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Archive for the ‘WATER’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Billy Pope, Alabama Department of Conservation and Natural Resources.

From “Roll, Tide” by Jared Brey in the January 2022 issue, about Gulf State Park in Alabama, where compensation from the Deepwater Horizon oil spill is flowing into coastal remediation projects.

“A new dune view.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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FOREGROUND   

“I” Is for Information (Tech)
Focus on the building and the model can overlook the many new approaches landscape architects are taking to embedding detailed site information in BIM projects.

FEATURES     

Prairie Primetime
When Mundus Bishop was selected to modernize public access at the Plains Conservation Center, a reserve of remnant Colorado short-grass prairie, the pandemic was still two years out. Social distancing has made the center a destination for nearby Aurora residents, so the design team kept the
focus on the delicate balance between the people and the prairie.

 Roll, Tide
A decade after the Deepwater Horizon explosion killed 11 workers and dumped 134 million gallons of oil into the Gulf of Mexico, the Gulf Coast’s fragile economy and environment have reemerged, thanks to billions of dollars in payouts and federal support. A rebuilt lodge at the region’s leading attraction, Gulf State Park, undergirded by a Sasaki master plan, has come to represent
all that money can and cannot put back.

The full table of contents for January can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting January articles as the month rolls out.

Credits: “Prairie Primetime,” Scott Dressel-Martin; “Roll, Tide,” Matthew Arielly; “‘I’ Is for Information,” Lauren Schmidt, ASLA.

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish.

BY ROBERTO J. ROVIRA, ASLA

FROM THE DECEMBER 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Angular and lean, the new St. Pete Pier in St. Petersburg, Florida, folds its way for 1,380 feet from land to water. Under a bright, hot sun, even 10 feet may be just a few too many.

The pier’s many shifts, crossings, and cantilevers, made possible by more than 400 concrete pylons, make the journey seem rather effortless, however. This new addition to St. Petersburg’s urban infrastructure is more of a networked arrangement of spaces than a single object, the latter a fatal flaw that compromised the previous pier and contributed to its obsolescence and eventual demolition.

Subtle transitions allow the new pier’s architecture and landscape to take turns and communicate in a cohesive language while surfaces move up and down and laterally in plan and section. The roughly 3,000 feet from the beginning of the Pier District, which begins downtown, to the Pier Head building at the end aren’t all visible at once. Instead, the trip is divided into a series of manageable segments with plenty of respite along the way. Residents and tourists of all ages move along shared walks that begin with gateway elements consisting of an elaborate pergola, an outdoor market, and mature plantings preserved from the previous pier. Visitors quickly transition from downtown speed to park speed. Free trams share a curbless space and pass by varied programs that promote buy-local culture, public art that changes dramatically at night, sculptural play areas that integrate earthwork with native plantings, and a central civic plaza whose grand expanse and water features accommodate programming large and small.

New restaurants and pavilions allow one to pause, eat, listen to live music, people watch, get close to the water, and maybe even help sample it and learn something new about the bay at a nonprofit-run ecological discovery center. The broad palette of experiences leads to the Pier Head, where fishing is allowed and where beer is served (and in demand)—even on Mondays at 11:00 a.m.—at the rooftop bar. One may, in fact, decide to never get to the Pier Head, and the experience would not be the lesser for it given all the new options. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Rich Montalbano/RiMO Photo, LLC.

From “Right of Center” by Roberto J. Rovira, ASLA, in the December 2021 issue, about the new St. Pete Pier in St. Petersburg, Florida, the latest iteration of seaside life and leisure that reaffirms the city’s elemental connection to the water.

“Dusk at St. Pete’s Pier.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY JARED BREY

Pashek + MTR works with two public agencies to design a heavy-hitting stormwater park in Pittsburgh.

FROM THE DECEMBER 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

One bright-blue Friday afternoon in October, I was paused at a stoplight in Squirrel Hill, a residential neighborhood about five miles from downtown Pittsburgh, when I saw a young woman with a red backpack try to summit a steep slope on her bicycle. She approached the hill with good momentum and no shortage of confidence and was halfway up the block before she started losing speed. Two thirds of the way, she began to wobble. Pedaling a few more yards, she surrendered to the inevitable and finished the journey on foot.

At the bottom of the hill sat Wightman Park, recently redesigned around the very force the young woman was trying to overcome. In Pittsburgh’s Hill District, stormwater accumulates in the valleys. In 2014, the city’s Department of Public Works (DPW) began a master-planning process for the low-lying, two-acre park, with its small baseball field, half basketball court, and aging playground, through which a long-since channelized stream used to flow. In the process of collecting community input for the master plan and redesign, the landscape architects at Pittsburgh-based Pashek + MTR heard from neighbors that basement backups during storms were getting worse.

“And so we thought, ‘Oh, this would be a great place to really bump up the stormwater capacity and start to try to capture water from the surrounding streets,’” says Sara Thompson, ASLA, a principal at the firm. (more…)

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FOREGROUND

The Stranger Territory (Minds)
Julie Bargmann, the inaugural winner of the Cornelia Hahn Oberlander
International Landscape Architecture Prize, flourishes in the dirt.

The Wright Way (House Call)
Was Frank Lloyd Wright a landscape designer? For Bayer Landscape Architecture, the firm that restored the garden at the Darwin Martin House in Buffalo, New York, the answer lies somewhere
between the archives and the modern house museum.

FEATURES

Right of Center
It’s been a fishing jetty, a railroad pier, a contested site of segregation, even an inverted structure that called to mind a cake left out in the rain. But after six tries and 130 years, St. Petersburg, Florida’s dazzling new pier and park, by a team including W Architecture and Landscape Architecture, Ken Smith Workshop, and Rogers Partners Architects + Urban Designers, might be a keeper.

The full table of contents for December can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting December articles as the month rolls out.

Credits: “Right of Center,” Rich Montalbano/RiMO Photo, LLC; “The Stranger Territory,” Barrett Doherty, ASLA, courtesy the Cultural Landscape Foundation; “The Wright Way,” Bayer Landscape Architecture.

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BY HANIYA RAE

The reinvention of an irrigation canal east of Denver shows off the region’s diversity.

FROM THE NOVEMBER 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Stretching 71 miles from south of Denver into Aurora, Colorado, the High Line Canal is a constructed feat of the late 19th century. Originally hand-dug to supply irrigation to local farmers, the canal is now in the midst of transformation from a historical relic to a burgeoning greenway.

Plans for the High Line Canal’s transformation, with input from Sasaki, Agency Landscape + Planning, and Livable Cities Studio, call for clearly designating five zones of the canal based on their ecology while also linking the zones with a unified design and wayfinding system. The plan also stresses the need for accessibility and basic amenities so that all communities along the canal can enjoy it. A newly formed nonprofit, the High Line Canal Conservancy, will oversee the implementation of the plan and promote the benefits for all who live near the canal.

“The canal is natural, connected, and continuous, and it’s not one thing from beginning to end,” says Gina Ford, FASLA, the principal landscape architect at Agency Landscape + Planning. “It’s not a system that was made for people. The High Line Canal Conservancy needs to do a lot of work to adapt it for people. And that’s a lot of what I think really came in the vision and framework plans.” (more…)

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