Posts Tagged ‘Lauren Mandel’

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

BY JARED BREY / PHOTOGRAPHY BY SAHAR COSTON-HARDY, AFFILIATE ASLA

FROM THE SEPTEMBER 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Darren Damone, ASLA, and Katharine Griffiths were standing on a boardwalk at Avalon Park & Preserve, in Stony Brook, New York, looking across the pond at a gang of cormorants loitering in the branches of a beech tree.

“They used to nest over here, and it was a disaster zone,” said Griffiths, the director of the preserve. “It used to smell like a bluefish factory. It was nasty. They did a lot of damage to the trees in this area.… That’s what happens. They strip the leaves to put in their nest, and then their guano is so acidic that it just burns everything. They’re kind of sloppy birds.”

It was a May morning, and the squealing songs of cardinals spilled out of the woods behind us. We took a curving path up a hill to a smaller pond, fed by what looked like an underground stream, and I asked, credulously, where the headwaters were.

“This is just recirculating,” Damone said, looking amused. “This is completely created.”

In 1996, before the preserve existed, Paul Simons, a local nature lover who liked to ride his bike on a path through the property, was struck by a car on Long Island and killed. In his honor, the Simons family created the Paul Simons Foundation, and bought the eight-acre property that would later become Avalon Park & Preserve. Griffiths was a friend of the Simons family and had just finished college in Ontario, studying political science and horticulture, and she moved to Stony Brook to lead the preserve. Creating the preserve was a way for the Simons family to grieve, she said, and it was meant to be a place that Paul would have wanted to be. Beyond that, she told me later, “We didn’t have a vision, really.”

So it turned to Andropogon, the Philadelphia-based landscape architecture firm, to create (more…)

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BY LAUREN MANDEL, ASLA

Artist Zaria Forman’s large-scale pastels describe a vanishing Antarctic.

FROM THE AUGUST 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

The Brooklyn-based artist Zaria Forman draws in fine detail to capture expansive corners of the Earth. Her large-scale, hyperrealistic pastel works feature, most recently, Antarctic landscapes affected by climate change. “I’m trying to offer people a time and a place to connect with these very far-flung places,” Forman says. “If they can fall in love with [these places] in a similar way that I have, then that will lead them to want to protect and preserve them.” Forman has been completing a drawing series and video installation for an upcoming solo exhibition, Antarctica, inspired by her first trip to the polar continent as an artist in residence aboard the National Geographic Explorer in winter 2015.

Whale Bay, Antarctica no. 4 captures the fragility of a remote harbor off the Antarctic Peninsula that is filled with melting icebergs that calved, drifted, and ran aground on the shallow seafloor. Forman says that as the icebergs melt, “it’s like the wind and the water are just hands, just making these most incredible shapes that you can’t even conceive of until you’re there.” Bays that enclose icebergs like these are called iceberg graveyards, a term that “captures the eerie solemnity of the site,” Forman says, “but (more…)

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BY LAUREN MANDEL, ASLA

Molly Meyer is capitalizing on a surge in demand.

Molly Meyer is capitalizing on a surge in demand.

From the July 2015 issue of Landscape Architecture Magazine.

Molly Meyer, a Stanford University-trained biogeochemist and the CEO of Omni Ecosystems and Rooftop Green Works in Chicago, is part of the green roof industry’s emerging generation of innovators. Meyer’s approach to green roof design emphasizes affordability and simplicity, with the goal of maximizing biodiversity. Through her sister companies, Meyer sells and installs a specially designed green roof tray system that supports unusually diverse plant species in shallow growing medium, most notably in veneer meadows. Meyer recently cofounded a third company, the Roof Crop, which began cultivating its first rooftop farm in April.

You’re from Indianapolis, which is a fairly large city. What drew you into soil science?

I loved playing outdoors as a kid. By the time I got to college I was looking for opportunities to do schoolwork outdoors. There were a lot of classes and research opportunities [for which] I could work outside and travel for by doing (more…)

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The new Nature Gardens at the Natural History Museum of Los Angeles County by Mia Lehrer + Associates provides habitat for the city’s surprisingly diverse wildlife and brings the museum’s research outside; Gweneth Leigh, ASLA, compares the dull and outdated playgrounds of the past to two challenging, yet exciting, Australian playgrounds by Taylor Cullity Lethlean and James Mather Delaney Design; and Lauren Mandel, Associate ASLA, looks at how research at the Chicago Botanic Garden roof gardens by  Oehme, van Sweden Landscape Architecture are designed to provide hard data on suitable plants and soil depths.

In our departments, Now highlights Louisiana’s wildlife management areas, Dirk Sijmons’s studies of energy and landscape, and a new program that puts chief resilience officers in cities; Water takes a look at the Miami Conservancy District in Ohio; Practice features an unusual partnership between a salt merchant and the firm Landing Studio; and in The Back Jonathan Lerner wonders if MOMA’s exhibit, Urban Growth: Tactical Urbanisms for Expanding Megacities, is as tactically urban as it aims to be. All this plus our regular Species, Goods, and Books columns. The full table of contents for January can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating  January articles as the month rolls out.

Credits: “So Cal,” Luke Gibson Photography, Courtesy Mia Lehrer + Associates; “No, No, You Go First,” Brett Boardman; “This Is a Test,” Robin Carlson/Courtesy Oehme, Van Sweden; “A Plan to Plan?” Louisiana Department of Wildlife and Fisheries/The Conservation Fund; “Dry on a Good Day,” Courtesy Miami Conservancy District; “Strange Companions,” Courtesy Landing Studio; “Growing Pains,” Courtesy NLÉ and Zoohaus/Inteligencias Colectivas.

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