacant city block across the street. Mwendo wants to claim it as community space, and Jones Allen is helping her envision what that might look like.

Jones Allen starts up her laptop on the wooden picnic table and presents a few sketches: plastic crates repurposed as small gardens, movable tables on a gravel bed, a pile of tires as a play area. That last idea intrigues Mwendo. “I just came across a pile of tires,” she says. “I’m just trying to remember where I saw that. There are lots of tires in this neighborhood.” She says she could probably make that happen right away, and it would offer some more options for Kids’ Club, an after-school program at the Guerrilla Garden. As Jones Allen presents her ideas, (more…)

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September’s LAM focuses on three issues in the world of education, including the questions surrounding the development of online landscape architecture degrees, the inclusion of concerns about social equity for the future of the profession, and the debate over the conversion of five-year BLA programs to four. And a rather grand renovation of the University of British Columbia, Vancouver, campus by PFS Studio shows how the designers inject a modern attitude into a basic Beaux-Arts plan.

In this month’s departments, the city of Austin undertakes some creative master planning of four municipal cemeteries to combine history with a revenue source for future maintenance; Future Green Studio in Brooklyn is  designing with weeds; and two water-focused landscape designs involving Atelier Dreiseitl stress the need for an understanding of local ecology. And don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for September can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating September articles as the month rolls out.

Credits: “Learning Curves,” Hover Collective; “Graveyard Shift,” McDoux Preservation; “In the Weeds,” Tod Seelie; “Keep it Up,” Atelier Dreiseitl.

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