Feeds:
Posts
Comments

Archive for the ‘COMPETITIONS’ Category

LAM_Oct15_Cover

Whether you’re a professional working on a downtown plaza or a student hoping to shape the future landscape, it’s time to show off your finest work. ASLA is now accepting submissions for its 2016 Professional and Student Awards. Professionals have until March 18 to submit their work, and students have until May 13 (yes, that’s after semester’s end, we hope).

As ever, the competition will be tough, but the opportunity for recognition is well worth the time and effort in submitting. “It’s an honor to be selected by your peers from among hundreds of submissions as one of the best in landscape architecture from around the globe,” says Carolyn Mitchell, ASLA’s Honors & Awards Coordinator.

Once selected, winners will be featured in the annual awards issue of Landscape Architecture Magazine and at the 2016 ASLA Annual Meeting and EXPO, held this year in New Orleans, October 21-24, 2016.

For more information, please click here.

 

Read Full Post »

This slideshow requires JavaScript.

October’s LAM is our awards issue, and that means almost 70 pages of Student and Professional Award winners, including the 2015 Landmark Award given to Dan Kiley’s South Garden at the Art Institute of Chicago. Finished in 1962, the South Garden celebrates almost 50 years of continued excellence as both a landscape architecture project and a cherished space in the public realm.

Out of 327 submitted projects to the Student Awards, 23 winners were chosen, with many of the projects highlighting the diversifying nature of landscape architecture. In the Professional Awards, 33 winners were selected from 463 submissions, many of which set the tone for the future of the profession. All this plus our regular Land Matters and Now columns.

You can read the full table of contents for October 2015 or pick up a free digital issue of the October LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating October articles as the month rolls out.

Credits: Landmark Award, © Tom Harris/Courtesy the Cultural Landscape Foundation; Professional Communications Award of Excellence, Landscape Architecture Foundation; Professional Analysis and Planning Award of Excellence, Hargreaves Associates and Red Square; Professional Residential Design Award of Excellence, Hocker Design Group, Robert Yu, Justin Clemons; Professional General Design Award of Excellence, Courtesy Reed Hilderbrand.

Read Full Post »

This slideshow requires JavaScript.

In August’s issue of LAM, Philip Walsh finds that landscape architects could work harder than they do to restore lost wetlands in the United States. Steven Litt, in Cleveland, reports on how Perk Park, an acre of oasis downtown, by Thomas Balsley Associates, is making the city look harder at the value of well-designed open space. And in Washington, D.C., Bradford McKee checks out the new national headquarters of the U.S. Coast Guard with two dozen acres of green roofs and gardens by Andropogon and HOK.

In the departments, the Harvard Graduate School of Design appoints Anita Berrizbeitia, ASLA, as the chair of landscape architecture and Diane Davis as the chair of urban planning; a look at the watchdogs who track down plant growers who infringe on someone else’s patents; and the winners of the Boston Living with Water Competition aimed at envisioning a resilient city come sea-level rise. All this plus our regular Now, Species, Goods, and Books columns. The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating August articles as the month rolls out.

Credits: “The Return of the Swamp,” Lisa Cowan, ASLA/StudioVerde; “Freeze, Thaw, Flourish,” © Scott Pease/Pease Photography, 2012; “The Wetter, the Better,” Judy Davis/Hoachlander Davis Photography; “New Chairs, Subtle Shifts,” Courtesy Harvard Graduate School of Design; “Plant Sheriff,” Courtesy Bailey Nurseries; “Boston from the Ground Floor,” Designed by Architerra; Courtesy Boston Living With Water.

Read Full Post »

BY ELIZABETH S. PADJEN

BEDIT_2---Water-District---Final-Boards-1-5

ReDe Boston 2100, designed by Architerra, imagines an accessible waterfront that allows for tidal submersion.

All this talk of sea-level rise and 100-year floods…. If you’re a Bostonian, you can talk in terms of 30-day floods.

That’s the interval between astronomical high tides—the so-called wicked high tides (no one bothers with quotation marks around “wicked” anymore) that regularly flood parts of the city. Locals have been industriously filling in tidelands and marshes for a few centuries now, increasing the city’s land area by more than half. But in just the past century, sea level has risen by almost a foot, with a projected additional five- to six-foot increase by 2100 that will flood most of that filled land, leaving dry zones that almost match the footprint of the original 17th-century Boston.

Bostonians have got the message: The sea is calling, and it wants its stuff back.

The most recent effort to negotiate palatable terms of surrender is Boston Living with Water, an open, international, two-stage competition that attracted 50 entries representing more than 340 individuals. Winning submissions were announced on June 8 by Boston’s mayor, Martin J. Walsh, at a standing-room-only event that attracted more than 150 attendees, including designers, civic and business leaders, community members, students, and even Miss Earth Massachusetts (Olea Nickitina, resplendent in a sash and suitably green frock).

