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Posts Tagged ‘New York’

BY BRADFORD MCKEE

Kate Orff, ASLA. Image courtesy of the John D. & Catherine T. MacArthur Foundation.

FROM THE NOVEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Kate Orff, ASLA, became the first landscape architect to receive a MacArthur Foundation fellowship, which carries a $625,000 award over five years for “originality, insight, and potential.” Orff was among 24 fellows named by the foundation today, who also included artists, activists, scientists, and historians.

Orff is the founder of SCAPE Landscape Architecture in New York, and the director of the urban design program at Columbia University’s Graduate School of Architecture, Planning, and Preservation. The firm’s work has achieved wide renown in recent years for its novel and intensely collaborative approaches (more…)

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Olana, the estate and landscape designed by Frederic Church–America’s foremost landscape painter of the 19th century–might be the painter’s deepest and richest creative act.

This hillside on the banks of the Hudson River in Upstate New York was a work of art that became Church’s own studio for painting the landscapes that made him a national celebrity—a mutually reinforcing circle that tied this land to his fantastical, but finely grained, depictions of it. “I can make more and better landscapes in this way than by tampering with canvas and paint in the studio,” Church wrote of his stewardship of Olana.

As detailed in this summary of what led Church to the Hudson Valley and what kept him there, Church’s landscape accentuated the stunning beauty of one of the Hudson River Valley’s most dramatic sites. To accompany the Persian-themed house he built for his family starting in 1872, Church planted trees to frame views, added a system of carriage roads to ferry visitors from one to another, and installed a lake that echoed the shape of the river. For his house, he mixed colors he would use to paint its rooms on his own palette.

A new plan for Olana by Nelson Byrd Woltz Landscape Architects won a 2017 ASLA Professional Award for Analysis and Planning for its sensitive approach to encouraging greater public engagement and its deep research into the site’s soil, hydrology, land use, and topography. The jury praised the plan for allowing the estate’s essential beauty to shine through, free of overwrought design and unnecessary flourishes.

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BY ZACH MORTICE

The completed Manitoga pavilion. Photo by Vivian Linares.

On a ridgeline next to a rock quarry pond at the campus of Manitoga, the home and studio of the industrial designer Russel Wright, there’s a whirling, biomorphic mass of modular figures—not quite human and not quite animal, but distinctly organic. They’re organized into a rough, habitable dome, holding each other aloft, tiptoe to fingertip. It’s a wide-eyed exploration of the architectural pavilion’s status as a fertile middle ground between sculpture and architecture.

This pavilion, part of Manitoga’s artist residency program, was designed and built by (more…)

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BY JANE MARGOLIES

An iconic Robert Moses-designed park on Long Island gets a resilient rethinking.

From the November 2016 Issue of Landscape Architecture Magazine 

 

I’m standing on the boardwalk at Jones Beach State Park in Wantagh, New York, with Faye Harwell, FASLA, a codirector of Rhodeside & Harwell. Our backs to the Atlantic, we look out over a flat expanse that used to be covered by shuffleboard, ping-pong, and tennis courts. Now it’s a mountain of broken-up concrete. By next summer, this will be a rolling naturalistic setting, dotted with a rock-climbing wall, zip line, splash pool, and, yes, a couple of shuffleboard courts, too. It will be the most visible of the many changes taking place at Jones Beach in a $65 million project undertaken by the state’s Office of Parks, Recreation, and Historic Preservation and guided by a report from Harwell’s firm.

Changes are needed. Built by the urban planning czar Robert Moses in 1929 as part of an unprecedented network of parkways and public parks, Jones Beach once was a six-and-a-half-mile-long marvel along the south shore of Long Island. Moses had used dredged sand to connect several small barrier islands, on which he and the landscape architect Clarence Coombs laid out the park (more…)

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BY ANNE RAVER

Reed Hilderbrand overturns a century of casual destruction at Long Dock Park in Beacon, New York.

Reed Hilderbrand overturns a century of casual destruction at Long Dock Park in Beacon, New York.

From the March 2016 issue of Landscape Architecture Magazine.

Ten years ago, Long Dock was a postindustrial ruins built on fill—the layered detritus of its past—that sprawled 1,000 feet across the tidal flats of the Hudson River at the foot of the boarded-up city of Beacon, New York.

Now, this same site, Scenic Hudson’s Long Dock Park, is a 23-acre expanse of meadow and wetlands shaded by cottonwoods and swamp maples, with a sculpted dock and quiet cove, where a kayak pavilion hovers like a dragonfly over the river’s edge.

Reed Hilderbrand has remediated and reshaped the flat landscape, transforming it to a series of earthen berms and reconfigured marshes that hold and filter stormwater and tidal surges in storms as brutal as Irene and Sandy.

“We were fully inundated four times during construction, so each time we lost ground,” Gary Hilderbrand, FASLA, said one midsummer afternoon, standing on the boardwalk that leads to the river’s edge. “But we also proved that the (more…)

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The March LAM focuses on Charles Anderson, FASLA, and the long and winding road to redesign Hellinikon, an abandoned airport in Athens, into what would be one of the largest urban parks in Europe; the transformation of Long Dock Park  in Beacon, NY, from a derelict property on the Hudson River into an amenity for local residents, by Reed Hilderbrand; and Queens Quay Boulevard, by West 8 in collaboration with DTAH, turns a stretch of the Toronto lakefront into a multitransit, public promenade that connects the city to Lake Ontario.

In Planning, a plan for the Bayou Greenway Initiative by SWA Group weaves a network of new and existing green corridors in Houston. In Parks, a new park in one of the most diverse counties in the South responds to multiple wants through passive recreation. And in House Call, Savino & Miller Design Studio reimagines a small side yard into a lush jungle retreat. And don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating March articles as the month rolls out.

Credits: “Greek Revival,” Alex Ulam; “Alive on the Edge,” James Ewing/OTTO; “Leafed Out,” Nicola Betts for West 8; “Houston Best on the Bayou,” Jonnu Singleton; “The Call for Open Space,” John Gnoffo; “The Make-Do Shrine,” Steven Brooke.

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BY NATE BERG

Little-loved plants win the affection of Future Green Studio.

Little-loved plants win the affection of Future Green Studio.

From the September 2015 issue of Landscape Architecture Magazine.

The huge backyard along the Gowanus Canal in Brooklyn was the perfect site for the summertime Sunday afternoon parties that the DJs Justin Carter and Eamon Harkin liked to throw. It had plenty of space, room for a bar, and the overgrowth that comes alongside New York’s lovable Superfund waterway. But they had only temporary leases and permits to throw parties. Their time in the huge backyard wouldn’t last forever.

Carter and Harkin went looking for a permanent home and found something similar: a garbage-strewn industrial lot covered in weeds next to the L tracks in Ridgewood, Queens, a few miles away. “When we found it, it was, like, kind of just a junk heap,” Carter says.

Carter called David Seiter, ASLA, the principal and the design director at Future Green Studio, a landscape design and urban ecology firm of about 20 people then based close to the party space along the Gowanus. Seiter and his studio had also warmed to the area’s unkempt feeling and wanted to keep (more…)

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