Archive for the ‘PARKS’ Category

THE RISING TIDEWATER

BY BRETT ANDERSON / PHOTOGRAPHY BY SAHAR COSTON-HARDY, AFFILIATE ASLA

Disparate but urgent efforts to address sea-level rise in the Virginia Tidewater, one of the country’s most important strategic centers, are striving to keep up with visible realities.

This week, LAM is joining more than 250 media outlets for Covering Climate Now, flooding the zone, as it were, with climate coverage in the run-up to the United Nations Climate Action Summit on September 23. Landscape and landscape architecture are deeply implicated in the future of climate progress, or a lack of it. Over the past decade, LAM has dug into climate issues of landscape in numerous dimensions, mapping the big resource picture as well as local attempts to fend off increasingly apparent hazards of global warming—from the procurement of materials to the integrity of the food supply chain. Each day this week we’ll bring you excellent stories from recent years that follow landscape architects acting and thinking about climate change and the landscape.

FROM THE DECEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The first question that sprang to Ann C. Phillips’s mind soon after she moved to Norfolk, Virginia, in 2006 was, “Why, when it rains, does the whole place submerge?”

She wasn’t referring only to dramatic weather events, although Phillips, a retired rear admiral in the U.S. Navy, landed in Norfolk during a bumper crop of those: Norfolk saw more major coastal storms and hurricanes in the 2000s than in the four previous decades combined, according to the city government.

Harder to fathom were the floods caused by light rains and “blue sky floods” triggered by lunar tides. Tidal flooding affects low-lying areas of Norfolk nine times per year on average.

These more regular floods were unlike anything Phillips experienced growing up in Annapolis, Maryland. They’re an alarmingly routine part of life in Norfolk and the surrounding Hampton Roads area (more…)

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FOREGROUND

Where Are We Sitting? (Interview)
Thaïsa Way, FASLA, the new director of Garden and Landscape Studies at Dumbarton Oaks, wants to push the profession’s history in new directions.

A Merger Makes a New Market (Office)
Calvin Abe, FASLA, made moves toward an ownership transition for his Los Angeles firm, AHBE Landscape Architects, then pulled back, and then went for it with MIG.

FEATURES

No Us and Them
Forty years after its founding, the office of Andropogon, which received the 2018 ASLA
Firm Award, keeps expanding the research base on which it was built and advancing the notion that people and nature are one.

Downtown, Deliberately
Over 35 years, a featureless corner in Boise, Idaho, was galvanized to life by ZGF Architects with help from some local talent.

Toronto in Deep
Below its towers, Toronto’s ravines carve dramatic veins of forest through the city. But their biodiversity is at risk of collapse under intense environmental pressures, and their guardians think they have not much time to reverse the problem.

All this plus the regular Now and Goods columns. The full table of contents for September can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting September articles as the month rolls out.

Credits: “No Us and Them,” Sahar Coston-Hardy, Affiliate ASLA; “Toronto in Deep,” Robert Burley, Courtesy the Stephen Bulger Gallery; “Downtown, Deliberately,” ZGF Architects; “Where Are We Sitting?” © Courtney M. Randolph; “A Merger Makes a New Market,” Sibylle Allgaier.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

NATHANAEL HUGHES FOR NORTH SYDNEY COUNCIL.

From “Tunnel Vision” in the August 2019 issue by Gweneth Leigh, ASLA, about a behemoth coal bunker in Sydney that’s found new life as a multipurpose park.

“Bird’s-eye view of coal loader construction.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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FOREGROUND

Atlas of Abandonment (Interview)
Jill Desimini, ASLA, discusses her new book on vacancy.

One Fish, More Fish (Habitat)
Scott Scarfone, ASLA, is working on his own time to conserve brook trout,
sometimes swimming upstream.

FEATURES

Home Away From No Home
Brice Maryman, ASLA, has spent the past few years studying homelessness from a landscape perspective and learning that understanding it precedes design.

Tunnel Vision
When the time came to retire a big coal transport depot in Sydney, residents mobilized to keep the site public, which their predecessors had been unable to do a century ago.

The Lawn Is Gone
For clients with a house in Los Angeles, a big, boring patch of grass was not working. When the landscape designer Naomi Sanders was done, you’d never know it had been there.

All this plus the regular Now and Goods columns. The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting August articles as the month rolls out.

Credits: “Home Away From No Home,” Brice Maryman, ASLA; “The Lawn Is Gone,” Jennifer Cheung; “Tunnel Vision,” Rebecca Farrell for North Sydney Council; “Atlas of Abandonment,” Jill Desimini, ASLA, published by ORO Editions in From Fallow; “One Fish, More Fish,” Scott Scarfone, ASLA.

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BY ZACH MORTICE

The Promenade at the Metropolitan is a 40,000-square-foot park space serving a mixed-use multifamily building. Photo by Design Collective/Jennifer Hughes.

The developer James Rouse planned Columbia, Maryland, as a tabula rasa New Town in the 1960s, including ample green space woven throughout, a robust public realm, racially integrated housing, and the ability to make a tidy profit. In many ways, this ambition was realized, but with one important exception: the lack of a lively downtown. An inward-facing mall sits at Columbia’s center, looped by a small ring road, but the city has struggled to bring activity back to its center in recent years.

Just across from the mall’s ring road is the Metropolitan, downtown Columbia’s first mixed-use multifamily residential complex. Its signature amenity is a 40,000-square-foot open space called the Promenade, a hybrid playscape and rain garden intended to be a didactic showcase for stormwater retention and native plantings. (The project won a Merit Award from ASLA Maryland last year). The Promenade encourages kids to have some rambunctious fun while learning a thing or two about how these landscapes can shepherd rainwater from the sky to the ground. (more…)

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THE GREEN NEW DEAL, LANDSCAPE, AND PUBLIC IMAGINATION

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

BY NICHOLAS PEVZNER

FROM THE JULY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Since the 2018 midterm elections, the Green New Deal has catapulted into the public conversation about tackling climate change and income inequality in America. It has inspired a diverse coalition of groups on the left, including climate activists, mainstream environmental groups, and social justice warriors. The Green New Deal is not yet fully fleshed out in Congress—the most complete iteration so far is a nonbinding resolution put forward in the House by Representative Alexandria Ocasio-Cortez (D-NY) and a companion measure introduced in the Senate by Senator Ed Markey (D-MA). At their cores, these bills are an urgent call to arms for accelerating the decarbonization of the U.S. economy through a federal jobs program that would create millions of green jobs—a 10-year national mobilization on a number of fronts aimed at reducing the nation’s greenhouse gas emissions.

The resolution text itself is a laundry list of possible goals and strategies aimed at immediately addressing climate change and radically cutting U.S. carbon emissions. These proposals are ambitious in scale and breadth: a national target of 100 percent “clean, renewable, and zero-emission” energy generation; a national “smart” grid; aggressive building upgrades for energy efficiency; decarbonization of the manufacturing, agriculture, and transportation sectors; increased investment in carbon capture technologies; and the establishment of the United States as a global exporter of green technology. What such an effort will entail on the ground is not yet clear, but if even only some of these stated goals are achieved, the Green New Deal will represent a transformation of both the American economy and landscape on a scale not seen since the days of President Franklin D. Roosevelt and his original New Deal of the 1930s and 1940s. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image by Nadine Schütz.

From “Sound Gardens” in the July 2019 issue by Michael Dumiak, about the acoustical designer Nadine Schütz’s use of landscapes as a filter and echo chamber for ambient sound that defines each landscape.

A plan for wind, rain, and sun.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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