Selected from a field of nine semifinalists, the winners were: (more…)

Read Full Post »

BY ELIZABETH S. PADJEN

BEDIT_0431_Atmosphere

Mohsen Mostafavi, Francine Houben, and Craig Dykers discuss at the Keynote Panel moderated by Cathleen McGuigan.

From the July 2015 issue of Landscape Architecture Magazine.

In the opening scene of the first episode of Mr. Selfridge, an American businessman, Harry Selfridge, tries on a pair of kid gloves in a proper Edwardian department store. When he decides he wants to try something else, the clerk asks what he would like to see. “Well, maybe I don’t know until I see it,” he answers. “Why don’t we get a whole lot of them on the counter and then we can see what we like?” The clerk explains that’s not how things are done. “Come on,” he cajoles, “let’s have a little bit of fun”—and soon a drawerful of gloves is heaped on the counter.

Clients shopping for just the right design, civic-minded organizations browsing the marketplace of ideas—it’s sometimes hard to let go of the notion that design competitions are at their heart a retail experience. How can we know what we like until we see it? And shouldn’t we all have a little bit of fun while we’re trying to figure that out?

Exploring the ways that competitions can reach beyond mere consumerism was the focus of a recent conference in Cambridge, Massachusetts, on April 23 and 24, cosponsored by the Van Alen Institute and the Harvard Graduate School of Design. The event, dubbed “The Design Competition Conference” (surely “a” would have been more accurate, given the inevitability of future similar symposia), coincided with the release of the findings of a design competition survey conducted by Van Alen and Architectural Record magazine.

(more…)

Read Full Post »

Remnants of Spain’s early 21st century speculative urbanization pursuits. Christopher Marcinkoski, The City that Never Was.

Remnants of Spain’s early 21st century speculative urbanization pursuits. From Christopher Marcinkoski, The City That Never Was.

A few months back, we published a short appeal for more landscape architects to apply for the storied Rome Prize with the hope that the breadth of the field could be better represented. On April 23, the American Academy in Rome announced the 2015–2016 fellows, which included three new fellows in landscape architecture: Christopher Marcinkoski, Alexander Robinson, ASLA, and Thaïsa Way, ASLA.

The Rome Prize, which provides significant time, research materials, and studio space at the academy’s recently restored Villa Aurelia in Rome, has long been a coveted honor. Described as “life changing” and “transformative” by the 1997–1998 fellow Mary Margaret Jones, FASLA, it is also a way of benchmarking where and how the concerns of landscape architecture converge with currents in the arts and humanities. Along with a cohort of musicians, writers, artists, scholars, and architects, the new landscape fellows will live and work in Rome for six months to a year.

Christopher Marcinkoski is an assistant professor at the University of Pennsylvania and a former senior associate at James Corner Field Operations. His project, “Rome, Empire Building, and the City That Never Was,” expands from the research in his forthcoming book, The City That Never Was, by looking at the emergence of speculative settlement and infrastructure projects. “My project in Rome intends to use the historical lens of Roman urbanization to think about ongoing projects that are being pursued in Africa,” Marcinkoski says. Using the example of megaprojects in Spain and Ireland that were begun but then abandoned during the recession, Marcinkoski says that these kinds of projects are now appearing in places such as Angola and Morocco, built by outside entities and sometimes in exchange for access to material resources. Coming off a long book project, Marcinkoski plans to use his time for more design experimentation, rather than written critique, though he notes that these speculative projects on the African continent deserve close attention. “There’s an incongruity between what is being proposed and what is needed.”

An interactive interface for the Owens Lake Dust Control Project explores the nexus of infrastructure performance and experience. Credit: Alexander Robinson

An interface for the Owens Lake Dust Control Project explores the nexus of infrastructure performance and experience. Credit: Alexander Robinson.

Alexander Robinson’s research deals with some of the major water infrastructure projects in the western United States; his work was recently featured in After the Aqueduct. He says that working on that exhibition helped him understand what he wanted to do with the Rome prize, and his project, “A Projective Picturesque: Reconciling Pictorial with Performance in Landscape Architecture,” will bring his research in infrastructure into a conversation with often-maligned picturesque aesthetics. Robinson is interested in “recognizing that there is a rift between performance and pictorial—there’s a lot more embedded in what we see than the scenic.” The project at the American Academy in Rome will take him back to his roots as a landscape painter to reconcile those aesthetics with the use of the planimetric design tools that are the mainstay of his current position as the director of the Landscape Morphologies Lab at the University of Southern California. “How do we think about the pictorial and the visual syntax of landscape architecture in the context of landscape infrastructure and performance?” he asks.

