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BY BRIAN BARTH

One practitioner defies the handicaps of building Information modeling for landscape, determined not to remain an exception.

FROM THE AUGUST 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Meghen Quinn, ASLA, has a secret. BIM—an acronym that puts moonbeams in the eyes of architects, but makes some landscape architects cringe—is her software of choice. BIM, shorthand for building information modeling, is the 3-D, data-rich software platform embodied by Revit, a product launched in 2000 by Charles River Software and acquired by Autodesk two years later. By 2012, 70 percent of architecture firms in North America reported using BIM, and in 2016 the American Institute of Architects reported that BIM was used for nearly 100 percent of projects at large firms.

It seems that so few landscape architects use BIM, however, that no one has ever bothered to collect the data. Its reputation in the field is as a clunky, building-centric, overly complex tool that has put up yet another barrier between landscape designers and architects.

Yet Quinn, who merged her San Francisco practice with the Office of Cheryl Barton in January, is all moonbeams. Well, mostly. “I never want to use CAD again,” she says. “Moving to BIM is like (more…)

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“In our language, we have a word; it means, ‘They have no ears.’ They don’t listen, and that’s what was happening.”

—Marisa Miakonda Cummings, Omaha tribe member

Brenda Williams, ASLA, has been working on tribal landscapes for 20 years, but it’s what she’s learned not to do that defines her reputation: Talk first. Her work is a lesson in when and how to listen, and what to do, and not do, with what you hear. Timothy A. Schuler follows Williams as she facilitates a new master plan for Blood Run, a sacred site carved by the state lines of South Dakota and Iowa and years of exploitation. The photojournalist Louise Johns documents the land and the people.

If you don’t live in New York City, you can be forgiven for not knowing Randall’s Island. It’s not a destination park like Governors Island or a national monument like Ellis Island. It’s where the city’s residents go to play games—right up against a sewage treatment plant and some of the city’s most monumental infrastructure. After years of neglect, the playing fields and recreational amenities get a jolt of energy from MPFP, Starr Whitehouse, and Mathews Nielsen, among others.

Also in this issue: A new wetland park for Wilmington, Delaware, has layers of challenge. Jeanne Haffner explores Lawrence Halprin’s unbuilt plans for the Anacostia River in Washington, D.C.; the artist Zaria Forman gives us a preview of her new series on Antarctic icebergs; and the first biography of the landscape architect James Rose asks as many questions as it answers. The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting August articles as the month rolls out.

Credits: “Game On,” Sahar Coston-Hardy; “Ears to the Ground,” Louise Johns; “Wrong Side of the River,” Doug Baker, University of Delaware; “Getting Paid,” Dorothee Brand/Belathée Photography; “Traces of Self-Exile,” Courtesy James Rose Center; “BIM There, Done That,” Patrik Argast and O|CB; overlay by LAM.

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BY BRIAN BARTH

Cities are getting “smarter.” But are they getting wiser?

FROM THE JULY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

“Oh, no. My phone is dead. Better head to the park.”

Walk past the basketball court down at Anita Stroud Park, toward the little creek below, and you might find a gaggle of teens clustered around a very modern-looking bench that would seem more at home outside a coffee shop in Soho than in a tiny neighborhood park next to I-77 on the north end of Charlotte, North Carolina.

A pair of USB ports on a console on the front of the bench provides juice from the solar panel mounted at lap level between the seats. Who wouldn’t want to hang out at a bench like this? It certainly catches the eye of passersby. What these kids might not realize, however, is that this bench is watching them back. Underneath that solar panel is a small Wi-Fi enabled sensor that sends data back to an office building in East Cambridge, Massachusetts. Anyone who passes within 150 feet of the bench with a Wi-Fi enabled mobile device in their pocket is picked up by the sensor and (more…)

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Placing Martha Schwartz, FASLA, the past decade has been tricky to folks in the U.S. She has been teaching here, but otherwise has been anywhere else, working away. Now Schwartz has moved back to New York and says she wants to reconnect with her home ground. James Trulove talks with Schwartz in the July LAM about her practice and teaching, a focus on climate hazards, and recent work in China, where Trulove visited two projects in Beijing.

Liz Sargent, FASLA, doesn’t have a slick website or a press packet, but chances are you’ve probably been to one of the cultural landscapes she’s worked on, including nine U.S. World Heritage sites, 33 National Historic Landmarks, and more than 50 National Park Service sites. Kevan Williams takes a deep dive into her work documenting the Blue Ridge Parkway.

Being online means consenting to leaving a trail of personal data wherever we go, but what does consent mean when you’re in public space? Data-tracking furniture in our parks and cities can have a lot of community benefits, but is the technology way ahead of the privacy conversation? Brian Barth looks into the systems that are looking into us.

