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Posts Tagged ‘PHOTOGRAPHY’

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Sahar Coston-Hardy.

From “Game On” by Jane Margolies in the August 2017 issue, about Randall’s Island’s long and winding road to becoming the sports field megavenue it is today.

“Shade break.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM. 

Photo by Louise Johns.

From “Ears to the Ground” by Timothy A. Schuler in our August 2017 issue, about the quest by Brenda Williams, ASLA, to turn the mythic Native American landscape of Blood Run into a park that stretches over two states.

“Midwest mist.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY ZACH MORTICE

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The linear art installation SWA designed for Houston’s Highway 59/Interstate 69 bridges came with two important traffic safety stipulations: no words, and no faces (so as not to distract the drivers zipping by).

Natalia Beard, the lead designer, came up with a pixelated vision of bright colors splashing across several 300-foot sections of chain-link fence along the sidewalk of the elevated freeway. The linear imagery (called “Houston Bridges”) tracks the velocity and movement of the freeway. It gives you enough depth to ponder when stuck in traffic. The images came from photos by Houston schoolchildren, digitally turned into jubilant checkerboards of neon color.

This smoke-stained stretch of highway, which connects Houston’s downtown to its primary airport, is (more…)

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BY ZACH MORTICE

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All photos by Jose Ahedo.

Over the course of two years, the Spanish architect Jose Ahedo visited livestock farming landscapes in eight countries: Mongolia, China, Paraguay, Germany, India, Bolivia, New Zealand, and the Azores Islands in Portugal. He traveled 90,000 miles by plane, 9,000 miles by car, 23 miles by boat, nine miles by horse and camel, and—most excruciatingly for a vertigo sufferer like Ahedo—56 miles by hot air balloon. Documented through his photography and funded by a $100,000 Harvard Graduate School of Design Wheelwright Prize Fellowship, his travels kept him on the move for 103,000 miles.

Ahedo selected these disparate locations so that he could witness the extreme “asymmetry,” he says, in how cultures in different places with different levels of development produce livestock. “You have people that move on horses, and (more…)

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