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Posts Tagged ‘Zach Mortice’

BY ZACH MORTICE

Ronnie Siegel’s Carry the EARTH environmental art project has sent 39 palm-sized globes traveling across the world, visiting 15 nations and counting. Image courtesy Ronnie Siegel, ASLA, Carry the EARTH.

The handheld globes the landscape architect and environmental artist Ronnie Siegel, ASLA, has crafted and sent around the world carry a lot of weight. Carry the EARTH, the project Siegel designed and launched in 2018, focuses attention on different aspects of the world’s ecology, with both hopeful and dire points of view. Some are cheerily expository, like her Rivers globe, where exaggerated river basins carve deep canyons across the continents. Many foretell calamity, like the Time Bomb globe, with a fiery lit fuse trailing out of the North Pole. But others are tentatively optimistic, like the Seeds for Change globe, where the Earth’s continents are transparent and the globe is filled with seeds of different shapes, sizes, and textures. (more…)

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BY ZACH MORTICE

The nitrate mining town of María Elena in Chile. Photo by Ignacio Infante.

For an exhibit focused on extractive industries, Beyond the City: The South American Hinterland in the Soils of the 21st Century is mercifully short on aerial photos of strip mines and oil derricks. Instead, the installation by Somatic Collaborative now at the 2019 Chicago Architecture Biennial focuses on the human settlements that serve resource extraction industries.

Beyond the City catalogs five South American cities established or expanded because of the growth of heavy industry from the late 19th century to the mid-20th century. The five case studies are spread across three nations and several extraction, or at least exceptionally invasive, industries: gold mines in Belo Horizonte, Brazil; nitrate mines in María Elena, Chile; oil drilling in Judibana, Venezuela; iron mining in Ciudad Guayana, Venezuela; and the production of hydropower in Vila Piloto, Brazil. Each of the cities shares “a very strong national or state government that was pushing forward a project that they believed would advance a larger greater good,” says Somatic Collaborative cofounder Felipe Correa, the chair of the architecture school at the University of Virginia (UVA). These public–private partnerships sought to develop housing and working environments for a white-collar managerial class that would guide populist infrastructure expansions harvested from this land. “Industry had a social project,” Correa says. “If you look at what oil companies are doing in the middle of the Amazon today, they’re completely devoid of a social project.” Beyond the City presents historical evidence on how this mandate was introduced, but the exhibition trails off once each town left its designers’ hands. (more…)

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BY ZACH MORTICE

The Kua Bay Residence is a simple pitched roof pavilion that works as an enticing collector of ocean views. Photo by Marion Brenner, Affiliate ASLA.

More than half of the world’s anchialine ponds are located on Hawai‘i, also known as the Big Island. They’re formed when fresh water flows downward toward the ocean through porous volcanic rock and mixes with salt water pushed inland by wave action. Where the shoreline dips below sea level with sizable crevices, pools of water are exposed at the surface. It’s a brackish mix, though the salinity can vary, as can the depth and size of anchialine ponds. Some can be more than a dozen acres wide; others are smaller than a bathtub. These pools were vital to native Hawaiians, who would harvest shrimp (such as the ‘ōpae‘ula red shrimp) for food or bait, or use larger ponds closer to shore with higher salinity levels as fishponds. Freshwater ponds were used for drinking water and bathing.

Anchialine pools are characteristic of the landscape of the Big Island, the site of the Kua Bay Residence, and were a source of inspiration for its landscape architect, Ron Lutsko Jr., ASLA, of San Francisco-based Lutsko Associates Landscape. Like the pools themselves, the project has an intimate connection to water defined by the rock-face crevices at its border, and it offers cloistered shelter for local and native species amid an otherwise beautifully barren landscape. The project is a recipient of both a Northern California ASLA award and, most recently, a 2019 ASLA Professional Award. (more…)

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BY ZACH MORTICE

M. Paul Friedberg’s Billy Johnson Playground. Photo courtesy the Central Park Conservancy.

M. Paul Friedberg, FASLA, on why cities should be places to play instead of places for playgrounds.

 

The granite slide in New York City’s Billy Johnson Playground is an illustration of M. Paul Friedberg’s design philosophy. Its 45-foot serpentine curve is nestled into a rocky outcropping, one of Central Park’s startling moments of geologic heft. The slide came from Friedberg’s observations of how his own children tumbled down the slate gray behemoths.

