Posted in ART, FARMS, FEATURES, FOOD, INTERVIEW, LAM MAGAZINE, NEW YORK CITY, PARKS, PRACTICE, TECH, tagged Boston, Clark Art Institute, Hudson River Valley, Lawn on D, Olympic Sculpture Park, Reed Hilderbrand Landscape Architecture, Sasaki, The Cultural Landscape Foundation on December 1, 2016|
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Look at that cover. It’s a Millicent Harvey photograph of the Clark Art Institute, a design by Reed Hilderbrand Landscape Architecture. The project that took more than a decade. You can tell. In any case, Jennifer Reut tells us. Also this month, Anne Raver reports on a campaign to save farms in the Hudson River Valley, which supply many lives in New York City with fresh food. In Boston, Elizabeth Padjen surveys the Lawn on D, a provisional park by Sasaki that has become a sensation. And don’t miss our Now, Interview, Tech, and Goods columns.
You can read the full table of contents for December 2016 or pick up a free digital issue of the December LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.
Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating December articles as the month rolls out.
Credits: “A Foodshed Moment,” Frederick Charles; “Call and Response,” Millicent Harvey; “Playdate on D Street,” Sahar Coston-Hardy; “Angles Entangled,” Benjamin Benschneider; “Living on Air,” Courtesy Brandon Cornejo, Student ASLA; “Expanded Horizons,” Sky High Creative Media for Nelson Byrd Woltz Landscape Architects; “Soul to Souls,” Jeremy Bittermann.
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Posted in BROWNFIELDS, CITIES, HISTORY, LAM MAGAZINE, REUSE, tagged abandoned, Aegean Sea, airplanes, airport, Alex Ulam, Alimos, Antoinette Nassopoulos-Erickson, Argyroupolis, ASLA, Athens, Charles Anderson, Eero Saarinen, Europe, FASLA, Foster + Partners, Glyfada, graffiti, Greece, Greek, Harvard Graduate School of Design, Hellinikon, Hellinikon International Airport, international competition, Lamda Development, Mediterranean, Melendrez, mythology, National Garden, National Technical University of Athens, native, Olympic Sculpture Park, Olympics, Philippe Coignet, placemaking, repurpose, sustainable, Syriza, Thomas Doxiadis, top soil, University of Patras, urban, Weiss/Manfredi, Werk on March 24, 2016|
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BY ALEX ULAM
From Los Angeles, Charles Anderson, FASLA, tackles the site of a lifetime at the old Athens airport.
The Hellinikon, an enormous area on the outskirts of Athens, Greece, is testament to how rapidly man-made forms literally can go to seed. From a hillside overgrown with unruly purple bougainvillea, you can see hundreds of structures in various states of decay across a vast expanse that terminates at a highway along the Aegean Sea. Just below, clumps of scrub grass have thrust their way up between stadium seating overlooking a complex of structures that includes a series of moldering concrete ramps built for a 2004 Summer Olympics kayaking event.
Near the decaying Olympic venues are the sprawling remains of the former Hellinikon International Airport. These include the ghostly, white-columned terminal for international flights designed by Eero Saarinen. Today, this modernist interpretation of Greek temple architecture is fenced off, and through the broken windows under its porticos, you can see rubble. The concrete runways are cracked, and they have large puddles, oases for seagulls and packs of wild dogs. Security guards cruise around in unmarked cars; they are the only other people anyone is likely to find on the grounds. Next to the terminal is a row of jets, several with retractable stairs attached. At first they look as though (more…)
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