Posts Tagged ‘Preservation’

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

NATHANAEL HUGHES FOR NORTH SYDNEY COUNCIL.

From “Tunnel Vision” in the August 2019 issue by Gweneth Leigh, ASLA, about a behemoth coal bunker in Sydney that’s found new life as a multipurpose park.

“Bird’s-eye view of coal loader construction.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Mahan Rykiel.

From “Twice Bitten” in the May 2019 issue by Jared Brey, about Ellicott City, Maryland’s near-yearly run-ins with 1,000-year floods.

“Can removing historical structures help save lives?”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY JARED BREY

After two rare storms inundate Ellicott City, Maryland, the town tries to sort through what can be saved.

FROM THE MAY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The Tiber-Hudson watershed, in Howard County, Maryland, drains three-and-a-half square miles of mostly developed land in and around Ellicott City, a historic mill town founded in 1772 on the banks of the Patapsco River. The terrain surrounding the town is steep. On the south side of lower Main Street, a series of mill buildings is packed alongside and astride the Tiber Branch, one of the watershed’s three main tributaries to the Patapsco. On the north side, old stone buildings are backed up to a hill made of granite bedrock. Rainwater flows downhill, east toward the river, and in Ellicott City, there’s nothing farther downhill than lower Main Street, the historic center of the town.

When I visited at the beginning of February, the sun was out and it was warm enough to leave my jacket in the car. Walking downhill into lower Main, where the street is narrower, the air temperature dropped and the shadows darkened. On my right, behind a row of boarded-up storefronts, I could hear the Tiber Branch rushing along parallel to Main Street. It smelled like a basement.

On the night of July 30, 2016, a storm rolled in and sat directly on top of Ellicott City, dropping 6.5 inches of rain in the watershed in just three hours. Water jumped the banks of the Hudson Branch uphill and flowed down Main Street, (more…)

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BY ZACH MORTICE

The plan by Michael Van Valkenburgh Associates retains the fundamental elements of Dan Kiley’s original design. Photo by Nic Lehoux.

The protection of modernist design is a relatively new topic in preservationist circles. And in many cases, landscapes have lagged behind modern architecture in receiving formal recognition and valuation.

But over the past several years, the modernism preservation nonprofit Docomomo US has used its primary awards program to bring visibility to the vulnerability and value of historic modern landscapes. The projects recognized by Docomomo US’s sixth annual Modernism in America Awards show the ways that all disciplines of the designed environment come together as a defining element of modernism: architecture, landscape architecture, art, interior design, and more. That’s been a recurring theme through the years, though this year’s awards were the first time it was “expressed so clearly or comprehensively,” says awards juror and Docomomo US President Theodore Prudon. Several projects honored put the preservation of historic modernist landscapes front and center: the rehabilitation of Gateway Arch National Park in St. Louis, honored with a Design Award of Excellence, and the restoration of Olav Hammarstrom’s Pond House in Massachusetts, which received a Design Citation of Merit. (more…)

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Most of the time, Ellicott City, Maryland is a historic mill town with picturesque stone shops nestled next to granite hills and a boisterous, yet still peaceful, river. But more and more, it’s becoming a crucible for the cost of climate change-induced downpours and development that’s ill-placed, if intensely historic. (The town was founded in 1772.) Twice since 2016, Ellicott City has seen branches of the Patapsco River jump their banks after torrential rains, devastating its downtown with two “1,000-year floods,” a description rapidly losing its meaning in an era of increased extreme weather.

This PBS NewsHour segment from the most recent flood looked in on how one Ellicott City business fared: an antique shop where the owner doggedly pushed furniture away from the front door, where a torrent of water outside whisked cars down the street. That is, until a sudden eruption of water knocked down walls, sending display cases toppling like dominoes.

The town’s newest flood-proofing plan, developed with help from Baltimore’s Mahan Rykiel, calls for 10 buildings to be demolished downtown to widen the river canal at a cost of $50 million, as well as a new terraced river park. As explored in Jared Brey’s “Twice Bitten” (to be posted here later this month), it’s a plan that preserves Ellicott City’s future by destroying a bit of its past.

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FOREGROUND

What Makes Us Us (Interview)
Julian Raxworthy talks about the proletarian roots of his new book, Overgrown.

Hog-Tied (Waste)
A few landscape architects have begun to focus on the huge ecological hazards
of animal waste from agriculture operations.

Linked In (Habitat)
A Seattle neighborhood is the starting point of the artist Sarah Bergmann’s
realization of a living network called Pollinator Pathways.

FEATURES

MLA ROI
Although the landscape architecture profession is poised to grow, master’s degree programs are struggling to gain enrollments. One major reason is the cost and eventual payoff of pursuing a degree.

Refuge Found
Outside Denver, Rocky Mountain Arsenal Wildlife Refuge, a Design Workshop project that received the 2018 ASLA Landmark Award, continues to rebuild a high-prairie ecosystem scorched by weapons and chemical production.

Twice Bitten
Two flash floods in three years gutted the historic heart of Ellicott City, Maryland. Mahan Rykiel Associates is working to help the town figure out how to meet a future of extreme weather.

All this plus the regular Now and Goods columns. The full table of contents for May can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting May articles as the month rolls out.

Credits: “Refuge Found,” D. A. Horchner/Design Workshop; “Twice Bitten,” Josh Ganzermiller Photography; “Hog-Tied,” Waterkeeper Alliance; “Linked In,” © David E. Perry; “What Makes Us Us,” Julian Raxworthy. 

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

BY JONATHAN LERNER

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

If you visit one of our national parks nowadays to commune with nature, you may find yourself having instead an experience of mass tourism. Many parks are huge. You’d expect plenty of elbow room. But much of any wilderness park is inaccessible to the public. Besides, people generally head for a few famous spots—you probably want to see those too—which quickly become overwhelmed. Attendance is up over the past few years. Infrastructure typically went in over decades, usually piecemeal, not by comprehensive plan, and for smaller crowds, so both visitor experiences and the places themselves become degraded. And the National Park Service has money problems. By 2017, the bill for deferred maintenance—apart from any new capacity—was $11.6 billion (see “Roads to Ruin,” LAM, February 2016).

Still, where it can, often with help from citizen conservancies, the park service is commissioning landscape architecture interventions to redress the gridlock and throngs. Most people will still find themselves among multitudes of strangers, but these redesigns can provide more authentically natural, less contrived interactions with the environment. The Mariposa Grove of giant sequoias in Yosemite National Park was until recently a prime example of the problem. A project there, which opened to the public last summer, is a model response. Half of its $40 million cost was donated by the Yosemite Conservancy. It was designed by Seattle-based Mithun.

Mariposa Grove actually has two concentrations of the great trees, the lower grove and the upper grove. Before, when you reached the lower grove you were in a parking lot. Several giant sequoias were stranded there like islets in the sea of asphalt; you might not even have realized you’d arrived. This lot filled up early. Overflow traffic returned some seven miles on a winding, two-lane park road to Wawona, where there is a historic hotel, a convenience store, and a small Yosemite history museum. Visitors there caught a shuttle back to the grove. But Wawona had only “a makeshift drop-off for the shuttle and no parking infrastructure for the hundreds who would come through—quite a fiasco,” says Christian Runge, ASLA, a Mithun senior associate.

When you finally shuttled back to the lower grove, “there was a sense of confusion,” Runge says. “Wayfinding wasn’t clear. There were redundant loops of trails. They had to have rangers telling (more…)

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