Located at the East 67th Street entrance to Central Park, the playground is inspired by the park’s landscape and context, expressed through rustic wood pole knots and stone blocks. The granite slide, like other elements of the playground, is less a discrete object and more “an incident in the park” that flows naturally from its setting, says Friedberg, the recipient of the 2015 ASLA Medal. “You wanted to make it look like you just came across this.”

By layering the slide on top of geology, the slide “doesn’t have to be in a playground,” Friedberg says. And it  gets to the heart of his approach at Billy Johnson Playground. “Do you consider Central Park a place for playgrounds,” he says, “or is it a place to play?” (more…)

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BY ZACH MORTICE

The Nuestro Lugar park in North Shore, California, by KDI. Photo by KDI.

THE INAUGURAL CLASS OF KNIGHT FOUNDATION PUBLIC SPACES FELLOWS INCLUDES TWO LANDSCAPE DESIGN ORGANIZATIONS.

 

A new fellowship from the Knight Foundation focused on public space is putting landscape designers front and center. Of the seven Knight Foundation Public Spaces Fellows, two are designers with an emphasis on landscape. The foundation announced in June that Walter Hood, ASLA, of Hood Design Studio and Chelina Odbert of the Kounkuey Design Initiative (KDI) will each receive $150,000. Other grantees are public parks officials, social scientists, and more, who in all will receive more than $1 million.

The goal is to promote work that engenders civic engagement for all citizens, connecting communities, “drawing people out of their homes and encouraging them to meet, play, and discuss important issues, while finding common ground,” the foundation said. (more…)

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BY ZACH MORTICE

Birdlink, at Sara Roosevelt Park in Lower Manhattan. Photo by Stephen A. Scheer.

BIRDLINK IS ONE PART ECOLOGICAL PUBLIC ART, ONE PART BIRD MIGRATION SCIENCE.

 

More than 300 species of birds migrate through New York City along the Atlantic Flyway each year. The goal of the art installation and avian habitat Birdlink, by Anina Gerchick, Associate ASLA, is to get a fraction of them to linger in the city for a bit.

Birdlink is an assemblage of stair-step bamboo and gabion planters stacked almost a dozen feet high, and intended to offer food and habitats for birds and other pollinators in urban areas outside major wildlife hubs such as Central Park or Jamaica Bay on Long Island. If you look closely, you’ll see bird varieties that shift with the seasons, as tides of migratory birds arrive and depart in New York City. (more…)

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BY ZACH MORTICE

The Promenade at the Metropolitan is a 40,000-square-foot park space serving a mixed-use multifamily building. Photo by Design Collective/Jennifer Hughes.

The developer James Rouse planned Columbia, Maryland, as a tabula rasa New Town in the 1960s, including ample green space woven throughout, a robust public realm, racially integrated housing, and the ability to make a tidy profit. In many ways, this ambition was realized, but with one important exception: the lack of a lively downtown. An inward-facing mall sits at Columbia’s center, looped by a small ring road, but the city has struggled to bring activity back to its center in recent years.

Just across from the mall’s ring road is the Metropolitan, downtown Columbia’s first mixed-use multifamily residential complex. Its signature amenity is a 40,000-square-foot open space called the Promenade, a hybrid playscape and rain garden intended to be a didactic showcase for stormwater retention and native plantings. (The project won a Merit Award from ASLA Maryland last year). The Promenade encourages kids to have some rambunctious fun while learning a thing or two about how these landscapes can shepherd rainwater from the sky to the ground. (more…)

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