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Posts Tagged ‘pavilion’

BY ZACH MORTICE

The completed Manitoga pavilion. Photo by Vivian Linares.

On a ridgeline next to a rock quarry pond at the campus of Manitoga, the home and studio of the industrial designer Russel Wright, there’s a whirling, biomorphic mass of modular figures—not quite human and not quite animal, but distinctly organic. They’re organized into a rough, habitable dome, holding each other aloft, tiptoe to fingertip. It’s a wide-eyed exploration of the architectural pavilion’s status as a fertile middle ground between sculpture and architecture.

This pavilion, part of Manitoga’s artist residency program, was designed and built by (more…)

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In February’s issue of LAM, you’ll find Sweetwater Spectrum, the winner of a 2015 ASLA Honor Award in Residential Design by Roche + Roche Landscape Architecture, designed for a community of adults with autism; Sundance Square Plaza in Fort Worth, Texas, designed by Michael Vergason Landscape Architects to transform a dead block in a resurgent downtown; and a report on what’s behind the numbers of the National Park Service’s  $11.49 billion maintenance backlog. And you won’t want to miss a fabulous project in Massachusetts, where a historic airport has reverted to a naturalistic wetland and meadow, designed by Crosby | Schlessinger | Smallridge.

In Water, a 1,000-year flood in Nashville brought about a park that works with rather than against water; and in House Call, a garden pavilion built from a steep cliff over the San Fernando Valley creates outdoor space with breathtaking views. And don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for February can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating February articles as the month rolls out.

Credits: “Welcome Home,” Marion Brenner, Affiliate ASLA; “Square Dance,” Brian Luenser Photography; “Roads to Ruin,” Philip Walsh; “Soft Landing,” © Charles Mayer Photography; “Nashville’s New Porch,” Matt Carbone; “Over the Edge,” © Undine Pröhl.

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BY TIM WATERMAN

The Milan Expo 2015 raises unsought emotions about food, cities, the world.

The Milan Expo 2015 raises unsought emotions about food, cities, the world.

From the July 2015 issue of Landscape Architecture Magazine.

A city like Milan reflects the strivings of generations. It has a rich quality of everyday life that includes a sophisticated food culture, which, as in so many Italian cities, is both distinctly local and, because of its history of trade, cosmopolitan. The evolution of the city’s form has intertwined with the tastes and appetites of the Milanese. The convivial quality of many of its spaces comes from enclosures such as its ubiquitous courtyard gardens, its cool semiprivate zones where neighbors come into contact, or its sidewalk cafés. Milan was once Mediolanum (meaning “in the midst of the plain”), the capital of the Western Roman Empire. It was enclosed by walls, but open to its countryside in the Po River Valley, where alluvial soils raised abundant grain and grapes, and roads brought influence from all over Europe.

Milan’s economy has suffered, as has all of Italy’s, from the crash in 2008, and recession and unemployment are tenaciously rooted. While its economy continues to be underpinned by industry and agriculture, notably by small, family-owned farms, government policy has looked to urban and infrastructural development for solutions to the crisis. Italy’s new, post-Berlusconi government is trying to show evidence of its ability to deliver, and Milan, the financial center of Italy, has become a showcase of contemporary neoliberal development. In particular, two developments have shown great international visibility: the Milan Expo 2015 and the business district at Porta Nuova, best known for the Bosco Verticale (vertical forest), the heavily vegetated and much-published twin luxury apartment towers by the architect Stefano Boeri.

Boeri has courted controversy at both sites, attracting antigentrification protests both from the working-class neighborhood the towers protrude from, as well as accusations of deploying expensive greenwash that would never be possible in a lower-cost development. Much the same objections have been raised against the plans for this year’s expo in Milan, which he master planned with Jacques Herzog, William McDonough, and Ricky Burdett. “Feeding the Planet, Energy for Life” is the expo’s motto, meant, as it was, to embody a sustainable ethic, but it clashed with the presence of food giants such as McDonald’s and Coca-Cola among the nations represented. Lavish spending on the project further excited anger, as many people questioned the concentration of municipal spending on one site instead of many, and the inevitable siphoning away of funds that such concentration engenders. On May Day in Milan, cars blazed in the streets, windows were smashed, and ‘No Expo’ graffiti proliferated.

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