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Posts Tagged ‘Van Alen Institute’

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At LAM this month, we’re deep into Louisiana—with a jog over to the Mississippi Delta—as we get ready to head to New Orleans, where several thousand landscape architects and our friends will be gathered for ASLA’s Annual Meeting & EXPO from October 21 to 24. We’re looking at the state from many angles. So much progress has been made in New Orleans since 2005’s life-altering blow from Hurricane Katrina, it can be hard to get a clear picture as the city reconstitutes itself.

To lead things off, Elizabeth Mossop, ASLA, a practitioner and professor long based in New Orleans, captures the strategy for new water infrastructure, among other systems, in the city. The transformation in large-scale thinking alone is bracing, centered on recognizing water as the city’s greatest asset rather than its greatest threat. Another effort at structural change in New Orleans, the Future Ground competition, sought ways to deal with the expanses of vacant urban land, post-Katrina. Timothy Schuler, a LAM contributing editor, reports on the difficulty of reprogramming such a vastly changed environment and the disillusion of several design teams named finalists by the sponsors, the New Orleans Redevelopment Authority and the Van Alen Institute. Farther south in Louisiana’s coastal zone, the residents of Isle de Jean Charles—considered to be among the first climate change refugees in the United States—are facing the simultaneous threats of sea-level rise and land loss. Brian Barth visited the community to learn how the New Orleans landscape architecture firm Evans + Lighter is helping residents manage a relocation effort inland, for which the federal government has awarded $48 million. Our cover story this month, by Brett Anderson of the Times-Picayune in New Orleans, is about the work of Forbes Lipschitz, ASLA, on the landscapes of catfish farms in the Mississippi Delta region. The region’s aquaculture holds benefits beyond providing fish to dinner tables. It’s economically important to a region where poverty rates are high, and it also serves as feeding grounds for migratory birds. Among landscape architects in Louisiana, perhaps none are so recognized for knowledge of its atmosphere as Jeffrey Carbo, FASLA. LAM staff writer Katarina Katsma, ASLA, visits three sites Carbo and his firm have designed to learn what he sees between the lines of his state.

There is much more in the Now section and other departments. And in the Back, don’t miss the critique Thaïsa Way, ASLA, delivers of the 2016 Venice Architecture Biennale or the review Gale Fulton, ASLA, writes of Landscape Architecture and Digital Technologies, by Jillian Walliss and Heike Rahmann. See you in New Orleans! The full table of contents for October can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating October articles as the month rolls out.

Credits: “New Orleans Owns Its Water,” H+N+S Landscape Architects; “Grounded,” New Orleans Redevelopment Authority; “Let’s Beat It,” Julie Dermansky; “Catch of the Day,” Forbes Lipschitz, ASLA, and Justine Holzman, Associate ASLA; “Homing Instincts,” Chipper Hatter; “Life and Limb,” LandDesign/Denise Retallack; “Open Invitation,” Dredge Research Collaborative and Public Lab; “Water All Over Again,” Courtesy CPEX.

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BY TOM STOELKER

At Paterson Great Falls, one of the newer national parks, Americans made many things, including history.

At Paterson Great Falls, one of the newer national parks, Americans made many things, including history.

From the August 2016 issue of Landscape Architecture Magazine.

Paterson, New Jersey, is a tough town. Gang violence is prevalent, teachers are being laid off, and about 30 percent of the city’s residents live in poverty. But the city’s got soul. On Market Street, the lively main thoroughfare, bachata music spills from 99-cent stores, and the scent of Peruvian food wafts through the air. Paterson has been a magnet for immigration since the 19th century, and the reason why is found nearby. Twenty minutes from the center of town is the Great Falls, now part of Paterson Great Falls National Historical Park, where the Passaic River makes a majestic drop of 77 feet off basalt rock cliffs before it continues its twisted path. These are the falls that made Paterson.

In 1778, Alexander Hamilton, General George Washington’s aide-de-camp, recognized the river’s potential to harness power for both manufacturing and geopolitics. Hamilton understood the young nation needed to grow its industry to be independent of Europe. Through a group he helped form in 1791, the Society for Establishing Useful Manufactures (SUM), Hamilton chose Paterson as the site of the nation’s first planned manufacturing development.

Gianfranco Archimede, who today directs Paterson’s Historic Preservation Commission, said: “At the end of the war, the king essentially said, (more…)

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BY ELIZABETH S. PADJEN

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Mohsen Mostafavi, Francine Houben, and Craig Dykers discuss at the Keynote Panel moderated by Cathleen McGuigan.

From the July 2015 issue of Landscape Architecture Magazine.

In the opening scene of the first episode of Mr. Selfridge, an American businessman, Harry Selfridge, tries on a pair of kid gloves in a proper Edwardian department store. When he decides he wants to try something else, the clerk asks what he would like to see. “Well, maybe I don’t know until I see it,” he answers. “Why don’t we get a whole lot of them on the counter and then we can see what we like?” The clerk explains that’s not how things are done. “Come on,” he cajoles, “let’s have a little bit of fun”—and soon a drawerful of gloves is heaped on the counter.

Clients shopping for just the right design, civic-minded organizations browsing the marketplace of ideas—it’s sometimes hard to let go of the notion that design competitions are at their heart a retail experience. How can we know what we like until we see it? And shouldn’t we all have a little bit of fun while we’re trying to figure that out?

Exploring the ways that competitions can reach beyond mere consumerism was the focus of a recent conference in Cambridge, Massachusetts, on April 23 and 24, cosponsored by the Van Alen Institute and the Harvard Graduate School of Design. The event, dubbed “The Design Competition Conference” (surely “a” would have been more accurate, given the inevitability of future similar symposia), coincided with the release of the findings of a design competition survey conducted by Van Alen and Architectural Record magazine.

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