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Archive for the ‘PEOPLE’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

One of the many plantings at Hummelo. Credit: Piet Oudolf.

One of the many plantings at Oudolf’s home near Hummelo, the Netherlands. Credit: Piet Oudolf.

From “The Oudolf Way” by Katarina Katsma, ASLA, in the May 2015 issue, featuring Hummelo: A Journey Through a Plantsman’s Life, written by Noel Kingsbury in commemoration of Oudolf’s 70th birthday.

“Everything that Oudolf creates is mesmerizing. His palette has incredible depth and texture.”

—Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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In 2013, LAM filmed a wide-ranging and very candid conversation between Signe Nielsen, FASLA, and Michael Van Valkenburgh, FASLA, two longtime friends, on New York, urbanism, and landscape architecture practice.

With more than 60 years’ design experience between them, Nielsen and Van Valkenburgh talk about the range of Nielsen’s projects, including Hudson River Park and the South Bronx; lessons from Hurricane Sandy; how to (and how not to) work with developers; the problem of “sustainability” as a trend; Nielsen’s first meeting with Kim Mathews, ASLA, her partner of 20 years at Mathews Nielsen Landscape Architects; and learning to take the lead on big urban projects.

For more on Nielsen and the work of Mathews Nielsen Landscape Architects, pick up a copy of the April issue of Landscape Architecture Magazine. The digital issue is free or you can buy the print issue at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. Single digital issues are only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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Remnants of Spain’s early 21st century speculative urbanization pursuits. Christopher Marcinkoski, The City that Never Was.

Remnants of Spain’s early 21st century speculative urbanization pursuits. From Christopher Marcinkoski, The City That Never Was.

A few months back, we published a short appeal for more landscape architects to apply for the storied Rome Prize with the hope that the breadth of the field could be better represented. On April 23, the American Academy in Rome announced the 2015–2016 fellows, which included three new fellows in landscape architecture: Christopher Marcinkoski, Alexander Robinson, ASLA, and Thaïsa Way, ASLA.

The Rome Prize, which provides significant time, research materials, and studio space at the academy’s recently restored Villa Aurelia in Rome, has long been a coveted honor. Described as “life changing” and “transformative” by the 1997–1998 fellow Mary Margaret Jones, FASLA, it is also a way of benchmarking where and how the concerns of landscape architecture converge with currents in the arts and humanities. Along with a cohort of musicians, writers, artists, scholars, and architects, the new landscape fellows will live and work in Rome for six months to a year.

Christopher Marcinkoski is an assistant professor at the University of Pennsylvania and a former senior associate at James Corner Field Operations. His project, “Rome, Empire Building, and the City That Never Was,” expands from the research in his forthcoming book, The City That Never Was, by looking at the emergence of speculative settlement and infrastructure projects. “My project in Rome intends to use the historical lens of Roman urbanization to think about ongoing projects that are being pursued in Africa,” Marcinkoski says. Using the example of megaprojects in Spain and Ireland that were begun but then abandoned during the recession, Marcinkoski says that these kinds of projects are now appearing in places such as Angola and Morocco, built by outside entities and sometimes in exchange for access to material resources. Coming off a long book project, Marcinkoski plans to use his time for more design experimentation, rather than written critique, though he notes that these speculative projects on the African continent deserve close attention. “There’s an incongruity between what is being proposed and what is needed.”

An interactive interface for the Owens Lake Dust Control Project explores the nexus of infrastructure performance and experience. Credit: Alexander Robinson

An interface for the Owens Lake Dust Control Project explores the nexus of infrastructure performance and experience. Credit: Alexander Robinson.

Alexander Robinson’s research deals with some of the major water infrastructure projects in the western United States; his work was recently featured in After the Aqueduct. He says that working on that exhibition helped him understand what he wanted to do with the Rome prize, and his project, “A Projective Picturesque: Reconciling Pictorial with Performance in Landscape Architecture,” will bring his research in infrastructure into a conversation with often-maligned picturesque aesthetics. Robinson is interested in “recognizing that there is a rift between performance and pictorial—there’s a lot more embedded in what we see than the scenic.” The project at the American Academy in Rome will take him back to his roots as a landscape painter to reconcile those aesthetics with the use of the planimetric design tools that are the mainstay of his current position as the director of the Landscape Morphologies Lab at the University of Southern California. “How do we think about the pictorial and the visual syntax of landscape architecture in the context of landscape infrastructure and performance?” he asks.

