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Posts Tagged ‘Mexico’

BY ZACH MORTICE

Judith F. Baca, The Great Wall of Los Angeles, detail with Baby Boom. Image courtesy of SPARC Archive.

Murals, wherever they’re deployed, can be sites of cultural empowerment, protests aimed at the dominant culture, commemorations of heroes, or simple, subversive proclamations of existence.

 In their ability to reappropriate neglected space on a large scale, murals can be defining elements of landscape design. To thousands of landscape architects who will be in Los Angeles this month for the ASLA Annual Meeting and EXPO, Oct. 20-23, this will be good news: The Pacific Standard Time: LA/LA—Latin American and Latino Art in LA festival of thematically linked art exhibits will feature six installations that show how murals (more…)

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BY BRADFORD McKEE

Credit: Courtesy Museum of Walking/Angela Ellsworth.

Postcommodity, Repellent Fence, 2015. Image courtesy Museum of Walking/Angela Ellsworth.

From the upcoming February 2017 issue of Landscape Architecture Magazine.

Instead of a sensible and humane overhaul of the nation’s immigration laws to deal with current realities, we are apparently going to get a wall between the United States and Mexico. It was among the most outlandish promises of the Trump campaign, if only one of its rank xenophobic turns: a gigantic blockade stretching from the Pacific Ocean, through the Sonoran Desert, and down the Rio Grande River to the Gulf of Mexico, with fear as its mortar. During the first week of the new Republican-led Congress, the House Republican Policy Committee chair, Rep. Luke Messer of Indiana, told the Washington Post that legislators are looking for ways to begin work on such a wall under existing law and with American (not Mexican) money. The existing law Messer means is the Secure Fence Act of 2006, signed by President George W. Bush, which called for 700 miles of actual fencing and a “virtual fence” of beefed-up surveillance along the Mexico border. That work remains incomplete. Barriers block less than half of the 1,954 miles of international boundary. Theoretically, a resumption of building could begin to lock it all up later this spring.

The human effects of this simplistic idea will be mixed. A big wall will stop some population flow, but hardly all of it, and it will kill informal cross border commerce. Ecologically, though, it is likely to be a catastrophe. It will fragment habitat on a huge scale in one of the most biologically diverse parts of North America—the Rio Grande Valley in southern Texas alone is said to have (more…)

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The artist Josh Begley’s Best of Luck with the Wall video turns the 1,954-mile continent-spanning journey across the United States–Mexico border into a seven-minute tone poem. The border mostly exists in our lives as a contested political abstraction. But it’s an actual place, and even as the video races across the landscape (stitched together from 200,000 satellite images), viewers can see towns nestled up against the demarcation, agricultural fields in neat rows and wide circles, and hundreds of miles of the Rio Grande River, all set to a spare, jangling score. The politics of the day has brought the border into everyone’s living room, but a concise portrait of what the border actually is will still remain a cursory and ephemeral thing.

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