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BY BRIAN BARTH

A flood-friendly park re-creates a resilient landscape in Calgary’s Bow River.

FROM THE JANUARY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In the summer of 2013, catastrophic flooding in southern Alberta killed five people and forced 100,000 to evacuate. With $6 billion in property damage, it was one of the costliest natural disasters in Canadian history. The swollen Bow River, which flows from glacial headwaters in the Rockies to Calgary, left much of the city’s urban core underwater. The inundated area included St. Patrick’s Island, one of several islands in the downtown stretch of the river, where Barbara Wilks, FASLA, and Mark Johnson, FASLA, had just kicked off construction on a new 31-acre park. A new pedestrian bridge to the island, which was partially built at the time, suffered significant damage. But for the park itself, Wilks and Johnson—the founders of W Architecture and Landscape Architecture and Civitas, respectively—say the floodwaters provided positive reinforcement of their design.

This was not the initial reaction, however, of the folks at the Calgary Municipal Land Corporation (CMLC), their client.

“Our client called and said, ‘Oh, God, you have to get up here; we’re going to have to change the design,’” said Johnson as he, Wilks, and I strolled across the bridge to the completed park on a clear spring day.

“The whole island flooded!’” Wilks recalled members of the CMLC team saying in an urgent and distressed call. “We said, ‘It’s going to be fine; there’s nothing to change. We designed it to flood—this is what’s supposed to happen.’” (more…)

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BY JENNIFER REUT

A botanical exhibition brings visitors into Roberto Burle Marx’s oeuvre.

FROM THE AUGUST 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

So often seen only in plan or aerial photography, Roberto Burle Marx’s work can be hard to understand as spaces to occupy. With the possible exception of Biscayne Boulevard, executed after his death, the experience of being in a Burle Marx design remains out of reach for most U.S. admirers. And the images we do have, though captivating, are empty of the sensorial qualities essential to his work. Raymond Jungles, FASLA, a Florida-based landscape architect who often visited Burle Marx in his native Brazil when he was alive, observes, “It’s one thing to see photos; it’s another thing to move through the space.” (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Wrought iron step and brick façade overcome by time. Credit: Future Green Studio.

Wrought iron step and brick facade overcome by time. Credit: Future Green Studio.

From “In the Weeds” by Nate Berg, in the September 2015 issue, featuring Future Green Studio’s love for designing with weeds.

“The juxtaposition of new growth against old structure creates a nice tension, and the dead leaves and stems on the wrought iron step create a nice bridge.”

—Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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Americans throw away more than 146 billion coffee cups every year, says Alex Henige, a senior in the landscape architecture program at Cal Poly San Luis Obispo. That number may seem low, but with no end in sight to the nation’s coffee addiction, Henige has a plan to take it down even lower—and plant trees in the process.

For his senior project, which Henige has turned into a Kickstarter campaign, he is developing “The World’s First Plantable Coffee Cup,” which turns a beverage container into a seed packet. The plantable coffee cups, made with fibers from local recycling centers, are embedded with an assortment of California native seeds. In his scheme, their first lives as cups would end one of three ways: The cups could be soaked in water for five minutes and planted in the ground; they could be collected in a special container for use at nearby reforestation sites; or they could be thrown away and would biodegrade within six months or so.

Henige was part of the team that won the 2014 ASLA Student Award of Excellence in Community Service for work on the Ratang Bana AIDS Orphanage Playscape in South Africa. On that trip, he saw the potential for a dual-purpose product. “They don’t have proper disposal techniques over there,” he says, “so what if we had a product that can benefit the communities by dissolving the waste?”

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At this point, the Kickstarter prototype is for the California region, and there are still many tests to complete, such as putting the seeds through the manufacturing process to see whether they can germinate afterward. If they can, he will put the cups in consumers’ hands and monitor usage patterns. “If they’re throwing them in urban environments, then we need certain species” that wouldn’t hurt ecologically, Henige says. “If there are more people who are actually throwing them into our containers where we can collect them, then, okay, these people actually want us to use this product for reforestation.”

For more information, visit “The World’s First Plantable Coffee Cup” Kickstarter, running now until March 14.

Credit: Courtesy Alex Henige.

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