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Posts Tagged ‘Social Justice’

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Sahar Coston-Hardy, Affiliate ASLA.

From “All Ours” in the July 2020 issue by Thaïsa Way, FASLA, about the critical and threatened public realm surrounding the White House, and its conversion in June to Black Lives Matter Plaza.

“Midday at Black Lives Matter Plaza.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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There is nothing more important we can do today than condemn injustice and police violence against Black people and Black communities. We are using this day to black out in support of justice for George Floyd and many other Black lives lost. Black Lives Matter. #vote #BlackoutTuesday

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BY ANJULIE RAO

Beyond the Built Environment is inspiring everyone to lift while they climb.

FROM THE MAY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE

 

One day, Pascale Sablan sat down at her computer and googled the phrase “great architects.” Dozens of architects’ names appeared on the screen, and to her surprise, very few of them looked like her. “There was one woman—Zaha Hadid—and nine people of color,” says Sablan, an architect at S9 Architecture in New York. Hadid, holding two boats, also accounted for one of those nine.

In that moment Sablan was concerned for kids, because when kids hear about something they might like to do—maybe architecture, or landscape architecture—“they google it first,” she says. To find out why so many white men would appear in that search, she contacted Google and was told that there was not enough content created, referenced, or cross-referenced that had addressed the contributions of the myriad women or people of color in design. She thought, What about those architects, landscape architects, and urban planners practicing right now? Where is their library of greatness?

Sablan’s nonprofit organization, Beyond the Built Environment, is now bringing diverse designers to the forefront. “We’re focusing on designers who are using their talents to combat social injustices in policy and the built environment, designers who are engaging communities to solve problems that people wouldn’t think design can solve,” she explains. “We are elevating talented designers who are making the profession an amenity to the community rather than just to developers.” (more…)

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BY TIMOTHY A. SCHULER

Landscape architects can do more than talk about diversity—they can act.

FROM THE MAY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The high school students were pretending to be plants. They crouched in front of giant, wall-sized pieces of parachute cloth, china markers in hand, and slowly grew, black lines following suit. Recalling the movement of the prairie grasses just outside, they waved and swayed and curled in on themselves, a collective interpretive dance that evoked the native grasses and wildflowers that they had been studying all morning. Quickly a mass of black lines became a monochromatic prairie, a temporary mural inspired by the small patch of native grassland visible from the hallway window.

Leading the drawing exercise was Erin Wiersma, an artist and associate professor in the art department at Kansas State University. Wiersma is best known for her massive biochar “drawings,” which she makes by dragging huge sheets of paper across freshly burned prairie. The exercise at J.C. Harmon High School, located in the largely Hispanic Kansas City, Kansas, neighborhood of Argentine, was part of Grassland Interview, an interdisciplinary art and ethnography project created in collaboration with the landscape architect Katie Kingery-Page, ASLA, the associate dean of Kansas State’s College of Architecture, Planning, and Design. (more…)

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THE GREEN NEW DEAL, LANDSCAPE, AND PUBLIC IMAGINATION

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

BY NICHOLAS PEVZNER

FROM THE JULY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Since the 2018 midterm elections, the Green New Deal has catapulted into the public conversation about tackling climate change and income inequality in America. It has inspired a diverse coalition of groups on the left, including climate activists, mainstream environmental groups, and social justice warriors. The Green New Deal is not yet fully fleshed out in Congress—the most complete iteration so far is a nonbinding resolution put forward in the House by Representative Alexandria Ocasio-Cortez (D-NY) and a companion measure introduced in the Senate by Senator Ed Markey (D-MA). At their cores, these bills are an urgent call to arms for accelerating the decarbonization of the U.S. economy through a federal jobs program that would create millions of green jobs—a 10-year national mobilization on a number of fronts aimed at reducing the nation’s greenhouse gas emissions.

The resolution text itself is a laundry list of possible goals and strategies aimed at immediately addressing climate change and radically cutting U.S. carbon emissions. These proposals are ambitious in scale and breadth: a national target of 100 percent “clean, renewable, and zero-emission” energy generation; a national “smart” grid; aggressive building upgrades for energy efficiency; decarbonization of the manufacturing, agriculture, and transportation sectors; increased investment in carbon capture technologies; and the establishment of the United States as a global exporter of green technology. What such an effort will entail on the ground is not yet clear, but if even only some of these stated goals are achieved, the Green New Deal will represent a transformation of both the American economy and landscape on a scale not seen since the days of President Franklin D. Roosevelt and his original New Deal of the 1930s and 1940s. (more…)

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WHERE THE WATER WAS

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY ANNE RAVER / PHOTOGRAPHY BY SAHAR COSTON-HARDY, AFFILIATE ASLA

FROM THE OCTOBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

We were driving around west Philadelphia when Anne Whiston Spirn, FASLA, stopped at the corner of Walnut and 43rd Streets to recall the moment of discovery that still drives her work. It was 1971. She was a graduate student at the University of Pennsylvania, on her way to the supermarket, when she was stopped at a gaping hole where the street had caved in over the Mill Creek sewer. “I looked down and saw this big, brown rushing river, and all this masonry that had fallen in. I thought, ‘My God, there are rivers underground. We’re walking on a river.’”

She was looking at Mill Creek, buried in the brick sewer pipe in the 1880s. Historic photographs show workers dwarfed by its size, constructing the pipe, about 20 feet in diameter, snaking along the creek bed. Drawings depict horse-drawn carts loaded with soil—millions of cubic yards dug with pickaxes and shovels—to cover up the pipe. Row houses were built right on top of the fill.

That buried river would become the heart of Spirn’s work when she came back to Penn 15 years later to chair the landscape architecture department and to launch the West Philadelphia Landscape Project (WPLP), but also in her larger vision of (more…)

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As landscape design coalesces more and more around an infrastructural and regenerative mandate, there’s been less emphasis on what is perhaps the most fundamental (and broadly shared) conception of what landscape architecture is: the aesthetic arrangement of plantings. That’s the view of a recent symposium held at the University of California, Berkeley’s Landscape Architecture + Environmental Planning department, organized by the professor emeritus of architecture Marc Treib. The Aesthetics of Planting Design symposium, held February 17–18, invited landscape architects and historians to lecture on a topic that’s been lately marginalized by sustainability, resilience, and social justice. In his introduction, Treib begins by questioning the notion that “good morals automatically yield good landscapes,” though he emphasizes that all landscapes have a dual responsibility to both art and beauty, as well as resiliency and conservation. While planting aesthetics are most commonly addressed in small gardens, according to Treib, it’s seldom discussed at a civic (or larger) scale—though notable exceptions include the designers invited to lecture at this very event. This international group of presenters includes Peter Walker, FASLA; Christine Ten Eyck, FASLA; Andrea Cochran, FASLA; and Kate Cullity.

You can watch the symposium lectures here.

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