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Posts Tagged ‘Harvard Graduate School of Design’

BY ZACH MORTICE

Rosetta S. Elkin Live Matter exhibition and publication, Harvard Radcliffe Institute, with support from Harvard Arnold Arboretum, 2015. Image courtesy of Rosetta Elkin.

On April 20, the American Academy in Rome announced its class of 2017–2018 Rome Prize recipients, which includes the landscape architects Rosetta Elkin and Alison Hirsch with Aroussiak Gabrielian.

Chosen by a jury chaired by the architect Thom Mayne of Morphosis (and featuring the landscape architects Lisa Switkin of James Corner Field Operations and David Fletcher), Elkin, Hirsch, and Gabrielian will join a multidisciplinary cast (more…)

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BY ZACH MORTICE

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All photos by Jose Ahedo.

Over the course of two years, the Spanish architect Jose Ahedo visited livestock farming landscapes in eight countries: Mongolia, China, Paraguay, Germany, India, Bolivia, New Zealand, and the Azores Islands in Portugal. He traveled 90,000 miles by plane, 9,000 miles by car, 23 miles by boat, nine miles by horse and camel, and—most excruciatingly for a vertigo sufferer like Ahedo—56 miles by hot air balloon. Documented through his photography and funded by a $100,000 Harvard Graduate School of Design Wheelwright Prize Fellowship, his travels kept him on the move for 103,000 miles.

Ahedo selected these disparate locations so that he could witness the extreme “asymmetry,” he says, in how cultures in different places with different levels of development produce livestock. “You have people that move on horses, and (more…)

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This presentation of the Harvard Graduate School of Design (GSD) Realities and Realms colloquium examines how landscape architecture is ingesting computation, robotics, and the reams of data that designed environments now produce second by second. In two lecture videos titled Realities and Realms: Responsive Technologies in Ecological Systems, the GSD invites practitioners, researchers, and academics to envision how “anthropogenic perception and technological mediation” will meet in landscape design. (more…)

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BY ALEX ULAM

From Los Angeles, Charles Anderson tackles the site of a lifetime at the old Athens airport.

From Los Angeles, Charles Anderson, FASLA, tackles the site of a lifetime at the old Athens airport.

From the March 2016 issue of Landscape Architecture Magazine.

The Hellinikon, an enormous area on the outskirts of Athens, Greece, is testament to how rapidly man-made forms literally can go to seed. From a hillside overgrown with unruly purple bougainvillea, you can see hundreds of structures in various states of decay across a vast expanse that terminates at a highway along the Aegean Sea. Just below, clumps of scrub grass have thrust their way up between stadium seating overlooking a complex of structures that includes a series of moldering concrete ramps built for a 2004 Summer Olympics kayaking event.

Near the decaying Olympic venues are the sprawling remains of the former Hellinikon International Airport. These include the ghostly, white-columned terminal for international flights designed by Eero Saarinen. Today, this modernist interpretation of Greek temple architecture is fenced off, and through the broken windows under its porticos, you can see rubble. The concrete runways are cracked, and they have large puddles, oases for seagulls and packs of wild dogs. Security guards cruise around in unmarked cars; they are the only other people anyone is likely to find on the grounds. Next to the terminal is a row of jets, several with retractable stairs attached. At first they look as though (more…)

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BY NATE BERG

Little-loved plants win the affection of Future Green Studio.

Little-loved plants win the affection of Future Green Studio.

From the September 2015 issue of Landscape Architecture Magazine.

The huge backyard along the Gowanus Canal in Brooklyn was the perfect site for the summertime Sunday afternoon parties that the DJs Justin Carter and Eamon Harkin liked to throw. It had plenty of space, room for a bar, and the overgrowth that comes alongside New York’s lovable Superfund waterway. But they had only temporary leases and permits to throw parties. Their time in the huge backyard wouldn’t last forever.

Carter and Harkin went looking for a permanent home and found something similar: a garbage-strewn industrial lot covered in weeds next to the L tracks in Ridgewood, Queens, a few miles away. “When we found it, it was, like, kind of just a junk heap,” Carter says.

Carter called David Seiter, ASLA, the principal and the design director at Future Green Studio, a landscape design and urban ecology firm of about 20 people then based close to the party space along the Gowanus. Seiter and his studio had also warmed to the area’s unkempt feeling and wanted to keep (more…)

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In August’s issue of LAM, Philip Walsh finds that landscape architects could work harder than they do to restore lost wetlands in the United States. Steven Litt, in Cleveland, reports on how Perk Park, an acre of oasis downtown, by Thomas Balsley Associates, is making the city look harder at the value of well-designed open space. And in Washington, D.C., Bradford McKee checks out the new national headquarters of the U.S. Coast Guard with two dozen acres of green roofs and gardens by Andropogon and HOK.

In the departments, the Harvard Graduate School of Design appoints Anita Berrizbeitia, ASLA, as the chair of landscape architecture and Diane Davis as the chair of urban planning; a look at the watchdogs who track down plant growers who infringe on someone else’s patents; and the winners of the Boston Living with Water Competition aimed at envisioning a resilient city come sea-level rise. All this plus our regular Now, Species, Goods, and Books columns. The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating August articles as the month rolls out.

Credits: “The Return of the Swamp,” Lisa Cowan, ASLA/StudioVerde; “Freeze, Thaw, Flourish,” © Scott Pease/Pease Photography, 2012; “The Wetter, the Better,” Judy Davis/Hoachlander Davis Photography; “New Chairs, Subtle Shifts,” Courtesy Harvard Graduate School of Design; “Plant Sheriff,” Courtesy Bailey Nurseries; “Boston from the Ground Floor,” Designed by Architerra; Courtesy Boston Living With Water.

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BY ELIZABETH S. PADJEN

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Mohsen Mostafavi, Francine Houben, and Craig Dykers discuss at the Keynote Panel moderated by Cathleen McGuigan.

From the July 2015 issue of Landscape Architecture Magazine.

In the opening scene of the first episode of Mr. Selfridge, an American businessman, Harry Selfridge, tries on a pair of kid gloves in a proper Edwardian department store. When he decides he wants to try something else, the clerk asks what he would like to see. “Well, maybe I don’t know until I see it,” he answers. “Why don’t we get a whole lot of them on the counter and then we can see what we like?” The clerk explains that’s not how things are done. “Come on,” he cajoles, “let’s have a little bit of fun”—and soon a drawerful of gloves is heaped on the counter.

Clients shopping for just the right design, civic-minded organizations browsing the marketplace of ideas—it’s sometimes hard to let go of the notion that design competitions are at their heart a retail experience. How can we know what we like until we see it? And shouldn’t we all have a little bit of fun while we’re trying to figure that out?

Exploring the ways that competitions can reach beyond mere consumerism was the focus of a recent conference in Cambridge, Massachusetts, on April 23 and 24, cosponsored by the Van Alen Institute and the Harvard Graduate School of Design. The event, dubbed “The Design Competition Conference” (surely “a” would have been more accurate, given the inevitability of future similar symposia), coincided with the release of the findings of a design competition survey conducted by Van Alen and Architectural Record magazine.

(more…)

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