Feeds:
Posts
Comments

Posts Tagged ‘Portland’

BY KYNA RUBIN

Decoding Japanese garden design one stone at a time.

FROM THE FEBRUARY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

“Squat and move it counterclockwise, clockwise, repeat, and repeat again,” Tomohiko Muto says as he motions to the American landscape professionals gamely trying to move a chunk of Columbia River Gorge basalt. The centerpiece rock they’ve selected for their project forms a natural water basin, the result of a depression created at the break point of columnar basalt. The stone’s heft eventually requires a dolly.

Under the guidance of Muto and other instructors from Japan, the students are engaging in tactile learning at a new program developed, in the main, by Sadafumi Uchiyama, ASLA, the curator at the Portland Japanese Garden (PJG) in Portland, Oregon.

Like many of his predecessors in Japan, Uchiyama hews to tradition in the Japanese gardens he creates. But his latest endeavor reveals an iconoclastic bent. Through an unusual seminar first offered this past summer as part of the PJG’s new International Japanese Garden Training Center, he hopes to debunk the long-held myth that (more…)

Read Full Post »

This slideshow requires JavaScript.

It’s the first, which means February’s issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Secrets to Share (Gardens)
Sadafumi Uchiyama, ASLA, can teach you how to
make a Japanese garden in Portland, Oregon.

Woven in Place (Details)
At Kopupaka Reserve, New Zealand, the Isthmus Group is weaving
Maori culture into stormwater infrastructure.

Solid as a Rock (Materials)
Is stone always a sustainable building material?

FEATURES

A Forest in the City in the Forest
Sylvatica Studio’s landscape for the Fernbank Museum of Natural History
immerses visitors in Atlanta’s old-growth Piedmont forest.

Ripple Effect
A topographically exuberant campus by Snøhetta embraces
the MAX IV synchrotron particle accelerator.

A View of the World
Nelson Byrd Woltz Landscape Architects has restored
the landscape of the painter Frederic Church’s estate.

All this plus the regular Now and Goods columns. The full table of contents for February can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting February articles as the month rolls out.

Credits: “Ripple Effect,” Felix Gerlach; “A View of the World,” Detail of Clouds over Olana, 1872, by Frederic Edwin Church, Oil on paper 8 11⁄16 x 12 1⁄8 inches, OL.1976.1. Olana State Historic Site, Hudson, New York, Office of Parks, Recreation, and Historic Preservation; “A Forest in the City in the Forest,” Timothy Hursley; “Solid as a Rock,” GGN; “Secrets to Share,” Jonathan Ley; “Woven in Place,” David St. George.

Read Full Post »

BY TIMOTHY A. SCHULER

A recent study shows that Portland’s public docks nicely suit swimmers.

FROM THE DECEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Early morning swims across the river. An annual river float and beach party. A full-moon, women-only swim known as “Naked Goddess.” These are just some of the events organized by the Human Access Project to encourage people in Portland, Oregon, to dip their toes (and more) in the Willamette River. After all, says Willie Levenson, the ringleader (his official title) of the nonprofit organization, the river is the city’s largest public space and ought to be seen and used as such. Most recently, Levenson enlisted the help of MIG’s Portland office to explore the feasibility of repurposing downtown boat docks as places for sanctioned swimming.

City planners, working with Mayer/Reed, already had evaluated downtown Portland for potential swimming areas but had focused mostly on beaches. Levenson saw the city’s docks as another, potentially cheaper point of access. Working practically pro bono (Levenson’s budget was $5,000), MIG chose five docks (more…)

Read Full Post »

This slideshow requires JavaScript.

Need you wonder why we started a drinking game called “Portland” here at the magazine? The Oregon metropolis always has so much to show for its progressive thinking. A large team of landscape architects and other designers can take credit and pride in the new MAX Orange Line, seen on LAM’s cover this month, which at 7.3 miles is the latest addition to the city’s light-rail network. Mayer/Reed led the urban design of eight stations, and ZGF Architects led urban design on two others. Also involved are landscape architects who work for the client transit agency, TriMet, plus the Portland offices of Marianne Zarkin Landscape Architects, Lango Hansen Landscape Architects, and Alta Planning + Design. The rail route incorporates bold, colorful streetscapes with more than 3,000 trees, 286 bioswales, and—newer in the United States than in Europe—a short stretch of vegetated track bed. Sean Batty, ASLA, the director of operating projects at TriMet, tells the author, Betsy Anderson, Associate ASLA: “Are we trying to solve a transportation problem? No, we’re trying to solve an urban design problem, which we’re defining as landscape architects: We’re trying to create positive human habitat.”

The May issue of LAM has numerous other fine examples of habitat: There’s the new plaza around a campus residential tower at MassArt in Boston by Ground, Inc., which won a 2015 ASLA Professional Award for Residential Design. And then there is the enduring beauty of a residential garden by Isabelle Greene, FASLA, in California, as appreciated by Lisa Gimmy, ASLA. In the realm of animal habitats, we report on a new online tool developed by the entomologist Doug Tallamy and the National Wildlife Federation to help encourage property owners to create richer wildlife habitats everywhere they can conceivably do so. Our serial coverage of the National Park Service during its centenary year continues with a report by Daniel Howe, FASLA, on projects to promote large-scale landscape conservation around the Appalachian Trail.

This month, we are also looking forward to the Landscape Architecture Foundation’s 50th anniversary celebration in Philadelphia on June 10 and 11. LAF asked a number of landscape architects to write contemporary responses to the “Declaration of Concern” articulated in 1966 by Ian McHarg and several colleagues in response to the unbound environmental degradation they were witnessing all around them in those years. Five of those essays appear in this issue. And, as ever, don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for May can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating May articles as the month rolls out.

Credits: “The Art of Hanging Out,” Christian Phillips; “All Along the Line,” C. Bruce Forster; “The Lightest Touch,” Marion Brenner, Affiliate ASLA; “For the Birds, Indeed,” Courtesy Douglas W. Tallamy; “The Greater Margins,” Courtesy Appalachian Trail Conservancy.

Read Full Post »

BY KYNA RUBIN

LAMjan16_Metasequoia

The 1940s discovery in China of the dawn redwood, a living fossil, remains in shadows cast by war, political upheaval, and scholarly intrigue.

From the January 2016 issue of Landscape Architecture Magazine.

On a clear August day in 2002, Ma Jinshuang, a botanist, struck gold. At the bottom of a cabinet in a dark, moist, long-abandoned herbarium in Nanjing, perched unprotected on top of the conifer specimens, lay a barely intact cluster of twigs and needles. A rotting heap of nature, to most eyes.

But Ma had spent years finding the pile—the lone survivor of a lost series of specimens that, in 1940s China, led to the botanical find of a century: a living fossil we now call Metasequoia glyptostroboides, or dawn redwood.

Its discovery captivated the world, especially the American public, and made possible the myriad (more…)

Read Full Post »