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Posts Tagged ‘Landscape Architecture’

BY TIMOTHY A. SCHULER

Louisville’s Liberty Field is an urban destination for everyone—especially refugees.

FROM THE FEBRUARY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Louisville, Kentucky, has long been linked with sports. Some know it as the home of the Kentucky Derby, others as the birthplace of the Louisville Slugger. But in recent years it’s become a city of soccer. In part, Louisville’s embrace of soccer follows national trends—soccer’s popularity has grown steadily since the 1990s—but it is also the result of decades of refugee resettlement. According to the Pew Research Center, in 2016, Kentucky had twice as many refugees (individuals who have experienced or have reason to fear persecution based on their race, religion, or nationality) resettled per capita as the national average.

This demographic shift inspired the creation of Liberty Field, a pop-up soccer pitch converted from an unused parking lot in the city’s Phoenix Hill neighborhood. The project, led by City Collaborative, a nonprofit urban research and design laboratory, is an attempt to better serve a population that is often overlooked. Patrick Piuma, a cofounder of City Collaborative, says he’s been troubled by the xenophobia that has become increasingly visible in many American communities. “The fastest-growing segment of our population is refugees and immigrants,” he says. “How do we humanize each other? (more…)

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BY ZACH MORTICE

Nathan Phillips Square in Toronto, a favorite of Janet Rosenberg. Image courtesy Wikimedia Commons, Benson Kua.

FOUR LANDSCAPE DESIGNERS ON THE PLACES THEY LOVE WHEN WINTER TAKES HOLD  

Winter landscapes earn their allure with the opposition to comfort and ease they put forth. In the wild, that might be a sense of enclosure amid the otherwise inhospitable. In a city, this could entail seeking out community and connection when it’s far from convenient to do so. The cold air, simply by existing, adds meaning to our interactions with each other and the world around us. You have to want to be out there, and to offer respect to the flora, fauna, and fellow humanity that is out there with you. So here are four landscape designers (three landscape architects and one architect) unpacking the wintertime landscapes that have (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Sahar Coston-Hardy.

 

From “Garden Industry” by Bradford McKee, in the February 2018 issue, on landscape architect David Rubin’s tools of the trade.

“Rubin’s reach.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY KYNA RUBIN

Decoding Japanese garden design one stone at a time.

FROM THE FEBRUARY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

“Squat and move it counterclockwise, clockwise, repeat, and repeat again,” Tomohiko Muto says as he motions to the American landscape professionals gamely trying to move a chunk of Columbia River Gorge basalt. The centerpiece rock they’ve selected for their project forms a natural water basin, the result of a depression created at the break point of columnar basalt. The stone’s heft eventually requires a dolly.

Under the guidance of Muto and other instructors from Japan, the students are engaging in tactile learning at a new program developed, in the main, by Sadafumi Uchiyama, ASLA, the curator at the Portland Japanese Garden (PJG) in Portland, Oregon.

Like many of his predecessors in Japan, Uchiyama hews to tradition in the Japanese gardens he creates. But his latest endeavor reveals an iconoclastic bent. Through an unusual seminar first offered this past summer as part of the PJG’s new International Japanese Garden Training Center, he hopes to debunk the long-held myth that (more…)

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It’s the first, which means February’s issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Secrets to Share (Gardens)
Sadafumi Uchiyama, ASLA, can teach you how to
make a Japanese garden in Portland, Oregon.

Woven in Place (Details)
At Kopupaka Reserve, New Zealand, the Isthmus Group is weaving
Maori culture into stormwater infrastructure.

Solid as a Rock (Materials)
Is stone always a sustainable building material?

FEATURES

A Forest in the City in the Forest
Sylvatica Studio’s landscape for the Fernbank Museum of Natural History
immerses visitors in Atlanta’s old-growth Piedmont forest.

Ripple Effect
A topographically exuberant campus by Snøhetta embraces
the MAX IV synchrotron particle accelerator.

A View of the World
Nelson Byrd Woltz Landscape Architects has restored
the landscape of the painter Frederic Church’s estate.

All this plus the regular Now and Goods columns. The full table of contents for February can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting February articles as the month rolls out.

Credits: “Ripple Effect,” Felix Gerlach; “A View of the World,” Detail of Clouds over Olana, 1872, by Frederic Edwin Church, Oil on paper 8 11⁄16 x 12 1⁄8 inches, OL.1976.1. Olana State Historic Site, Hudson, New York, Office of Parks, Recreation, and Historic Preservation; “A Forest in the City in the Forest,” Timothy Hursley; “Solid as a Rock,” GGN; “Secrets to Share,” Jonathan Ley; “Woven in Place,” David St. George.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Inter-Fluve.

From “Exit Strategy” by Lisa Owens Viani in the January 2018 issue, about the path one Massachusetts farm has taken from cranberry cultivation to restored wetlands.

“Wood working.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text with English text available below.

BY KATHLEEN GMYREK

FROM THE JANUARY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Iwanuma is a quaint and quintessentially Japanese beach town on the Sendai Coast, a two-hour train ride north of Tokyo, in Miyagi Prefecture. Rolling sand dunes line the coast, and a thin forest of black pines spreads inland to a wide band of rice paddies and modest farmhouses. Like dozens of small communities along this stretch of coast, it’s been farmed for hundreds of years, left mostly to itself as Japan developed and urbanized.

When the Great East Japan Earthquake pushed a tsunami against the coastline on March 11, 2011, Iwanuma was washed over by waves that rushed inland for miles and destroyed almost everything in their path. The parts of Iwanuma inundated by the tsunami were mostly agricultural lands, but the death toll still reached an estimated 180 people. In all, more than 15,000 people died as a result of the earthquake and tsunami. Most drowned.

It was a devastating catastrophe for a country all too familiar with disasters, natural and human-made. But it was also something of an alarm to many people in seismically hyperactive Japan who have become newly energized by efforts to prevent similar destruction from the inevitable tsunamis of the future. One approach has gained considerable attention: the accelerated planting of “forest walls” as wave barriers. Hundreds of thousands of saplings have been planted (more…)

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