Also in this issue: podcasts for designers, not just about them; Meg Calkins, FASLA, on new sustainable concrete products; and just in time for your summer road trip, Jane Gillette reviews landscape architect Jack Williams’s Easy On, Easy Off: The Urban Pathology of America’s Small Towns, a book about how highways helped shape the country. The full table of contents for July can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting July articles as the month rolls out.

Credits: “Disrupting the Park Bench,” Melissa Gaston; “Context Clues,” Liz Sargent, FASLA; “Martha Schwartz, Reconnecting,” Sahar Coston-Hardy; “Concrete Minus Carbon,” Chicago Department of Transportation; “Reopened for Business,” EPNAC.COM; “Pictures in Sound,” Courtesy Mark Morris, ASLA.

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BY DANIEL TAL, ASLA

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When it comes to new technologies, small investments can lead to big returns.

FROM THE MARCH 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

As at many small firms, five years ago, the technology in THK Associates’s office mainly consisted of hand-drawn plans, some 3-D modeling, Photoshop, and CAD. Now, the firm is incorporating drones, 3-D printing, and virtual reality into many of its projects. Thanks in large part to Jon Altschuld, ASLA, a landscape architect and project manager at the Denver-based firm, THK is an example of how small firms can integrate new technologies into practice with little overhead.

On a number of recent projects, the firm used drones to collect 3-D terrain data and turn it into high-resolution aerials. Using an application called Maps Made Easy, Altschuld can automate the flight path of the firm’s Phantom 4 drone in as little as 15 minutes. The drone snaps a series of photographs that are then uploaded to Maps Made Easy’s cloud server, (more…)

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BY BRIAN BARTH

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3-D Scanning and the holographic landscape.

FROM THE JANUARY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE

It’s been more than a decade since Google Earth put 3-D mapping in the hands of anyone with an Internet connection. Now, armchair map geeks can fly through the skyline of virtually any city in the world to check out, say, the architecture of the Louvre or take a virtual stroll through the Jardin des Tuileries using Google Street View. The ability to cost-effectively produce such imagery on a global scale stems in part from advances in 3-D scanning, a term of art that encompasses LiDAR (light detection and ranging), drone-based photography, ground-penetrating radar, and other advanced imaging technologies.

Three-dimensional scanning has become so inexpensive and user-friendly that design firms are starting to experiment with it. Architects and engineers use it to help create as-built drawings of bridges and buildings and for “clash detection” when designing additions or renovations of historic structures. Urban planners use it as a visualization tool when modeling different development scenarios. Anything that can be 3-D scanned can be 3-D printed, and (more…)

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Many eyes are hungrily on the Arctic. The polar region is opening to resource hunters and shippers who see huge advantages in the unfortunate loss of its ice. Heavier development will inevitably find its way north, with enormous impact to ecology and indigenous societies. This month, Jessica Bridger, a LAM contributing editor, reports on the research by Leena Cho and Matthew Jull and their Arctic Design Group. Cho is an assistant professor of landscape architecture and Jull is an assistant professor of architecture at the University of Virginia. They have taken landscape and architecture students to Svalbard, about as north as the settled north gets, to study urbanization patterns and develop design responses to the environmental challenges of industry amid the receding ice and shifting permafrost—signs of much more to come.

In Catalonia, Tim Waterman views the city of Girona as the landscape architect Martí Franch has connected it—humanely, narratively—through removal of vegetation that opens up views and creates connections. It’s as much an act of radical maintenance as it is design. And in El Paso, Mark Hough, FASLA, considers the University of Texas campus newly designed by Ten Eyck Landscape Architects of Austin. It regenerates the desert site (with its Bhutanese architecture) with the vigor you would expect from Christine Ten Eyck, FASLA. In the Back section, Anne Whiston Spirn, FASLA, writes on the work of the artists Helen and Newton Harrison and its suggestive flow into landscape architecture. And in Books, Julia Czerniak reviews The Course of Landscape Architecture by Christophe Girot.

In Now, read about postcoal scenarios for Utah and new moves in Scandinavian urbanism. The Office section asks firms about their collaboration software setups. In Water, Sasaki has helped Cedar Rapids, Iowa, get ready for its next big flood. In Tech, we have the intriguing potential of 3-D scanning for landscapes. And in Goods this month, we have fences—but only nice, almost come-hither fences. The full table of contents for January can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating January articles as the month rolls out.

Credits: “Permafrost Urbanists,” Jessica Bridger; “It’s About Time,” Estudi Martí Franch; “Desert Bloom,” Adam Barbe, ASLA; “Second Chances,” Sasaki; “Infinite Mapping,” Tommy Jordan; “Sharing Is Wearing,” Norris Design; “The Art of Inquiry, Manifestation, and Enactment,” Piet Janmaat

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