Posts Tagged ‘memorial’

BY MICHAEL DUMIAK

Trees in the landscape around Ypres, in Belgium, mark stubborn boundaries of the first World War.

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Off the Menin Road in Flanders, Belgium, there is a lane leading to a working farm and a stand of trees. This copse is called Railway Wood.

On a raw day in early spring, the wind runs through the wood over the adjoining field, rustling the leaves of a slight elm sapling at the side of the lane. The elm is protected by a steel frame, and it is marked with a red-trimmed sign. The tree stands in a spot that looked very different once upon a time, from June 1915 to July 1917. At that point there were no trees, none with leaves, or branches, or tops, anyway, and this place was called the Idiot Trench. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo courtesy Yannick Milpas for Omgeving.

From “Tree Line” in the March 2019 issue by Michael Dumiak, about the Remembrance Trees marking a World War I memorial.

“The Bluff overlooks what was once no-man’s-land—the neutral land between German and Allied forces in World War I.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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FOREGROUND

Sugar Substitutes (Preservation)
Reed Hilderbrand rethinks Storm King Art Center’s venerable Maple Allée.

Free Markets (Food)
Atlanta’s Browns Mill Food Forest will be a place for the community to gather,
as well as gather food.

FEATURES

Giant Steps
Mithun has made Yosemite’s Mariposa Grove a better experience for visitors as well as for its spectacular sequoias.

Taking the Wind Out of Wildfire
Ashland, Oregon’s new wildfire mitigation project could serve as a model for communities throughout the West.

Tree Line
In Ypres, Belgium, trees grow as living memorials to World War I dead.

All this plus the regular Now and Goods columns. The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting March articles as the month rolls out.

Credits: “Taking the Wind Out of Wildfire,” City of Ashland; “Giant Steps,” Christian Runge, ASLA; “Tree Line,” The National Archives, Kew, Ordnance Survey/Wikimedia Commons; “Free Markets,” Office of Resilience, City of Atlanta; “Sugar Substitutes,” © Courtesy Storm King Art Center/Photograph by Jerry L. Thompson.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image by SWA.

 

From “The Making of a Memorial” in the February 2019 issue by Timothy A. Schuler, about a memorial by Dan Affleck, ASLA, and Ben Waldo, Associate ASLA, commemorating the Sandy Hook Elementary School mass shooting.

“The ‘sacred sycamore’ at the Sandy Hook memorial.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY BRADFORD MCKEE

A quirky nook at UC Berkeley memorializes Bill Callaway in style.

FROM THE MAY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Peter Walker, FASLA, has thought quite a lot about memorial design. With Michael Arad, he completed the World Trade Center Memorial in Lower Manhattan, which opened in 2011. But a more recent call about a memorial commission was quite personal. It came from Jennifer Wolch, the dean of the College of Environmental Design at the University of California, Berkeley, near where Walker has his firm, PWP Landscape Architecture. She wanted to create a memorial within the school’s Wurster Hall to William Byrd Callaway, known to his friends as Bill. Callaway, who died in 2014 at the age of 71, joined Walker at SWA in 1967 and eventually became its CEO—and a legend to his colleagues.

Wolch “had quite an interesting space, but it was really ugly,” Walker said. “Everyone just threw stuff in it.” The space is a two-story light well for which no use was specified when the building opened in 1964. Faculty members at that time debated its best use but couldn’t agree on what that would be. “The decision was made to put all plans on the back burner,” Wolch said. “For 52 years.” (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in different languages. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text with English text available below.

BY JENNIFER REUT / IMAGES BY SARA ZEWDE

FROM THE APRIL 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

There are a number of arresting images in Sara Zewde’s proposal for a memorial at Valongo Wharf in Rio de Janeiro, but my favorite is the one with the water. In it, ghostly figures in white are faded back over a scrim of water overlaid on the sea. Above their heads is a diagram of points and lines that ricochet out from a dense cluster triangulating across the sky. The palette is one of muted blues and grays. It feels both transcendent and somber.

The diagram comes from one of the spatial analyses that Zewde did on samba, the distinctly Brazilian musical form with African roots that lives in the city’s streets and squares. It depicts the roda de samba, an informal dance circle of musicians and spectators who become musicians. The character of samba is both sad and happy, a shout of joy and a lamentation.

In July 2017, the Valongo Wharf Archaeological Site in Rio de Janeiro became a UNESCO World Heritage Site. Zewde helped write the nomination, and her ideas are threaded through the descriptions. Recognized for “Outstanding Universal Value,” for its material, spiritual, and cultural significance, the wharf was and is the central element in a landscape that profoundly shaped the history of the Western Hemisphere: the built environment of slavery. (more…)

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BY ZACH MORTICE

Images are the work of invited panel participants as noted. Collage courtesy UVA School of Architecture.

A UVA panel looks for ways landscape can lead the way in a city shaken by intolerance.

The Unite the Right rally in Charlottesville, Virginia, on August 12, 2017, welcomed white supremacy, resulted in the murder of a counterprotester, Heather Heyer, and changed that city and a great many residents and members of the University of Virginia (UVA) community. There were torch burning, Nazi symbols, and chants of “Jews will not replace us” in the public spaces of what’s often painted as an idyllic Southern college town. That dichotomy will be the topic of a panel and presentation moderated by the UVA Architecture Assistant Professor Elgin Cleckley at UVA later this week. “Landscape Perspectives for Future Publics” will gather eight landscape designers, academics, and writers to present their visions of Charlottesville’s future and to consider the landscape implications of race. The presentation will occur on April 20 from 10:00 a.m. to 12:00 p.m. at UVA’s Campbell Hall.

Presenters will offer rapid-fire imagery illustrating past/present/future triptychs for Charlottesville.

Participants will include: (more…)

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