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BY MIMI ZEIGER

Marijuana wafts across the California landscape as legalization of recreational use approaches.

FROM THE OCTOBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Ed Rosenthal grows weed. He has for decades. The Oakland, California-based horticulturist, author, and activist is the go-to expert on home cultivation. He’s written more than a dozen books on the subject and the policies that surround medical marijuana and legalization. Their titles fall somewhere between what you’d see in your local nursery and your corner head shop: The Big Book of Buds (volumes one through four), Marijuana Garden Saver, and Marijuana Pest & Disease Control.

“Growing is addictive,” Rosenthal says with a laugh, and then quickly clarifies that the drug is not. “Given the right conditions and a sunny backyard, marijuana can be grown almost anywhere in California.” He speaks poetically about marijuana’s diverse morphology: It has male and female plants. Some are tall, some wide, and there are different strains like indica or sativa that range in color—like heirloom tomatoes—from absinthe yellow–green to maroon and deep purple. To cultivate cannabis for its THC (tetrahydrocannabinol) and psychoactive properties, only the female plants are grown. The male plants look a bit like wild mustard; the female plants are the ones that produce buds for consumption. “With humans and cannabis, the female is considered more beautiful,” he explains. “I have a bunch of marijuana plants growing, and they all look different, like six different varieties of a dahlia. Each plant is (more…)

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BY KATARINA KATSMA, ASLA

Sandra Clinton’s landscapes don’t stand out. They belong.

FROM THE MAY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE. 

Sandra Clinton, FASLA. Credit: Bob Devlin.

“I’m a plant scientist first,” says Sandra Clinton, FASLA. She is quick to clarify it’s not the only thing that defines her work. “I’m an aesthetic designer. I design for what I think works together and what I think will survive.”

It’s the literal combination of landscape and architecture that Clinton, the president of Clinton & Associates in Hyattsville, Maryland, says defined her interests early on. “My entire childhood was spent watching my mother garden this incredibly intense garden.” Her mother, she says, was in an unspoken annual competition with the next-door neighbor for best landscape. While her mother focused on plants, her neighbor—who was an engineer—favored structures and pavement, and by the time Clinton reached the age of seven he would let her help with construction. “To me, you have to have the structure work and you have to have the plants work. My job is to make them work in proportion and combination and in concert with each other.” (more…)

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In August’s issue of LAM, Philip Walsh finds that landscape architects could work harder than they do to restore lost wetlands in the United States. Steven Litt, in Cleveland, reports on how Perk Park, an acre of oasis downtown, by Thomas Balsley Associates, is making the city look harder at the value of well-designed open space. And in Washington, D.C., Bradford McKee checks out the new national headquarters of the U.S. Coast Guard with two dozen acres of green roofs and gardens by Andropogon and HOK.

In the departments, the Harvard Graduate School of Design appoints Anita Berrizbeitia, ASLA, as the chair of landscape architecture and Diane Davis as the chair of urban planning; a look at the watchdogs who track down plant growers who infringe on someone else’s patents; and the winners of the Boston Living with Water Competition aimed at envisioning a resilient city come sea-level rise. All this plus our regular Now, Species, Goods, and Books columns. The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating August articles as the month rolls out.

Credits: “The Return of the Swamp,” Lisa Cowan, ASLA/StudioVerde; “Freeze, Thaw, Flourish,” © Scott Pease/Pease Photography, 2012; “The Wetter, the Better,” Judy Davis/Hoachlander Davis Photography; “New Chairs, Subtle Shifts,” Courtesy Harvard Graduate School of Design; “Plant Sheriff,” Courtesy Bailey Nurseries; “Boston from the Ground Floor,” Designed by Architerra; Courtesy Boston Living With Water.

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July’s LAM looks at the long-needed rehabilitation of Babi Yar Park, a memorial ground in Denver dedicated to the lives lost in Kiev, Ukraine, during the Holocaust, by Tina Bishop of Mundus Bishop; a rethinking of Chavis Park in Raleigh, North Carolina, by Skeo Solutions, which embraces the park’s African American heritage through public engagement; and the ground-to-crown planting of the One Central Park high-rise in Sydney, designed by Ateliers Jean Nouvel, with Aspect | Oculus and Jeppe Aagaard Andersen, where sprawling green balconies make what is said to be the tallest vertical garden in the world.

In this month’s departments, the Milan Expo 2015 centered on food sustainability seems to draw controversy from every angle; Molly Meyer is leading the charge for affordable, simpler, and greater biodiversity in green roofs; and nature reclaims lands once lost from the demolition of two dams on the Elwha River in Washington State. In The Back, an exhibit at the Smithsonian National Museum of Natural History immerses visitors in the beauty of Iceland through sight and sound. All this plus our regular Now, Species, Goods, and Books columns.

You can read the full table of contents for July 2015 or pick up a free digital issue of the July LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating July articles as the month rolls out.

Credits: “The Global Cucumber,” Tim Waterman; “Green Roof Gold,” Michael Skiba; “A River Returns,” National Park Service; “Star Witness,” © Scott Dressel-Martin; “The Chavis Conversion,” Skeo Solutions; “Live It Up,” Simon Wood Photography; “Songs of Ice and Fire,” Feo Pitcairn Fine Art.

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Rich Haag with a clump of Equisetum, one of his favorite plants. Photo: Daniel Jost.

Rich Haag with a clump of Equisetum, one of his favorite plants. Photo: Daniel Jost.

On a recent tour of the Bloedel Reserve on Bainbridge Island, Washington, Richard Haag, FASLA, told a group of us, students from the University of Washington, two stories about the demise of the Garden of Planes. The garden was the first stop in the famous sequence of spaces that Haag designed at the reserve, and it was erased a few years after it was completed.

One story involves a fox. “A fox used to have a den there,” Haag explained as we passed by a giant stump that, ironically, Haag preserved for its habitat value. “And every morning, the fox would come out and leave his morning offering right on top of the gravel pyramid,” at the center of the Garden of Planes, he said. “That’s one of the reasons they got rid of it.”

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