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BY JARED BREY

Gulf State Park in Alabama is one of the largest public projects to be funded through the Deepwater Horizon settlement. Many more are coming.

FROM THE JANUARY 2022 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The Lodge at Gulf State Park is built directly into the dunes, so when you walk from the parking lot into the spacious lobby, you’re looking straight through the glass back wall of the hotel, across a stretch of white-sand beach, and out into the seemingly endless Gulf of Mexico.

For Alabama, whose precious few miles of beaches all but carry the state’s tourism economy, this was the essential goal of the Gulf State Park Enhancement Project: A view of the sea for visitors and, says Matt Leavell, the director of design and planning at the University of Alabama Center for Economic Development, “an experience of being in the dunes.”

But being in the dunes can mean a lot of things. In 2004, Hurricane Ivan swept across the dunes and destroyed the original lodge, which was built in the 1970s. In 2010, tar balls washed onto the beach as oil gushed from an underwater well operated by BP after the explosion of the Deepwater Horizon drilling rig, which killed 11 workers. The night before the ribbon-cutting at the new lodge in 2018, as dune-grass plantings were still taking hold, strong winds blew about two feet of sand into an area between the lobby and the restaurant, and crews scrambled to shovel it away before the governor arrived at 8:00 a.m.

“There is something really unique about designing in a dynamic dunescape,” says Kate Tooke, ASLA, a principal at Sasaki, which did the landscape architecture work for the lodge while completing a master plan for enhancements throughout the state park. “Every other landscape you design in, you can sort of assume that the landscape is going to stay mostly where it is. But a dunescape is constantly changing. Dunes are growing, they’re shifting, wetlands are forming, and swales are forming in different places, and that’s part of a healthy dunescape, to have that growth and change over time.” (more…)

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It’s the first, which means June’s issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Sudden Impact (Office)
Principals from three firms discuss how internships can offer a learning experience
for everyone involved.

The Better Underbelly (Transit)
Bowen Place Crossing by Spackman Mossop Michaels is more than just a shady underpass.

Processing Through Play (Play)
A study gives credence to intuitive ideas about designing playgrounds for kids
who have sensory processing disorder.

FEATURES

Knock It Off
Design professionals are saying #MeToo, too. Do sexual harassment policies
in the workplace go far enough?

Copenhagen Cool
The firm COBE gives two public spaces in the Danish capital a new look and renewed
purpose as transportation infrastructure.

The Dream Seller
Mexico City is a place with significant water challenges. Mario Schjetnan, FASLA, designs
places to meet them.

The Major Scale
Oehme, van Sweden’s design for the wide open spaces of Tippet Rise prove that Montana
is a great place for art.

All this plus the regular Now and Goods columns. The full table of contents for June can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting June articles as the month rolls out.

Credits: “The Major Scale,” Beartooth Portal by Ensamble Studio, photo by Iwan Baan; “Copenhagen Cool,” Rasmus Hjortshøj; “The Dream Seller,” Adam Wiseman; “Sudden Impact,” C&I Studios; “Processing Through Play,” Courtesy STAR Institute for Sensory Processing Disorder; “The Better Underbelly,” Ian Marshall.

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