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Archive for the ‘PLANNING’ Category

BY LESLEY PEREZ, ASSOCIATE ASLA

In Pittsburgh, Merritt Chase wants to help the city capitalize on its biggest unsung assets: stairs.

FROM THE OCTOBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Growing up about an hour south of Pittsburgh, Nina Chase, ASLA, always admired the bold natural beauty of the city’s dramatic hills. But relocating to the city two years ago gave her a new appreciation of the incredible amount of human ingenuity that went into transforming that terrain into a livable, connected place. “There’s this whole motley crew of infrastructure that helps people navigate the topography,” Chase says. With elevations ranging from 710 feet above sea level where the rivers meet to 1,300 feet at the highest points, Pittsburgh relies on a vast network of bridges, inclines, stairs, and tunnels to knit itself together.

It’s the stairs, however, that have come to be most emblematic. There are more than 800 stairs scattered across Pittsburgh, which according to the city’s website is more than any other city in the United States. They scale steep hills, open up vistas, function as sidewalks, and provide (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Courtesy Tyler Swingle

From “Shapes of Water” in the October 2018 issue by Lesley Perez, Associate ASLA. MIT research is helping to make the design of stormwater-retaining wetlands more accessible for municipalities and public works departments.

“Wire-frame wetlands.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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It’s the first of October, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

All Over the Place (Almost) [Travels]
Where the projects are (and aren’t) that appeared in the magazine in the past year.

Brand New (Office)
Rebranding your practice—large or small—involves more than just changing your name.

Fuller Blast (Water)
The redesigned fountains at Longwood Gardens reinvent a crumbling
relic with cutting-edge infrastructure.

Concrete Crops (Food)
In Philadelphia’s Center City, Thomas Paine Plaza takes on new life as a mini-farm.

Step by Step by Step (Planning)
Everybody takes the stairs in Pittsburgh.

FEATURES

Where the Water Was
Anne Whiston Spirn, FASLA, has made West Philadelphia—
and the water that flows beneath it—a life’s work.

Hydro Power
MKSK makes public space out of river infill in Columbus, Ohio,
drawing a whole new generation downtown.

Science to Design
Biohabitats’s mission is nothing less than healing the Earth.

Lower Here, Higher There
The Belgian landscape designer Erik Dhont creates modern gardens inspired
by the minds of the Old Masters.

All this plus the regular Now and Goods columns. The full table of contents for October can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting October articles as the month rolls out.

Credits: “Hydro Power,” MKSK; “Science to Design,” Stuart Pearl Photography; “Lower Here, Higher There,” Jean-Pierre Gabriel; “Where the Water Was,” Sahar Coston-Hardy, Affiliate ASLA; “Step by Step by Step,” Merritt Chase; “Fuller Blast,” Jaime Perez; “Concrete Crops,” Viridian Landscape Studio; “Brand New,” Gensler/Ryan Gobuty.

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SELECTIONS FROM THE 2018 STUDENT AWARDS

BY ZACH MORTICE

“Stop Making Sense” resists applying easily explicable narratives to the open question of nuclear waste storage. Image courtesy Andrew Prindle, Student ASLA, and Kasia Keeley, Student Affiliate ASLA.

The winning entries of the 2018 ASLA Student Awards offer solutions for extreme sites and surreal conditions, completely appropriate to the times in which they were crafted. Here is a selection of six award-winning student projects that greet such days with humanity, nuance, and rigor.

Stop Making Sense: Spatializing the Hanford Site’s Nuclear Legacy

General Design: Honor Award

Composed of a pair of inscrutable concrete bunkers that are 1,000 feet long and dug 60 feet into the earth, “Stop Making Sense” by Kasia Keeley, Student Affiliate ASLA, and Andrew Prindle, Student ASLA, pushes aside dominant narratives about how our nation treats and digests nuclear waste.

“We didn’t want to give people answers, and we didn’t want to force a perspective,” Keeley says. “What we wanted to do was raise questions and incite curiosity.” (more…)

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REVIEWED BY KELLY COMRAS, FASLA

FROM THE JULY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Victor D. Gruen (1903–1980) was one of the most influential architects of the 20th century, a powerful visionary who combined social criticism, persuasive charm, ambition, and talent. Known as the father of the shopping mall, he envisioned a cure for the banality of postwar American suburbia and neglected city centers that profoundly altered the landscape of postwar city development. He suggested “shopping towns,” new community centers that would contain a rich mix of civic and commercial spaces and activities, and the introduction of pedestrian zones within the core of older city centers. Later in life, he criticized that his ideas had been co-opted by developers, commercialized by economic, political, and cultural forces beyond his control, which thereby emerged on the postwar landscape as an unintended archetype: the enclosed, inward-facing, single-purpose, multilevel, two-anchor-department-store shopping center.

