Posts Tagged ‘stormwater’

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

BY JARED BREY / PHOTOGRAPHY BY SAHAR COSTON-HARDY, AFFILIATE ASLA

FROM THE SEPTEMBER 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Darren Damone, ASLA, and Katharine Griffiths were standing on a boardwalk at Avalon Park & Preserve, in Stony Brook, New York, looking across the pond at a gang of cormorants loitering in the branches of a beech tree.

“They used to nest over here, and it was a disaster zone,” said Griffiths, the director of the preserve. “It used to smell like a bluefish factory. It was nasty. They did a lot of damage to the trees in this area.… That’s what happens. They strip the leaves to put in their nest, and then their guano is so acidic that it just burns everything. They’re kind of sloppy birds.”

It was a May morning, and the squealing songs of cardinals spilled out of the woods behind us. We took a curving path up a hill to a smaller pond, fed by what looked like an underground stream, and I asked, credulously, where the headwaters were.

“This is just recirculating,” Damone said, looking amused. “This is completely created.”

In 1996, before the preserve existed, Paul Simons, a local nature lover who liked to ride his bike on a path through the property, was struck by a car on Long Island and killed. In his honor, the Simons family created the Paul Simons Foundation, and bought the eight-acre property that would later become Avalon Park & Preserve. Griffiths was a friend of the Simons family and had just finished college in Ontario, studying political science and horticulture, and she moved to Stony Brook to lead the preserve. Creating the preserve was a way for the Simons family to grieve, she said, and it was meant to be a place that Paul would have wanted to be. Beyond that, she told me later, “We didn’t have a vision, really.”

So it turned to Andropogon, the Philadelphia-based landscape architecture firm, to create (more…)

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BY JARED BREY

After two rare storms inundate Ellicott City, Maryland, the town tries to sort through what can be saved.

This week, LAM is joining more than 250 media outlets for Covering Climate Now, flooding the zone, as it were, with climate coverage in the run-up to the United Nations Climate Action Summit on September 23. Landscape and landscape architecture are deeply implicated in the future of climate progress, or a lack of it. Over the past decade, LAM has dug into climate issues of landscape in numerous dimensions, mapping the big resource picture as well as local attempts to fend off increasingly apparent hazards of global warming—from the procurement of materials to the integrity of the food supply chain. Each day this week we’ll bring you excellent stories from recent years that follow landscape architects acting and thinking about climate change and the landscape.

FROM THE MAY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The Tiber-Hudson watershed, in Howard County, Maryland, drains three-and-a-half square miles of mostly developed land in and around Ellicott City, a historic mill town founded in 1772 on the banks of the Patapsco River. The terrain surrounding the town is steep. On the south side of lower Main Street, a series of mill buildings is packed alongside and astride the Tiber Branch, one of the watershed’s three main tributaries to the Patapsco. On the north side, old stone buildings are backed up to a hill made of granite bedrock. Rainwater flows downhill, east toward the river, and in Ellicott City, there’s nothing farther downhill than lower Main Street, the historic center of the town.

When I visited at the beginning of February, the sun was out and it was warm enough to leave my jacket in the car. Walking downhill into lower Main, where the street is narrower, the air temperature dropped and the shadows darkened. On my right, behind a row of boarded-up storefronts, I could hear the Tiber Branch rushing along parallel to Main Street. It smelled like a basement.

On the night of July 30, 2016, a storm rolled in and sat directly on top of Ellicott City, dropping 6.5 inches of rain in the watershed in just three hours. Water jumped the banks of the Hudson Branch uphill and flowed down Main Street, (more…)

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BY ZACH MORTICE

The Promenade at the Metropolitan is a 40,000-square-foot park space serving a mixed-use multifamily building. Photo by Design Collective/Jennifer Hughes.

The developer James Rouse planned Columbia, Maryland, as a tabula rasa New Town in the 1960s, including ample green space woven throughout, a robust public realm, racially integrated housing, and the ability to make a tidy profit. In many ways, this ambition was realized, but with one important exception: the lack of a lively downtown. An inward-facing mall sits at Columbia’s center, looped by a small ring road, but the city has struggled to bring activity back to its center in recent years.

Just across from the mall’s ring road is the Metropolitan, downtown Columbia’s first mixed-use multifamily residential complex. Its signature amenity is a 40,000-square-foot open space called the Promenade, a hybrid playscape and rain garden intended to be a didactic showcase for stormwater retention and native plantings. (The project won a Merit Award from ASLA Maryland last year). The Promenade encourages kids to have some rambunctious fun while learning a thing or two about how these landscapes can shepherd rainwater from the sky to the ground. (more…)

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BY JARED BREY

After two rare storms inundate Ellicott City, Maryland, the town tries to sort through what can be saved.

FROM THE MAY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The Tiber-Hudson watershed, in Howard County, Maryland, drains three-and-a-half square miles of mostly developed land in and around Ellicott City, a historic mill town founded in 1772 on the banks of the Patapsco River. The terrain surrounding the town is steep. On the south side of lower Main Street, a series of mill buildings is packed alongside and astride the Tiber Branch, one of the watershed’s three main tributaries to the Patapsco. On the north side, old stone buildings are backed up to a hill made of granite bedrock. Rainwater flows downhill, east toward the river, and in Ellicott City, there’s nothing farther downhill than lower Main Street, the historic center of the town.

