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Posts Tagged ‘Oehme van Sweden’

BY JANE BERGER

There’s a lot to love about bamboo.

FROM THE NOVEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Thousands of lucky San Franciscans will soon be walking through a bamboo forest on their way to and from towering glass buildings in the city’s Mission District. Groves of giant Japanese timber bamboo (Phyllostachys bambusoides) are a stunning horticultural statement in a 5.4-acre park atop the new Transbay Transit Center, scheduled for completion later this year. It’s just one more sign of bamboo’s increasing popularity, despite its bad reputation.

The park, long and skinny, is 70 feet aboveground and extends four blocks, with public access by bridges that connect with adjacent skyscrapers, by gondola from street level, or by escalator, elevators, and stairways inside and outside the building. Adam Greenspan, ASLA, a partner at PWP Landscape Architecture, explains that no matter what level people are on, “we wanted them to see that there was an inhabitable landscape up on the roof.”

The dominant feature of the Transit Center is a light tower that extends from the grand concourse at street level up to the roof, where its glass dome is surrounded by bamboo. Greenspan says he selected Japanese timber bamboo because it allows for “transparency and translucency,” and when you’re inside the building, “you get a bit of filtered light through foliage and through stems and culms.” Up on the roof is a “transparent scrim of green.” The bamboo is planted in a concrete basin about four feet deep, which sequesters the bamboo’s rhizomes so they (more…)

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Filmed over 18 months by Jim Richards Productions of Reston, Virginia, this time-lapse look into the construction of ASLA’s new home begins with a few swings of the sledgehammer by ASLA executive committee members and staff. Builders Coakley & Williams Construction installed green walls, opened up the roof for a three-story atrium, and dug into the earth to bury a stormwater collection cistern. The design by Gensler, with a lower-level garden by landscape architects Oehme, van Sweden, sets the Center for Landscape Architecture up to act as a leader in workplace design and ecological stewardship for decades to come.

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BY KATARINA KATSMA, ASLA

Sandra Clinton’s landscapes don’t stand out. They belong.

FROM THE MAY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE. 

Sandra Clinton, FASLA. Credit: Bob Devlin.

“I’m a plant scientist first,” says Sandra Clinton, FASLA. She is quick to clarify it’s not the only thing that defines her work. “I’m an aesthetic designer. I design for what I think works together and what I think will survive.”

It’s the literal combination of landscape and architecture that Clinton, the president of Clinton & Associates in Hyattsville, Maryland, says defined her interests early on. “My entire childhood was spent watching my mother garden this incredibly intense garden.” Her mother, she says, was in an unspoken annual competition with the next-door neighbor for best landscape. While her mother focused on plants, her neighbor—who was an engineer—favored structures and pavement, and by the time Clinton reached the age of seven he would let her help with construction. “To me, you have to have the structure work and you have to have the plants work. My job is to make them work in proportion and combination and in concert with each other.” (more…)

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BY BRADFORD MCKEE

The storefront gallery. Image courtesy of LAM.

First, our thanks to the many members and supporters of ASLA who gave their pledges, time, and enthusiasm to help build a new home for us all, the Center for Landscape Architecture. We are holding its public opening this week. What’s especially nice is that the center is our beloved old home, our sweet, four-story, 12,000-square-foot brick box in Chinatown, D.C. It is beautiful.

Sixteen months ago, all 50 of us moved over to Metro Center, into half our usual footage (nobody died, though it’s boring over there). Back home on Eye Street, Coakley & Williams Construction blew out all the gypsum walls that cut up the insides of our building, pulled out half a puzzling scissor stair that, we’re told, wouldn’t meet code today, and found a lot of daylight in the three-story atrium it leaves behind.

The building was redesigned by Gensler. Our lower-level garden is by Oehme, van Sweden. We had such fun bringing it together. It went fast; the hard part to believe is that we began the project in 2014. The process was always focused on embodying the mission and vision of ASLA. We already had the ASLA Green Roof, by Michael Van Valkenburgh Associates, which opened in 2006 (more…)

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Margie Ruddick and Thomas Rainer talk about their new books on wild landscape design.

Margie Ruddick and Thomas Rainer talk about their new books on wild landscape design.

From the July 2016 issue of Landscape Architecture Magazine.

In the past several months, Thomas Rainer, ASLA, and Margie Ruddick have each published books centered around notions of designing “wild” landscapes in the public realm to help restore ecological diversity in urban settings. Ruddick’s book is Wild by Design: Strategies for Creating Life-Enhancing Landscapes (Island Press, $45), and Rainer’s is Planting in a Post-Wild World: Designing Plant Communities for Resilient Landscapes (Timber Press, $39.95). We invited the two to ASLA’s offices to talk about the project they have in common. This interview has been edited and condensed.

Why did you each decide to write books on wildness in landscape design?

Margie Ruddick: I didn’t actually think of my work as wild at all until Anne Raver wrote this piece, “In Philadelphia, Going Green or Growing Wild?” [about Ruddick’s home garden, in the New York Times], and then I started to get e-mails from people all around the world, and I realized: This is wild gardening.

Thomas Rainer: It felt like a good place to be, and we [Rainer and his coauthor, Claudia West, International ASLA] are both plant geeks. We had a lot of practical problems to work out in terms of how to (more…)

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