Feeds:
Posts
Comments

Posts Tagged ‘Follies’

BY ZACH MORTICE

Hever Castle Maze, Kent, UK, 1904. Courtesy Hever Castle & Gardens


Yew Maze, Hever Castle & Gardens, Kent, UK, 1904. Courtesy Hever Castle & Gardens

Labyrinths and mazes are meandering ways to get from one place to another. As such, they’ve mostly been placed in the arena of baronial garden follies like topiary: trimmed hedges, a gazebo at its center, some ducks in a pond, and a high five once you’ve successfully traversed from point A to B. But author Francesca Tatarella has found that labyrinths’ persistence over time and their geographic pervasiveness are clues to a much deeper truth. In her book Labyrinths and Mazes: A Journey Through Art, Architecture, and Landscape (Princeton Architectural Press, 2016), she sees them as a set of existential questions we ask ourselves. “Labyrinths help us draw closer to mystery, and stave off the fear that the unknown creates in us,” she writes. “They deal with questions such as: Should I even start a journey if I don’t know where it will take me? Will I get lost if I head down an unknown path? And if I do get lost, will I be able to find my way back?”

By navigating a labyrinth’s contours and completing its choreographed rituals of movement, she believes we can master a small bit of our inner world, (more…)

Read Full Post »

On Monday, the Aga Khan Foundation announced its 2016 awards for architecture, honoring six projects from a short list of 19 named as semifinalists in May. The award honors architecture of the Islamic world every three years. Among the projects is the Superkilen (“Super Wedge”) park in Copenhagen, designed by Bjarke Ingels Group, Topotek 1, and Superflex. In its award announcement, the jury (which included Suad Amiry,  Emre Arolat, Akeel Bilgrami, Luis Fernàndez-Galiano, Hameed Haroon, Lesley Lokko, Mohsen Mostafavi, Dominique Perrault, and Hossein Rezai), cited Superkilen’s ability to integrate disparate ethnicities, religions, and cultures in a vibrant public space. LAM featured the project on its cover in July 2013. Following is our story on the park.

BY JESSICA BRIDGER

In Copenhagen, Superkilen rolls out a half-mile mash-up of global culture.

In Copenhagen, Superkilen rolls out a half-mile mash-up of global culture.

From the July 2013 issue of Landscape Architecture Magazine.

A neighborhood at the margins of the mainstream and beset by the problems of poverty: Arriving at Nørrebro Station is a bit of a shock for anyone who’s been in central Copenhagen’s pristine fairy tale. From Tivoli, the city’s famed historical amusement park, to the perfectly maintained metro stations that still look brand new years after construction, a perfect urbanism seems to be the project here. Yet Nørrebro Station is completely covered in graffiti. The layers of paint obscure the windows, something more out of New York City in the 1970s or present-day Detroit. The streetscape in Nørrebro is less shocking and perhaps looks more like central Copenhagen, just a little more down at the heel. After all, this Scandinavian country has a robust social support network and provides housing, health care, and basic subsistence to all its residents.

Yet graffiti in a train station is a maintenance issue, and, stewardship notwithstanding, efforts are made citywide to improve the city fabric, the quality of life in urban public space. That perhaps Nørrebro has more room for improvement is unsurprising, and in recognition of this the city has (more…)

Read Full Post »