Archive for the ‘PARKS’ Category

BY TIMOTHY A. SCHULER

Public food forests grow as cities look for new ways to feed their people.

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

It was the stand of pecan trees that first drew Mario Cambardella to the seven-acre property along Browns Mill Road in Atlanta. Looking up at the four giant pecan trees, Atlanta’s urban agriculture director decided that this was the place to test out the concept of a municipal food forest. “Then,” he says, “I dug deeper into the site and found another pecan orchard. There were tons of black walnut. There was mulberry.” Cambardella realized that the site already was a food forest. Instead of having to plant one, a team could sculpt what was already there. (more…)

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FOREGROUND

Sugar Substitutes (Preservation)
Reed Hilderbrand rethinks Storm King Art Center’s venerable Maple Allée.

Free Markets (Food)
Atlanta’s Browns Mill Food Forest will be a place for the community to gather,
as well as gather food.

FEATURES

Giant Steps
Mithun has made Yosemite’s Mariposa Grove a better experience for visitors as well as for its spectacular sequoias.

Taking the Wind Out of Wildfire
Ashland, Oregon’s new wildfire mitigation project could serve as a model for communities throughout the West.

Tree Line
In Ypres, Belgium, trees grow as living memorials to World War I dead.

All this plus the regular Now and Goods columns. The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting March articles as the month rolls out.

Credits: “Taking the Wind Out of Wildfire,” City of Ashland; “Giant Steps,” Christian Runge, ASLA; “Tree Line,” The National Archives, Kew, Ordnance Survey/Wikimedia Commons; “Free Markets,” Office of Resilience, City of Atlanta; “Sugar Substitutes,” © Courtesy Storm King Art Center/Photograph by Jerry L. Thompson.

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BY ZACH MORTICE

Fred Anderson Dog Park in Chicago. Photo courtesy Chicago Park District.

“Dog-friendly areas,” known as DFAs in Chicago Park District parlance, don’t come about easily in Chicago. But, says Nicole Machuca, the director of environmental education and neighborhood parks for Chicago’s Friends of the Parks (FOTP), “There is no doubt in my mind that communities all across the city want dog parks.”

But not all communities have them. A recent FOTP State of the Parks Report points out that the city’s wealthier, whiter North Side had 23 park district dog parks; the poorer, largely African American and Latinx South and West Sides had, until very recently, none. One dog park was added in the South Side’s Calumet Park last fall. There is also a completely independent dog park that’s not run by the city located in Jackson Park called Jackson Bark.

Currently, the park district’s process to establish new dog areas requires considerable grassroots community effort for support, organization, and funding. The park district’s 17-page manual  (more…)

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BY ZACH MORTICE

Weathermen consists of five snowman figures set on the iced-over Red River. Photo by Jaemee Studio.

There’s something unmistakably structural about a snowman: the tripartite column, the sequential progression of base, torso, and head. It might be every cold-weather kid’s first lesson in engineering and construction. It is also the inspiration for Jaemee Studio’s entry for Winnipeg’s annual Warming Huts design competition.

Weathermen consists of five snowman figures set on the frozen Red River; the largest few are hollow and big enough for a small group of people to huddle inside. They are among several warming huts to be commissioned for Winnipeg’s annual competition, which began in 2009. In addition to others, Weathermen joins Huttie, a “psychedelic funhouse” hut, in offering a whimsical vision of winter recreation in the city’s downtown. (more…)

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BY TIMOTHY A. SCHULER

Inside the years-long effort to design the world’s least traditional workplace.

FROM THE JANUARY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In 1659, Lord Henry Capel, a member of England’s Parliament, inherited a coveted estate along the River Thames near London. Capel and his wife moved into the grand manor house at what was then known as Kew Park and, as was popular at the time, began developing a series of formal gardens. But Capel’s plant collections were unusual. He built greenhouses for species that craved warmer climates, and his gardens burst with exotic flowers, fruit trees, and rare dwarf cultivars. Evergreens, oranges, flowering viburnum, Pistacia lentiscus from the shores of the Mediterranean. It was said that Capel’s gardens were “furnished with the best fruit trees in England.”

In 1772, the estate was joined with the adjacent Richmond Gardens, and in 1840, Kew Gardens, as it was then known, was conveyed to the public. The world-renowned botanic garden and research institute now boasts more than 30,000 types of plants housed in a series of ornate, Victorian-era greenhouses and ornamental gardens. Today, Kew is considered both the “cradle of the English landscape movement” and a locus of cutting-edge botanical knowledge. The gardens draw more than 2.1 million visitors a year.

More than 300 years after Capel planted his first fir, Jeff Bezos found himself meditating on Kew’s legacy. The American CEO of Amazon, and officially the wealthiest person on the planet, found the botanic garden bewitching. It was invigorating, nourishing. He wondered if an office could have the same effect. Was it possible to capture the sense of quiet inspiration? What would it look like? (more…)

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The Marcus Center in 1970. Photo courtesy Joe Karr, FASLA, and the Cultural Landscape Foundation.

Milwaukee rushes toward a zero-sum choice that could eradicate a Kiley landscape.

 

Dan Kiley developed his approach to landscape design in the wake of World War II. After designing the courtrooms for the trials of Nazi war criminals at Nuremberg, he explored the classical European gardens such as the Tuileries, Villandry, and Versailles, and  translated their allées, bosques, and hedgerows into modern expressions of landscape design. Channeling this tradition created “spaces with structural integrity,” Kiley wrote.

“The trees form a mass that’s almost a structure,” says Joe Karr, FASLA, who worked with Kiley from 1963 till 1969. “Dan quite often used plants like an architect would use other materials.”

Kiley’s landscape for Milwaukee’s Marcus Center for the Performing Arts, which sits next to the Milwaukee River downtown, exemplifies these lessons. The Cultural Landscape Foundation’s President and CEO Charles Birnbaum, FASLA, says it’s “truer to the Tuileries as any Kiley landscape that survives today.”

But the Marcus Center is now planning to destroy Kiley’s primary landscape feature on the site: a grid of 36 horse chestnut trees. A new plan will replace the trees with a great lawn for large public gatherings, quite contrary to Kiley’s design intent. Construction is tentatively slated to start (more…)

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BY TIMOTHY A. SCHULER

On a tiny, distressed site in South Los Angeles, Hongjoo Kim creates a multilayered landscape.

FROM THE JANUARY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

South Los Angeles is the last place a person might expect to find a tranquil walkway winding through the canopy of a mixed evergreen and deciduous forest. But 10 or 12 years from now, when the pines and redbud trees of Vermont Miracle Park have grown up past the metal railings of its 11-foot-high elevated walkway, residents of Vermont Knolls will have the chance to disappear into nature—if only for a few minutes.

Occupying just 10,500 square feet, Vermont Miracle Park was designed by Hongjoo Kim Landscape Architects and developed by the Los Angeles Neighborhood Land Trust (LANLT), a nonprofit organization formed in part by then-city council member Eric Garcetti, Honorary ASLA, in 2002 to bring additional green space to underserved neighborhoods like Vermont Knolls, a predominantly African American and Latino community not far from Compton. It’s an area characterized by strip malls, auto body shops, and more than its fair share of vacant lots.

The lot at 81st Street and Vermont Avenue had been vacant since the building there burned down in what Keshia Sexton, the director of organizing at LANLT, refers to as the 1992 Uprising, after the acquittal of Los Angeles police officers in the videotaped beating of Rodney King. Twenty-five years later, the lot has been transformed into much-needed green space, funded through (more…)

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