Gruen has left us with an impressive number of writings about his work (including the well-known The Heart of Our Cities), and two pertinent books have tackled appraisals of his work—Alex Wall’s Victor Gruen: From Urban Shop to New City (2005) and M. Jeffrey Hardwick’s Mall Maker: Victor Gruen, Architect of an American Dream (2004). But Anette Baldauf’s new translation from German of Gruen’s dictated memoirs, Shopping Town, presents us with (more…)

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THE RISING TIDEWATER, REVISITED

BY BRETT ANDERSON / PHOTOGRAPHY BY SAHAR COSTON-HARDY, AFFILIATE ASLA

Disparate but urgent efforts to address sea-level rise in the Virginia Tidewater, one of the country’s most important strategic centers, are striving to keep up with visible realities.

Editor’s Note: Norfolk, Virginia, is both highly vulnerable to sea-level rise and a critical center of military and government infrastructure. As Hurricane Florence bears down on Virginia and the Carolinas, the risks associated with storm surge flooding are intensified by the region’s strategic importance. As Brett Anderson reported in the magazine’s December 2017 issue, this isn’t a new story, and landscape architects, academics, municipal officials, and residents are collaborating to find ways the region can respond to the inevitability of rising tides.

The first question that sprang to Ann C. Phillips’s mind soon after she moved to Norfolk, Virginia, in 2006 was, “Why, when it rains, does the whole place submerge?”

She wasn’t referring only to dramatic weather events, although Phillips, a retired rear admiral in the U.S. Navy, landed in Norfolk during a bumper crop of those: Norfolk saw more major coastal storms and hurricanes in the 2000s than in the four previous decades combined, according to the city government.

Harder to fathom were the floods caused by light rains and “blue sky floods” triggered by lunar tides. Tidal flooding affects low-lying areas of Norfolk nine times per year on average.

These more regular floods were unlike anything Phillips experienced growing up in Annapolis, Maryland. They’re an alarmingly routine part of life in Norfolk and the surrounding Hampton Roads area (more…)

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If there were going to be a theme for this year’s ASLA Student Awards, it might well be sea change. A shift is palpable in the way students now seem ready to fully embody their roles as future leaders. There was great assurance in this group of award winners and a courageous willingness to tackle complex and difficult problems. The ambition of student projects leapt forward on multiple levels, with many submissions seeming to overrun the confines of traditional award categories. Projects as small as Chicago’s Jazz Fence, a Community Service winner, and as grand as the Award of Excellence winner in Analysis and Planning, El Retorno a la Tierra, which called for a total rethinking of the post-Hurricane Maria recovery of Puerto Rico, exemplified the deeply researched and carefully calibrated impacts of landscape architecture at its best. Projects ranged with authority across borders both political and cultural and did not shy from confronting the politics of place head-on. Jurors admired that “there are a lot of intense sites,” and projects were moving far away from conventional places that students had studied in the past.

And then there was the sea itself, a changing condition that appeared in many submissions, particularly in the Analysis and Planning category. With water and aridity in all its forms at the center of so many projects, it was clear that accommodating sea-level rise and climate change is no longer a choice to make but a condition that is baked into students’ design thinking. Submissions also exemplified full engagement with social issues once seen as far outside the profession’s purview, such as prison yards, nuclear plants, and a landscape approach to the reunification of Korea, which garnered an Award of Excellence in Communications. During the lively deliberations, jurors commented more than once about the remarkable initiative of this year’s students, particularly the “complexity and depth of issues they chose to tackle,” as well as how much they looked forward to hiring this next generation of landscape architects.

A spoiler alert: Among the ASLA Professional Awards, Brooklyn Bridge Park brings home the top honor in General Design, the Award of Excellence. Having taken shape over nearly three decades, the vast waterfront park, by Michael Van Valkenburgh Associates, came almost fully into being this year, a dogged vision for turning an old world into another one. And look at the results. This winner and many others show the long game of landscape architecture.

As always, the digital edition of the September 2018 Awards issue is FREE, and you can access the free digital issue of the September LAM here and share it with your clients, colleagues, and friends. You can also buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. Single digital issues are available for only $5.25 at Zinio or you can order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Credits: “Myth, Memory, and Landscape in the Pyramid Lake Paiute Reservation,” Derek Lazo, Student ASLA, and Serena Lousich, Student ASLA; “In Between Walls,” Niloufar Makaremi Esfarjani, Student ASLA; “Stop Making Sense: Spatializing the Hanford Site’s Nuclear Legacy,” Kasia Keeley, Student Affiliate ASLA, and Andrew Prindle, Student ASLA; “Korea Remade: A Guide to Reuse the DMZ Area Toward Unification,” Jiawen Chen, Student ASLA, Siyu Jiang, Student ASLA, and Xiwei Shen, Student ASLA; “Iqaluit Municipal Cemetery,” TSC Photography; “Chicago Riverwalk: State Street to Franklin Street,” © Kate Joyce; “Brooklyn Bridge Park: A 20-Year Transformation,” Julienne Schaer.

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