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Posts Tagged ‘public realm’

BY HANIYA RAE

A new guide interprets the spatial implications of virology studies.

FROM THE AUGUST 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

At the outset of the pandemic, it didn’t take long for anyone to realize that it would have a major impact on cities. Given the breadth of scientific studies published since March, Paul Lewis, a principal of LTL Architects, and Guy Nordenson, a structural engineer and partner at Guy Nordenson and Associates, both in Manhattan, sought to translate the peculiarities of COVID-19 contagion into visual concepts. “We were getting a lot of different news articles and we wanted more clarity,” Lewis says. “Cities can’t have collective gathering. What does that mean? We wanted to envision immediate responses that could also lead to longer-term benefits for the city.” (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photos by Jeff Hou, ASLA, left; and Elizabeth Golden, right.

From “Wash at Will” in the July 2020 issue by Haniya Rae, about handwashing stations serving Seattle’s homeless population that recycle graywater into planters.

“A simple solution.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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TEXT BY SARAH COWLES / PHOTOGRAPHY BY DINA OGANOVA

The hidden dimensions of a city during the COVID-19 pandemic.

FROM THE JULY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In the middle of March, I join a friend for a trip to Tbilisi National Park, one of Georgia’s 15 national parks, and a dense and parallactic forest of mossy Fagus orientalis, Ilex colchica, and Taxus baccata. We search the red-brown carpet for spring flowers: purple Primula vulgaris, chartreuse Helleborus caucasicus, and Petasites albus. We drive through rain showers to the town of Tianeti; we observe highway workers gather under marshrutka (bus) shelters for birzha, the ritual sharing of strong spirits and snacks.

“That does not look like social distancing,” I tell my friend.

We stop at the café in Tianeti village. “Can we get dambal khacho?” I ask. It’s a local mountain blue cheese, served warm on hot bread with ghee. “Shansi ara, axali kanoni!” (No chance, new law!) She brings takeaway instant coffee and cream puffs to the sidewalk.

As we descend the congested Georgian Military Highway in the Aragvi valley toward Tbilisi, hundreds of trucks straddle the verge and pavement, idled cargoes of produce and mineral water from Turkey, Armenia, and Georgia. Drivers sleep, piss, pace, and make repairs; the normal delays at the alpine Georgian–Russian border, now exacerbated by the crisis. I dodge the oncoming cars and curse. On this highway, there’s no margin of error, no guardrails; driving is all wit, no wisdom.

“Don’t go out unless absolutely necessary. If you have a high fever and cough, consult a doctor. We wish you health!” reads an SMS from Mtavroba (the Georgian government). The streets are already empty of cars; only the buzz of mopeds prevails.

In Tbilisi, it is Gizhi Marti (crazy March); the lion and the lamb are fighting every day. Cold Caucasus winds slice the plateaus at night. I wake to silence and snow. Had the city cooled in the slowdown? With fewer cars and a decrease in air pollution, is there now new space in the atmosphere for precipitation? On the news, bearded monks in black Ford F-350s and Toyota Land Cruiser Prados circle Republic Square, scattering holy water in the slush to combat the virus; the first salvo in a split-screen battle over containment and cure, between faith and science, the church and the state. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Sahar Coston-Hardy, Affiliate ASLA.

From “All Ours” in the July 2020 issue by Thaïsa Way, FASLA, about the critical and threatened public realm surrounding the White House, and its conversion in June to Black Lives Matter Plaza.

“Midday at Black Lives Matter Plaza.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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FOREGROUND     

Law in the Land (Interview)
The author and legal scholar Jedediah Purdy’s new book, This Land Is Our Land, sifts through
contradictory assumptions about our ties to the environment.      

Midas’s Touch (Planning)
Conservationists strike an uneasy alliance with a mining company that wants to clean up
and restore habitat near an old gold mine—so it can restart mining operations.

FEATURES

All Ours
A photographic essay of Washington, D.C.’s First Amendment spaces under threat
by the government.

After Extraordinary Conditions
With a small landscape architecture practice and a gimlet eye, the author makes her way
around the city of Tbilisi, Georgia, during the coronavirus lockdown.

The full table of contents for July can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting July articles as the month rolls out.

Credits: “All Ours,” Sahar Coston-Hardy, Affiliate ASLA; “After Extraordinary Conditions,” Dina Oganova; “Law in the Land,” courtesy Laura Britton; “Midas’s Touch,” courtesy Midas Gold.

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BY ZACH MORTICE

The American Gardens stamps. Image courtesy the U.S. Postal Service.

A new series of stamps celebrates the diversity of public gardens.

 

Showcasing the diversity of American landscapes, past legacies of cultural stewardship, and the skills of generations of landscape architects, the U.S. Postal Service recently released the “American Gardens” stamp series, commemorating 10 landmark gardens across the nation. The gardens, many of them created by historically significant designers and makers, raise the visibility of landscape design in the American cultural realm by putting them into our hands and mailboxes every day, everywhere. The stamps were designed by Ethel Kessler and feature photos by Allen Rokach, a former director of photography at the New York Botanical Garden.

The stamps are a reminder of the vital role the outdoors offers during the COVID-19 quarantine, says U.S. Postal Service Director of Stamp Services Bill Gicker. “Time spent in nature, especially a beautiful and cared for garden landscape, can be very uplifting and rejuvenating—just what many people can use at this time,” he says. (more…)

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THE THEFT OF A HISTORIC SITE FOR FREE EXPRESSION CASTS LIGHT
ON THE VALUE OF PUBLIC SPACE IN A DEMOCRATIC SOCIETY.

 

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

 

PHOTOGRAPHY BY SAHAR COSTON-HARDY, AFFILIATE ASLA

TEXT BY THAÏSA WAY, FASLA

FROM THE JULY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On June 1, 2020, in a cowardly response by the president to the protests against racially grounded police violence, Lafayette Park and the Ellipse were fenced off around the White House. These two parks, to the north and south of the White House, respectively, form President’s Park and are under the jurisdiction of the National Park Service (NPS). They belong to the public, to us.

Areas of the park have been closed before (and often temporarily for arriving heads of state), but the fences that went up as May became June posed serious incursions into the democratically sacrosanct public realm. The barriers began as low temporary railings over the weekend of May 30 in a frightened reaction to large protests against the killing of George Floyd by police in Minneapolis on May 25 and the killings of so many other black people before him across the nation. As demonstrations in support of Black Lives Matter grew in downtown Washington, the buffer around the White House expanded until it had pushed the nearest protests into H Street NW, a two-block remove. Late in the afternoon of June 1, hundreds of peaceful protestors were violently struck with tear gas and sting grenades fired by police to cut a large path for the president’s now infamous walk to St. John’s Episcopal Church to pose for photographs. By Thursday, June 4, as more military vehicles poured into Washington, the fences had been hardened into cage-like walls more than eight feet high around the 82-acre whole of President’s Park. It was a reprehensible seizure of First Amendment space. (more…)

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