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Archive for the ‘AWARDS’ Category

By Thomas Pintaric [GFDL or CC-BY-SA-3.0], via Wikimedia Commons.

Our bags are packed and our schedules loaded for the 2017 ASLA Annual Meeting and EXPO. Find us at the following events, sessions, or in the EXPO hall manning the Landscape Architecture Magazine booth at ASLA Central. You can stop by for a chat or to pick up some of our awesome swag.

  • On Friday, October 20, the LAM staff will be in attendance for the annual LAMMYs presentation (aka the LAM Advertising Awards), which celebrates excellence in our magazine’s advertising.
  • Editor in Chief Bradford McKee, Managing Editor Maggie Zackowitz, and Senior Editor Jennifer Reut will be on hand Saturday and Sunday, October 21 and 22, speaking with members and professionals at Meet the Editors. Spots are still open, so if you’re itching to tell us about that amazing new project, be sure to sign up for a 15-minute session.
  • Monday morning, October 23, at 10:00 a.m., Jennifer Reut will be leading a session with Diane Jones Allen, ASLA, and Gary Strang, FASLA, on Deconstructing Gentrification: Understanding and Accommodating Change in Urban Communities (MON-B10).
  • And Monday afternoon Brad McKee will be on hand at the annual awards ceremony to present the winners of the coveted Bradford Williams Medal, honoring the year’s best landscape architecture writing.

Be sure to follow us on Twitter or Instagram @landarchmag throughout the meeting—remember to use the hashtag #ASLA2017! If you see us in a session or event, be sure to say hello—we love to meet our readers and hear what they think about the magazine and the blog.

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BY BRADFORD MCKEE

Kate Orff, ASLA. Image courtesy of the John D. & Catherine T. MacArthur Foundation.

FROM THE NOVEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Kate Orff, ASLA, became the first landscape architect to receive a MacArthur Foundation fellowship, which carries a $625,000 award over five years for “originality, insight, and potential.” Orff was among 24 fellows named by the foundation today, who also included artists, activists, scientists, and historians.

Orff is the founder of SCAPE Landscape Architecture in New York, and the director of the urban design program at Columbia University’s Graduate School of Architecture, Planning, and Preservation. The firm’s work has achieved wide renown in recent years for its novel and intensely collaborative approaches (more…)

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BY BRIAN BARTH / PHOTOGRAPHY BY JULIE DERMANSKY

In Southern Louisiana, Evans + Lighter Landscape Architecture is helping the people of Isle de Jean Charles move away from a disappearing coast.

Every year LAM honors two articles that stand out in the realm of landscape architecture with the Bradford Williams Medal—one that has appeared in LAM, and one from outside the magazine. After a nomination and selection process by the LAM Editorial Advisory Committee, this year’s 2017 Bradford Williams Medal LAM winner is Brian Barth for his article “Let’s Beat It,” below, which appeared in the October 2016 issue.

Wenceslaus Billiot often spies dolphins leaping in the bay behind his house in Isle de Jean Charles, Louisiana. Just shy of his 90th birthday, he remembers his backyard as a vast, forested wetland when he raised his family here as a young man. In dry weather, the land was firm enough for his kids to walk to the store in the nearby hamlet of Chauvin. This June day the water is calm—a fisherman’s paradise—but hurricane season is another story. Billiot, a World War II veteran, former tugboat captain, and boat builder, says every year the water comes higher.

He lives in a dwindling community of the Biloxi–Chitimacha–Choctaw tribe, and like most of the 27 families who remain, Billiot and his wife, Denecia, are making plans to move inland. “But I don’t want to go,” he says in a Cajun accent.

He has no choice. Isle de Jean Charles, once 22,000 acres, has lost 98 percent of its land area since 1955, and state officials warn that (more…)

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Olana, the estate and landscape designed by Frederic Church–America’s foremost landscape painter of the 19th century–might be the painter’s deepest and richest creative act.

This hillside on the banks of the Hudson River in Upstate New York was a work of art that became Church’s own studio for painting the landscapes that made him a national celebrity—a mutually reinforcing circle that tied this land to his fantastical, but finely grained, depictions of it. “I can make more and better landscapes in this way than by tampering with canvas and paint in the studio,” Church wrote of his stewardship of Olana.

As detailed in this summary of what led Church to the Hudson Valley and what kept him there, Church’s landscape accentuated the stunning beauty of one of the Hudson River Valley’s most dramatic sites. To accompany the Persian-themed house he built for his family starting in 1872, Church planted trees to frame views, added a system of carriage roads to ferry visitors from one to another, and installed a lake that echoed the shape of the river. For his house, he mixed colors he would use to paint its rooms on his own palette.

A new plan for Olana by Nelson Byrd Woltz Landscape Architects won a 2017 ASLA Professional Award for Analysis and Planning for its sensitive approach to encouraging greater public engagement and its deep research into the site’s soil, hydrology, land use, and topography. The jury praised the plan for allowing the estate’s essential beauty to shine through, free of overwrought design and unnecessary flourishes.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo courtesy of Lisa Daye.

From LAM’s special September 2017 awards issue, Facebook’s green roof in its Menlo Park, California, headquarters by CMG Landscape Architecture is (at nine acres) large enough to reset visitors’ assumptions of where the ground plane is.

“Rooftop reflection.”

–CHRIS MCGEE, LAM ART DIRECTOR

You can read the full table of contents for September 2017 or pick up a free digital issue of the September LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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We figured the cover to this year’s ASLA Awards issue would be timely, but not by a measure of days. We were thinking months and years. The project by Studio Outside of its Galveston Island State Park project, which won a 2017 ASLA Professional Award for Analysis and Planning, shows the gradual progress happening these days with the design of coastal sites given the realities of climate change. As the issue arrived in the mail the past week, Hurricane Harvey swamped Galveston and wasted a huge piece of the Texas Gulf Coast. (Zach Mortice talked to Studio Outside for LAM this weekend as the storm moved in and lingered.)

Along with Studio Outside in our September Awards issue are several dozen projects that heap brainpower on the urgent landscape priorities of today. Out of the 295 projects submitted to the Student Awards, 26 winners were chosen, and 38 Professional Awards were selected from the 465 submissions. In addition, the ASLA Honors highlight the many professional contributions recognized by the society, including the winner of this year’s Landscape Architecture Firm Award, Gustafson Guthrie Nichol.

As always, the digital edition of the September 2017 Awards issue is FREE,  and you can access the free digital issue of the September LAM here and share it with your clients, colleagues, and friends. You can also buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. Single digital issues are available for only $5.25 at Zinio or you can order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Credits: [Professional Award images only] Storm + Sand + Sea + Strand—Barrier Island Resiliency Planning for Galveston Island State Park, Studio Outside/Google Earth; Birmingham Residence, Marion Brenner, Affiliate ASLA; Digital Library of Landscape Architecture History, Benjamin George, ASLA; Klyde Warren Park, Marion Brenner, Affiliate ASLA; Fluid Territory: A Journey into Svalbard, Norway, Kathleen John-Alder, ASLA.

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The battle to document and save old trees that may have once marked Native American trails.

Congratulations to Timothy A. Schuler, editor of LAM’s NOW section and a frequent contributor to the magazine. He is the 2017 recipient of the Forest History Society’s John M. Collier Award for Forest History Journalism, which recognizes excellence in reporting on forest or conservation history. Tim’s winning article, “Searching for a Sign”—about the strangely bent trees once used as trail markers by Native Americans—originally appeared in the November 2016 issue of LAM.

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