When I visited at the beginning of February, the sun was out and it was warm enough to leave my jacket in the car. Walking downhill into lower Main, where the street is narrower, the air temperature dropped and the shadows darkened. On my right, behind a row of boarded-up storefronts, I could hear the Tiber Branch rushing along parallel to Main Street. It smelled like a basement.

On the night of July 30, 2016, a storm rolled in and sat directly on top of Ellicott City, dropping 6.5 inches of rain in the watershed in just three hours. Water jumped the banks of the Hudson Branch uphill and flowed down Main Street, (more…)

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Sunset Triangle Plaza in Los Angeles, by Rios Clementi Hale Studios. Photo by Jim Simmons.

Welcome to spring! For World Landscape Architecture Month, the April issue of LAM is FREE! We’ve taken this month to go back a decade and mark the start of a movement, the Pop-Up Decade, which, who knows, could become the pop-up century. Remember 2009? Everyone was blue. There was no work—or money. But designers and their clients picked up something potent begun by the firm Rebar (now Gehl) in San Francisco with the creation of Park(ing) Day: quick, cheap, usually temporary projects to wet the public’s feet with ideas about civic spaces, try them out, see how they respond. Many of those projects went away; many more turned into something lasting. It was an idea that suited the bad old days of the early teens, but it also has continued to translate well to more prosperous times, as our feature stories show you here.

In the Back is a piece every person in the profession should read, a conversation among four successful women designers on why they left powerful jobs in high-profile firms to chart their own ways ahead. It covers what is often a lot of unspoken ground—unspoken because many women don’t dare air their concerns at work, and because men in the workplace can be rather obtuse at times.

Please share the issue far and wide with colleagues, clients, and friends.

FOREGROUND

A Floodplain Forest (Water)
This setback levee project will give a river room to meander and help protect Hamilton City, California, from flooding.

Open Book (Planning)
A new stormwater management manual for multifamily residences aids resilience in
Lexington, Kentucky.

FEATURES

Get It Done
The Great Recession helped launch a wave of quick, low-cost projects to suit budgets
of the era. It’s still going strong.

Make It Pop
Some popped up and popped back down. Some stuck around or led to bigger things.
An album from a decade of pop-up.

Power Play
The nonprofit KaBOOM! has perfected a seemingly guerrilla approach to making playgrounds where kids lack them.

THE BACK

The Big Time. The Bigger Time.
A conversation among the women behind the Women’s Landscape Equality (re)Solution.

An Antidote to Excess (Books)
A review of Doing Almost Nothing: The Landscapes of Georges Descombes, by Marc Treib.

A Planetary Proposal (Backstory)
A sprawling corridor park could connect Earth’s most biodiverse places.

All this plus the regular Now and Goods columns. The full table of contents for April can be found here.

The digital edition of the April LAM is FREE, and you can access it here and share it with your clients, colleagues, and friends. You can also buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. Single digital issues are available for only $5.25 at Zinio or you can order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), for more updates on #WLAM and the April issue.

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HERE COMES EVERYBODY

BY ANNE RAVER

The final pier has opened. Brooklyn Bridge Park is all but complete.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

It was raining, so we crouched, rather than sat, in the grassy bowl that Michael Van Valkenburgh, FASLA, had envisioned as the centerpiece of the newly completed green space and playground on Pier 3, which, like most of the other piers in Brooklyn Bridge Park, sprawls over five acres, into the East River.

“I’m lucky to know what it’s like to imagine and hope for something like this for 20 years and finally see it, have it realized,” said Van Valkenburgh, whose firm drew its first plan for this park in 1999. “Look at that sky.” (more…)

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BY HANIYA RAE

Technology helps shape what hardscapes can be.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Courtney Goode was working on a project in Houston when Hurricane Harvey hit. Buffalo Bayou, one of the slow-moving rivers that Houston relies upon to hold stormwater, flooded, and the waters would end up spilling out over the city’s aging infrastructure and impermeable surfaces, exacerbating the problem.

“My heart was in my throat,” Goode says. “We had been working on these super-detailed axonometric drawings of all angles of the city—we knew the city like the back of our eyelids. It was a total shock to see the bayous obliterated and murky, debris-filled water covering the walkways, roads, and even ground floors of the buildings near the bayou. The flood just engulfed everything we had been designing.”

For Goode, a landscape designer in Sasaki’s Urban Studio and a Fabrication Studio coordinator, the disaster afforded her a very real account of how the city managed stormwater and led her to think more about how low-impact development can divert stormwater from streets during flooding. She describes a scenario in which a city like Houston could divert some of the excess water by excavating 40-foot-deep gravel dry wells (the size of a typical four-story parking garage) topped off with permeable pavers that could hold excess rainwater until it’s able to seep back into the ground. (more…)

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