Thaïsa Way’s project, “Drawing a History of Landscape Architecture,” sounds perfectly scholarly, but it has an unexpected twist. The project will allow Way, a landscape historian, to study the relationship between drawing and landscape from its architectural origins to its current idiom as a form of professional communication. “I’m really interested in the history of drawing. It’s what makes us as a profession, makes us different. We use drawings to think, create, and communicate in a huge range of ways. How did those ways of thinking come to be?” But there’s more: “I am going to also draw—as a historian, to really understand what it is to draw, I need to draw!” she says. To do this, Way will look at the drawings of former landscape architecture fellows—the Rome Prize for landscape architecture was established in 1915, so she’ll have a deep archive to draw from—and then bring them to the sites where they were made, immersing herself in the relationships between the subject, the site, and the hand.  Way says experiencing the act of drawing will inform the way she writes about drawing. “As a historian and a critic, I read differently because I also write, and I wanted to have that same experience,” she says.

Part of why Way is excited about starting the fellowship in Rome is because of the way her work fits together with that of Marcinkoski and Alexander. All of the Rome Prize landscape projects in some way deal with issues that are in the forefront of contemporary practice, and each new fellow has pulled back and asked how history might inform these questions more fully. But they also speak to the field in other ways, tying individual research to the concerns of the field at large. Way says: “They’re all really about the profession, not just about ourselves.”

Read Full Post »

A monthly roundup of the news, dispatches, and marginalia that caught our eye.

The LAM staff dives into this month’s news and views in the first Queue of the year, including a vacant lot project in Detroit that could unite barbers and landscape contractors, Brazil’s hopeful rails-to-trails project, and a collection of short films about the environment.

 

Timo Hämäläinen, an urban geographer based in Helsinki, blogs about Finnish urbanism at http://urbanfinland.com/

CATCHING UP WITH…

 Hadley Arnold of the Arid Lands Institute (“Drylands Design for L.A.,” January 17, 2014) gets some NPR airtime talking about a drought-resistant future for L.A.

 The San Francisco Chronicle visits the Gallery + Ideas Forum at the Presidio Trust Headquarters, where the winning design for the Presidio parkland (“The Lucas Museum’s Rough Chicago Landing,” August 19, 2014;  more), along with the four runners-up, are on display for public comment and review.

 Four finalists for the National Parks Now, a National Park Service and Van Alen Institute (“Take Aim At New Orleans’s Vacant Land,” August 12, 2014) competition, were announced. Each finalist will receive a $15,000 stipend for implementing strategies that connect four parks to more diverse audiences.

 Erin Kelly of Detroit Future City (“Detroit from the Ground Up,” LAM, November 2014) was among the 126 finalists for the Knight Cities Challenge, a competition created to generate beneficial design for 26 target communities in which the Knight family has newspapers.  Out of a whopping 7,000 entries, her proposal for a barber and landscape team up for vacant lots in Detroit moved to the next stage.

 

FIELD STUDIES

• African Americans make up 12 percent of the U.S. labor force but only 5.9 percent of the labor force in solar industries. Brentin Mock at Grist asks whether “African Americans are obtaining equitable opportunities in the emerging green markets.”  

 Finnish Urbanism—it’s a thing. Timo Hämäläinen, an urban geographer based in Helsinki, helps us catch up with “Six Major Developments Shaping Finnish Cities in 2014” on his blog, From Rurban to Urban.

 A group of residents in São Paulo hopes to see the Minhocão, a highway by day and cultural hub by night, repurposed into a rails-to-trails project for the local citizens.

 

OUR WOBBLY WORLD

 Six companies in the Jiangsu province of China were recently fined 160 million yuan ($26 million) for dumping chemical waste into two Taizhou rivers.

 Sam Adams, the former mayor of Portland, Oregon, was recently appointed as the new director of the U.S. Climate Initiative at the World Resources Institute. Adams was one of the key figures responsible for shaping Portland into one of the most sustainable cities in the United States. 

 A year after a drinking water disaster in Charleston, West Virginia, and after a lot of promises for regulatory reform, threats to drinking water supplies are not much diminished. 

 

OUT AND ABOUT

 From February 28 to May 23, 2015, Lotusland in Montecito, California, will play host to FLOCK, a temporary installation that calls attention to the disappearing wild bird population, seen by many as an indicator for the loss in biodiversity.

 The Rethinking the Urban Landscape exhibit looks at the benefits of landscape-focused urbanism through films, talks, and models.  At the Building Centre in London through February 26, 2015.

 Olafur Eliasson: Contact, a series of installations displaying Eliasson’s  multidisciplinary “investigations into the mechanisms of perception and the construction of space,” is on view  at Fondation Louis Vuitton in Paris through February 23, 2015.

 

DISTRACT ME FROM MY DEADLINE DEPT.

  Eight short films that play with the idea of perspective.

• Think it’s expensive where you live? Try living in Greenland.

 What’s inside an iceberg?

Read Full Post »

Older Posts »

Follow

Get every new post delivered to your Inbox.

Join 9,525 other followers