Thaïsa Way’s project, “Drawing a History of Landscape Architecture,” sounds perfectly scholarly, but it has an unexpected twist. The project will allow Way, a landscape historian, to study the relationship between drawing and landscape from its architectural origins to its current idiom as a form of professional communication. “I’m really interested in the history of drawing. It’s what makes us as a profession, makes us different. We use drawings to think, create, and communicate in a huge range of ways. How did those ways of thinking come to be?” But there’s more: “I am going to also draw—as a historian, to really understand what it is to draw, I need to draw!” she says. To do this, Way will look at the drawings of former landscape architecture fellows—the Rome Prize for landscape architecture was established in 1915, so she’ll have a deep archive to draw from—and then bring them to the sites where they were made, immersing herself in the relationships between the subject, the site, and the hand.  Way says experiencing the act of drawing will inform the way she writes about drawing. “As a historian and a critic, I read differently because I also write, and I wanted to have that same experience,” she says.

Part of why Way is excited about starting the fellowship in Rome is because of the way her work fits together with that of Marcinkoski and Alexander. All of the Rome Prize landscape projects in some way deal with issues that are in the forefront of contemporary practice, and each new fellow has pulled back and asked how history might inform these questions more fully. But they also speak to the field in other ways, tying individual research to the concerns of the field at large. Way says: “They’re all really about the profession, not just about ourselves.”

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PHOTOS AND TEXT BY TOM STOELKER

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Students stop to take a group photo on their environmental justice tour in Hunts Point.

Last November, Charles Orgbon, the 19-year-old founder and CEO of Greening Forward, was in New York City to organize the annual International Young Environmentalists Youth Summit. Outside his hotel near Times Square, he heard helicopters, sirens, and chanting. People were streaming onto the streets shouting, “Black lives matter!”

Earlier that day, Orgbon had been at the Point, a community center in the Hunts Point section of the South Bronx, the nation’s poorest congressional district. He met with teen leaders from ACTION, a group working on social and environmental justice issues. They took a selfie. Later that night, with frustration flowing through the streets of midtown, he studied the image, trying to make sense of the day.

(more…)

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Find the LAM staff out and about in May:

May 3–7

Lightfair International, New York City

May 8–9

River Cities: Historical and Contemporary, Washington, D.C.

May 14–16

AIA National Convention, Atlanta

May 16–17

International Landscape Architecture Symposium, Beijing Forestry University, Beijing

You can also find Landscape Architecture Magazine this spring at the following shows:

May 3–7

Lightfair International, New York City

May 13–15

HD EXPO, Las Vegas

May 14–16

AIA National Convention, Atlanta

And as always, at more than 400 Barnes & Noble stores.

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To see individual values by state, please click here, or the picture, for a full interactive map.

From the March 2015 issue of Landscape Architecture Magazine.

When you have more states with licensure for landscape architecture (all 50 now since 2010), you can expect growing numbers of landscape architects. In January, Julia Lent, ASLA’s managing director of government affairs, counted, as she does every couple of years, the names of resident licensees on each state’s licensure rolls and found there are currently 16,436 landscape architects in the United States. That’s an increase of 1,359 licensees (or 9 percent) over 2008. If you factor out Colorado, New Hampshire, and Vermont, which were later to licensure, the increase was 6 percent since 2008. Of 35 states with an increase, 19 had an increase of 10 percent or greater. By contrast, the number of architects has risen 3.3 percent since 2008; the number of engineers has risen by 2.7 percent.

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Find the LAM staff out and about in March and April:

March 19–21

LABash 2015, San Luis Obispo, CA

March 24–28

2015 CELA Conference, Manhattan, KS

March 27–28

The Harvard–Lincoln Institute Journalists Forum on Land and the Built Environment, Cambridge, MA

April 8-9

Therapeutic Landscapes Symposium, Philadelphia, PA

April 10

Ohio Chapter ASLA Annual Meeting, Columbus, OH

April 11–14

Greater & Greener 2015: Innovative Parks, Vibrant Cities,  San Francisco, CA

April 15–19

2015 Society of Architectural Historians Annual Conference, Chicago, IL

You can also find Landscape Architecture Magazine this spring at the following shows:

March 5–7

Hearth Patio and Barbecue Expo, Nashville, TN

March 19–22

Architectural Digest Home Design Show, New York, NY

April 13–15

Outdoor Design and Build Show, Dubai, UAE

April 14–17

Coverings, Orlando, FL

And as always, at more than 400 Barnes & Noble stores.

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